List of works by Mary Shelley

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Richard Rothwell, Mary Shelley, (1839-40)
Richard Rothwell, Mary Shelley, (1839-40)

This is a list of works by Mary Shelley.

The following list is drawn from W. H. Lyles's Mary Shelley: An Annotated Bibliography and Mary Shelley's Literary Lives and Other Writings. It lists first editions of works authored by Mary Shelley, except where indicated.

Contents

[edit] Journals and letters

  • —. The Journals of Mary Shelley, 1814–44. Ed. Paula R. Feldman and Diana Scott-Kilvert. Baltimore: Johns Hopkins University Press, 1995. ISBN 0801850886.[1]
  • —. The Letters of Mary Wollstonecraft Shelley. 3 vols. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 1980. ISBN 0801822750.[2]

[edit] Novels

[edit] Travel narratives

  • Shelley, Mary and Percy Bysshe Shelley. History of a Six Weeks' Tour through a Part of France, Switzerland, Germany, and Holland: with Letters Descriptive of a Sail round the Lake of Geneva, and of the Glaciers of Chamouni. London: T. Hookham, Jun.; and C. and J. Ollier, 1817.
  • —. Rambles in Germany and Italy, in 1840, 1842, and 1843. 2 vols. London: Edward Moxon, 1844.

[edit] Short stories

  • —. "A Tale of the Passions, or, the Death of Despina". The Liberal 1 (1822): 289–325.
  • —. "The Bride of Modern Italy". The London Magazine 9 (1824): 351–363.
  • —. "Lacy de Vere". Forget Me Not for 1827. 1826.[3]
  • —. "The Convent of Chailot". The Keepssake for MDCCCXXVIII.[4]
  • —. "The Sisters of Albano". The Keepsake for MDCCCXXIX. Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, by Hurst, Chance, and Co., and R. Jennings, 1828.
  • —. "Ferdinando Eboli. A Tale". The Keepsake for MDCCCXXIX. Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, by Hurst, Chance, and Co., and R. Jennings, 1828.
  • —. "The Mourner". The Keepsake for MDCCCXXX. Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, by Hurst, Chance, and Co., and R. Jennings, 1829.
  • —. "The Evil Eye. A Tale". The Keepsake for MDCCCXXX. Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, by Hurst, Chance, and Co., and R. Jennings, 1829.
  • —. "The False Rhyme". The Keepsake for MDCCCXXX. Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, by Hurst, Chance, and Co., and R. Jennings, 1829.
  • —. "Transformation". The Keepsake for MDCCCXXXI. Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, by Hurst, Chance, and Co., and R. Jennings and Chaplin, 1830.
  • —. "The Swiss Peasant". The Keepsake for MDCCCXXXI. Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, by Hurst, Chance, and Co., and R. Jennings and Chaplin, 1830.
  • —. "The Dream, A Tale". The Keepsake for MDCCCXXXII. Ed. Frederick Mansel Reynolds. London: Published by Longman, Rees, Orme, Brown, and Green, 1831.
  • —. "The Pole". The Court Magazine and Belle Assemblée. 1 (1832): 64–71.
  • —. "The Brother and Sister, An Italian Story". The Keepsake for MDCCCXXXIII. Ed. Frederick Mansel Reynolds. London: Published by Longman, Rees, Orme, Brown, Green, and Longman/Paris: Rittner and Goupill/Frankfurt: Charles Jügill, 1832.
  • —. "The Invisible Girl". The Keepsake for MDCCCXXXIII. Ed. Frederick Mansel Reynolds. London: Published by Longman, Rees, Orme, Brown, Green, and Longman/Paris: Rittner and Goupill/Frankfurt: Charles Jũgill, 1832.
  • —. "The Moral Immortal". The Keepsake for MDCCCXXXIV. Ed. Frederick Mansel Reynolds. London: Published by Longman, Rees, Orme, Brown, Green, and Longman/Paris: Rittner and Goupill/Berlin: A. Asher, 1833.
  • —. "The Elder Son". Heath's Book of Beauty. 1835. Ed. Countess of Blessington. London: Longman, Rees, Orme, Brown, Green, and Longman/Paris: Rittner and Goupil/Berling: A. Asher, 1834.
  • —. "The Trial of Love". The Keepsake for MDCCCXXXV. Ed. Frederick Mansel Reynolds. London: Published for Longman, Rees, Orme, Brown, Green, and Longman/Paris: Rittner and Goupill/Berlin: A. Asher, 1834.
  • —. "The Parvenue". The Keepsake for MDCCCXXXVII. Ed. The Lady Emmeline Stuart Wortley. London: Published for Longman, Rees, Orme, Green, and Longman/Paris: Delloy and Co., 1836.
  • —. "The Pilgrims". The Keepsake for MDCCCXXXVIII. London: Published by Longman, Orme, Brown, Green, and Longmans/Paris: delloy and Co., 1837.
  • —. "Euphrasia, a A Tale of Greece". The Keepsake for MDCCCXXXIX. Ed. Frederic Mansel Reynolds. London: Published for Longman, Orme, Brown, Green, and Longmans/Paris: Delloy and Co., 1838.
  • —. The Heir of Mondolpho". Appleton's Journal: A Monthly Miscellany of Popular Literature (NY) N.S. 2 (1877): 12–23.

