London matchgirls strike of 1888
From Wikipedia, the free encyclopedia
The London matchgirls strike of 1888 was a strike of the women and teenage girls working at the Bryant and May Factory in Bow, London. The strike was prompted by the poor working conditions in the match factory, including fourteen-hour work days, poor pay, excessive fines, and the severe health complications of working with yellow (or white) phosphorus, such as phossy jaw.[1]
Led by Socialist activist Annie Besant, with the support of Herbert Burrows, the strike began in June 1888. Three weeks later, the factory owners agreed to rehire the strikers and end the fine system.[1]
Contents |
[edit] The campaign against yellow phosphorus matches
Besant and others continued to campaign against the use of yellow phosphorus in matches.
In 1891, the Salvation Army opened up its own match factory in the Bow district of London, using less toxic red phosphorus and paying better wages.[1] Part of the reason behind this match factory was the desire to improve the conditions of home workers, including children, who dipped yellow phosphorus-based matches at home.[2] Several children died from eating these matches. Interestingly, the Salvation Army match factory had lower rates of phossy jaw than did the Bryant and May factory in the same locality; this was due to improved working conditions.[citation needed]
The Bryant and May factory received bad publicity from these events, and in 1901 they announced that their factory no longer used yellow phosphorus.[1] Ironically, the owners (Francis May and William Bryant), who were both Quakers, had started importing red-phosphorus based safety matches from John Edvard Lundström, in Sweden, in 1850.[3] However, Bryant and May's safety matches sales had increased 10-fold by 1855 and Lundstrom was unable to increase his production any further; so they bought his UK Patent, and with his assistance, built a model safety match factory in Bow.[3] They started using red phosphorus in 1855, but could not compete on price against the much cheaper yellow phosphorus-based matches; hence the use of child labour.
The Salvation Army had the same problem; their own matches were initially three times the price of yellow phosphorus-based matches. They had some partial success, because many of their supporters refused to buy yellow phosphorus-based matches; they automated much of the match-making processes, but not box filling, thus bringing down costs; and, the use of child labour in dangerous trades was prohibited. The factory still struggled to compete on price; and after 1898 the War Cry ceased to advertise their matches.[2] Their last make-or-break advertisement was run on 24 February 1900.[2] The Salvation Army match factory finally closed and it was taken over by Bryant and May on 26 November 1901.[4]
In 1908 the British House of Commons passed an Act prohibiting the use of yellow phosphorus in matches after 31 December 1910. This was the United Kingdom's implementation of the 1906 Berne Convention on the prohibition of white phosphorus in matches.[4]
[edit] The Musical
In the 1960's, the British actor Bill Owen collaborated with songwriter Tony Russell to create a musical about the 1888 matchgirls strike. The musical Premiered at the Globe Theatre, London on Tuesday 1st March 1966 and a cast recording from this time is still available. There has never been a major London production since that time, although the musical was later published by Samuel French Ltd in 1979.
The musical focuses on the lifestyle of the match cutters at the Bryant & May factory in Bow, London, with strong references to the condition Phossy Jaw and the political climate of the era. With much of the action set in the incongruously named, but fictional, 'Hope Court', the musical portrays Bryant & May as callous and uncaring employers, with factory foreman 'Mr Mynel' representing the threatening and imposing regime in which the girls were forced to work.
The central character of the musical is 'Kate', a tenement girl and factory worker, who writes to 'Annie Besant' to ask for help in seeking reform at the factory. The story follows Kate and Annie's attempts to rally the girls, leading Kate to become a reckless strike-leader and a key player in the creation and recognition of the union. There is also a sub plot in which Kate's involvement in the strike puts strain on her relationship with docker 'Joe'.
Despite the subject matter of the musical, a strong emphasis is placed on the positive mentality and natural ebulliance of the so called 'cockney sparrows', this leading to a number of cheerful and entertaining vocal numbers and dance routines.
[edit] Notes
[edit] References
- Emsley, John (2000). The Shocking History of Phosphorus: A Biography of the Devil's Element. Macmillan. ISBN 0-333-76638-5.
- Beaver, Patrick (1985). The Match Makers: The Story of Bryant & May. Henry Melland Limited. ISBN 0-907929-11-7.
- Threlfall, Richard (1952). The Story of 100 Years of Phosphorus Making: 1851 - 1951. Albright & Wilson.
- Matchgirls Strike. Spartacus Educational. Retrieved on 2006-05-19.