[edit] Children's literature

  • —. Proserpine. The Winter's Wreath for 1832. London: Wittaker, Treacher, and Arnot, n[o].d[ate].[5]
  • —. "Shelley Corrections in the Original draft of Mary's Two-Act Drama of "Proserpine" (1820)". Nation & The Athenaeum 28 (19 March 1921): 876–77.
  • —. "Midas". Proserpine & Midas. Two unpublished Mythological Dramas by Mary Shelley. Ed. A. H. Koszul. London: Humphrey Milford, 1922.
  • —. Maurice; or, The Fisher's Cot. Ed. Claire Tomalin. London: Viking, 1998.[6]

[edit] Articles and reviews

  • —. "Madame D'Houtetôt". The Liberal 2 (1823): 67–83.
  • —. "Giovanni Villani". The Liberal 2 (1823): 281–297.
  • —. "Narrative of a Tour round the Lake of Geneva, and of an Excursion through the Valley of Chamouni". La Belle Assemblée, or Court and Fashionable Magazine NS 28 (1823): 14–19.
  • —. "Recollections of Italy". The London Magazine 9 (1824): 21–26.
  • —. "On Ghosts". The London Magazine 9 (1824): 253–256.
  • —. "Defense of Velluti". The Examiner 958 (11 June 1826): 372–373.
  • —. "The English in Italy". Westminster Review 6 (1826): 325–341.[7]
  • —. "Review of The Italian Novelists". Westminster Review 7 (1827): 115–26.[8]
  • —. "Illyrian Poems—Feudal Scenes". Westminster Review 10 (1829): 71–81.[9]
  • —. "Modern Italy". Westminster Review 11 (1829): 127–140.[10]
  • —. "Review of The Loves of the Poets". Westminster Review 11 (1829): 472–477.
  • —. "Recollections of the Lake of Geneva". The Spirit and Manners of the Age 2 (1829): 913–920.
  • —. "Review of Cloudesley; a Tale". Blackwood's Edinburgh Magazine 27 (1830): 711–716.
  • —. "Review of 1572 Chronique du Temps de Charles IX—Par l'Auteur du Theatre de Clara Gazul". Westminster Review 13 (1830): 495–502.
  • —. "Memoirs of William Godwin". William Godwin. Caleb Williams. London: Colburn and Bentley, 1831.
  • —. "Review of Thomas Moore. The Life and Death of Lord Edward Fitzgerald". Westminster Review 16 (1831): 110–121.
  • —. "Living Literary Characters, No. II. The Honourable Mrs. Norton". New Monthly Magazine and Literary Journal 1 (1831): 180–183.
  • —. "Living Literary Characters, No. IV. James Fenimore Cooper". New Monthly Magazine and Literary Journal 1 (1831): 356–362.
  • —. "Modern Italian Romances, I". Monthly Chronicle (November 1838): 415-28.[11]
  • —. "Modern Italian Romances, II". Monthly Chronicle (December 1838): 547-57.[12]

[edit] Translations

  • —. "Relation of the Death of the Family of the Cenci". The Poetical Works of Percy Bysshe Shelley. Ed. Mrs. Shelley. 4 vols. London: Edward Moxon, 1839.[13]

[edit] Edited works

  • Shelley, Percy Bysshe. Posthumous Poems of Percy Bysshe Shelley. London: Printed for John and Henry L. Hunt, 1824.
  • Trelawny, Edward John. Adventures of a Younger Son. London: Colburn and Bentley, 1831.
  • Godwin, William, Jr. Transfusion; or, The Orphan of Unwalden. London: Macrone, 1835.
  • Shelley, Percy Bysshe. The Poetical Works of Percy Bysshe Shelley. Ed. Mrs. Shelley. 4 vols. London: Edward Moxon, 1839.
  • Shelley, Percy Bysshe. Essays, Letters from Abroad, Translations and Fragments, by Percy Bysshe Shelley. Ed. Mrs. Shelley. 2 vols. London: Edward Moxon, 1840 [1839].

[edit] Biographies

Title Authors Publication Notes
Lives of the most Eminent Literary and Scientific Men of Italy, Spain, and Portugal, Vol. I Mary Shelley and James Montgomery Vol. 86 of The Cabinet of Biography, Conducted by the Rev. Dionysius Lardner (Lardner's Cabinet Cyclopedia). London: Printed for Longman, Orme, Brown, Green, & Longman; and John Taylor, 1835. Authorship is uncertain regarding some of the biographies in the volume. According to Mary Shelley's Literary Lives and Other Writings, Mary Shelley wrote the following lives: Petrarch, Boccaccio, Lorenzo de'Medici, Marsiglio Ficino, Giovanni Pico della Mirandola, Angelo Poliziano, Bernardo Pulci, Luca Pulci, Luigi Pulci, Cieco Da Ferrara, Burchiello, Bojardo, Berni, Machiavelli.[14]
Lives of the most Eminent Literary and Scientific Men of Italy, Spain, and Portugal, Vol. II Mary Shelley, James Montgomery, and Sir David Brewster Vol. 87 of The Cabinet of Biography, Conducted by the Rev. Dionysius Lardner (Lardner's Cabinet Cyclopedia). London: Printed for Longman, Orme, Brown, Green, & Longman; and John Taylor, 1835. Authorship is uncertain regarding some of the biographies in the volume. According to Mary Shelley's Literary Lives and Other Writings, Mary Shelley wrote the following lives: Guicciardini, Vittoria Colonna, Guarini, Chiabrera, Tassoni, Marini, Filicaja, Metastasio, Goldoni, Alfieri, Monti, Ugo Foscolo.[15]
Lives of the most Eminent Literary and Scientific Men of Italy, Spain, and Portugal, Vol. III Mary Shelley [and others] Vol. 88 of The Cabinet of Biography, Conducted by the Rev. Dionysius Lardner (Lardner's Cabinet Cyclopedia). London: Printed for Longman, Orme, Brown, Green, & Longman; and John Taylor, 1837. According to Mary Shelley's Literary Lives and Other Writings, Mary Shelley wrote the biographies of: Boscan, Garcilaso de la Vega, Diego Hurtado de Mendoza, Luis de Leon, Herrera, Saa de Miranda, Jorge de Montemayor, Castillejo, Cervantes, Lope de Vega, Vicente Espinel, Estaban de Villegas, Góngora, Quevedo, Calderón, Ribeyro, Gil Vicente, Ferreira, Camoens.[16]
Lives of the most Eminent Literary and Scientific Men of France, Vol. I Mary Shelley [and others] Vol. 102 of The Cabinet of Biography, Conducted by the Rev. Dionysius Lardner (Lardner's Cabinet Cyclopedia). London: Printed for Longman, Orme, Brown, Green, & Longman; and John Taylor, 1838. According to Mary Shelley's Literary Lives and Other Writings, Mary Shelley wrote the following biographies: Montaigne, Corneille, Rouchefoucauld,[17] Molière, Pascal, Madame de Sévigné, Boileau, Racine, Fénélon.[18]
Lives of the most Eminent Literary and Scientific Men of France, Vol. II Mary Shelley Vol. 103 of The Cabinet of Biography, Conducted by the Rev. Dionysius Lardner (Lardner's Cabinet Cyclopedia). London: Printed for Longman, Orme, Brown, Green, & Longman; and John Taylor, 1839. This volume contains the following biographies: Voltaire, Rousseau, Condorcet, Mirabeau, Madame Roland, Madame de Stael.[19]

[edit] Poems

Poem First publication Manuscript Attribution Composition date
"Absence; 'Ah! he is gone—and I alone!—'" The Keepsake for MDCCCXXXI. Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, by Hurst, Chance, and Co., and Jennings and Chaplin, 1830. British Library, Ashley MS A 4023, fair copy in MS's handwriting[20]
"A Dirge; 'This morn, thy gallant bark, love'" The Keepsake for MDCCCXXXI. Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, by Hurst, Chance, and Co., and Jennings and Chaplin, 1830. Earliest extant manuscript at Harvard University fMS. Eng. 822, dated November 1827; second manuscript in a letter MS wrote to Maria Gisborne on 11 June 1835[21] November 1827 and 11 June 1835
"A Night Scene; 'I see thee not, my gentlest Isabel'" The Keepsake for MDCCCXXXI. Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, by Hurst, Chance, and Co., and Jennings and Chaplin, 1830. Published anonymously in the Keepsake, first attributed by Nitchie and confirmed by Palacio through a sales catalogue listing an autograph poem called "A Night Scene"[22]
"Song; 'When I'm no more, this harp that rings'" The Keepsake for MDCCCXXXI. Ed. Frederic Mansel Reynolds. London: Published for the Proprietor, by Hurst, Chance, and Co., and Jennings and Chaplin, 1830. This poem is included in Lyles's bibliography but not in the more recent Clemit and Markley edition of MS's works.
"The Death of Love" Bennett, Betty T. "Newly Uncovered Letters and Poems by Mary Wollstonecraft Shelley". Keats-Shelley Journal 46 (1997): 51–74. The only surviving manuscript, dated 19 November 1831, is found in an autograph album owned by Birkbeck, University of London and entitled "Mrs. G. Birkbeck / ALBUM / September, MDCCCXXV".[23] This poem is not listed in Clemit and Markley but not in Lyles. 19 November 1831
"To Love in Solitude and Mystery" The Keepsake for MDCCCXXXII. Ed. Frederic Mansel Reynolds. London: Longmans, Rees, Orme, Brown and Green, 1832. Pforzheimer Collection, New York Public Library Published anonymously. Attribution was first suggested by Emily W. Sunstein and confirmed in Bennett, Betty T. "Newly Uncovered Letters and Poems by Mary Wollstonecraft Shelley". Keats-Shelley Journal 46 (1997): 51–74.[24] This poem is included in Clemit and Markley's edition of MS's works but not in Lyles's bibliography.
"I Must Forget Thy Dark Eyes' Love-Fraught Gaze" The Keepsake for MDCCCXXXII. Ed. Frederic Mansel Reynolds. London: Longmans, Rees, Orme, Brown and Green, 1832. Berg Collection, New York Public Library Published anonymously. Attributed by Emily Sunstein.[25] This poem is included in Clemit and Markley's edition of MS's works but not in Lyles's bibliography.
"Ode to Ignorance; 'Hail, Ignorance! majestic queen!'" The Metropolitan Magazine 9 (1834): 29–31. This poem is included in Lyles's bibliography but not in the more recent Clemit and Markley edition of MS's works.
"Fame" The Drawing-Room Scrap-Book. 1835. 1834. This poem is included in Lyles's bibliography but not in the more recent Clemit and Markley edition of MS's works.
"How like a star you rose upon my life" The Keepsake for MDCCCXXXIX. Ed. Frederick Mansel Reynolds. London: Published for Longman, Orme, Brown, Green, and Longmans/Paris: Delloy and Co., 1838.
"To the Death; 'O, Come to me in dreams, my love'" The Keepsake for MDCCCXXXIX. Ed. Frederic Mansel Reynolds. London: Longman, Orme, Brown, Green, and Longmans, 1839. Collection of Samuel Loveman 15 December 1834
"Oh Listen While I sing to Thee," Canzonet, With Accompaniment for the Harp or Piano Forte, Composed and Inscribed to his Friend Berry King, Esqr. by Henry Hugh Pearson, Professor of Music in the University of Edinburgh London: D'Almaine and Co. [c.1842][26] Bodleian Library and British Library 12 March 1838
The Choice. a Poem on Shelley's Death by Mary Wollstonecraft Shelley Ed. Harry Buxton Forman. London: Printed for the Editor for Private Distribution, 1876. Two versions of the poem exist: One is the Forman edition, drawn from a manuscript sent to Forman, and the other is in MS's journal (Ab. Dep. 311/4, pp. 100–06).[27] May – July 1823
"On Reading Wordsworth's Lines on Peel [sic] Castle; 'It is with me, as erst with you" Grylls, Rosalie Glynn. Mary Shelley: A Biography. London: Oxford University Press, 1938. Two manuscripts survive, both dated 8 December 1825: Ab. Dep. c. 516 and Ab. Dep. d. 311/4. The second manuscript version was published in Grylls.[28] 8 December 1825
"Fragment; (To Jane with the Last [Man]) 'Tribute for thee, dear solace of my life'" Grylls, Rosalie Glynn. Mary Shelley: A Biography. London: Oxford University Press, 1938. Ab. Dep. d. 311/4, p. 109 c. 23 January 1826
"Tempo e' piu di Morire/Io ho tardato piu ch' i' non vorrei: 'Sadly borne across the waves'" Ed. Elizabeth Nitchie. Mary Shelley: Author of Frankenstein. New Brunswick: Rutgers University Press, 1953. Bodleian MS Shelley adds. c. 5, f. 101 1833
"La Vida es sueño; 'The tide of Time was at my feet'" 1833 version published by Jean de Palacio in 1969; 1834 version published in Ed. Elizabeth Nitchie. Mary Shelley: Author of Frankenstein. New Brunswick: Rutgers University Press, 1953. Personal collection of Jean de Palacio and Bodleian MS Shelley adds. c. 5, f. 101 26 July 1833 and 1834
"Fair Italy! Still Shines Thy Sun as Bright" Bennett, Betty T. "Newly Uncovered Letters and Poems by Mary Wollstonecraft Shelley". Keats-Shelley Journal 46 (1997): 51–74. Fales Manuscript Collection, Fales Library, New York University This poem is included in Clemit and Markley's edition of MS's works but not in Lyles's bibliography. 10 September 1833

[edit] Fragments

Title Date Manuscript Summary Notes
"History of the Jews" c. 1812–16 Ab. Dep. c. 477/2, ff. 22-37 This fragment is written in MS's handwriting and "draws on particularly passages in the Old Testament books of Genesis, Exodus, Joshua and Judges and follows a common 'Jacobin' mode in which the veracity of the Old Testament is disproved by foregrounding absurdities and inconsistencies in the narrative, the ultimate aim being to undermine the tenets of Christianity by taking apart the credibility of its foundation in the Hebrew scriptures".[29] Jane Blumberg has attributed it to MS (but with a strong influence from PBS). Others believe it to be a translation of an unknown French anti-clerical work. It could also be a dictated work.[30] This fragment is included in Clemit and Markley but not in Lyles.
"Theseus" 1815? Ab. Dep. c. 477/2, ff. 20-1 This fragment describes Theseus, drawing on Plutarch's Parallel Lives.[31] This fragment is included in Clemit and Markley but not in Lyles.
"Cyrus" 1815? Ab. Dep. c. 477/1, f.63 and Ab. Dep. c. 534/1, f. 95 This fragment is a brief life of Cyrus the Great of Persia and a summary of the achievements of ancient Chaldea, India, and Egypt.[32] This fragment is included in Clemit and Markley but not in Lyles.
"Address to the Duchess of Angoulême" c. 1815–16 Bodleian MS Shelley adds. c. 5, f. 92-93 This is a fragment written in MS's handwriting of an "imaginary address from a dead speaker in the manner of Lucian's Dialogues of the Dead".[33] The addressee is Marie-Thérèse Charlotte, Duchess d'Angoulême, the only surviving child of Louis XVI and Marie Antoinette and the leader of an Ultra-Royalist party following Napoleon's defeat. The speaker in Mary I of England. MS may have written this work herself, may have taken this work in dictation from PBS, or the two may have authored it together.[34] This fragment is included in Clemit and Markley but not in Lyles.
"Correspondence of Louis XVI" 1816 Ab. Dep. c. 477/2, ff. 1-19 This fragment is a partial translation of Correspondance politique et confidentielle inédite de Louis XIV, Avec ses frères, et plusieurs personnes célèbres, pendant les dernières années de son règne, et jusqu'à sa mort, avec des observations par Hélene-Maria Williams. 2 vols. Paris: Debray, 1803.[35] This fragment is included in Clemit and Markley but not in Lyles.
"Cupid and Psyche" November 1817 Library of Congress MSS 13,290, pp. 35-65 and Bodleian MS Shelley adds. e. 2 This fragment is a partial translation of the tale of "Cupid and Psyche" from Apuleius's Golden Ass.[36] This fragment is included in Clemit and Markley but not in Lyles.
"Samuel" 1819-20 Ab. Dep. e. 274, pp. 3-24 This fragment is an abridgement of the first fifteen chapters of the 1 Samuel. It may be modelled on William Godwin's children's book Bible Stories (1802).[37] This fragment is included in Clemit and Markley but not in Lyles.
"The Necessity of a Belief in the Heathen Mythology to a Christian" 1820 Ab. Dep. e. 274, pp. 102 rev.-97 rev., 92 rev. This fragment is a "gathering of notes (with touches of dry wit) towards an argumentative essay".[38] According to Markley, "its purpose appears strategic: to undermine the claims of Judaeo-Christian scriptures in order to assert the beauty and superior morality of classical myth".[39] This fragment is included in Clemit and Markley but not in Lyles.
"Cry of War to the Greeks" 2–5 April 1821 Bodleian MS Shelley adds. c. 5, ff. 91, 34 This fragment is an unfinished rough draft translation of the Greek patriot and war-leader's Alexander Ypsilanti's call to arms. The finished copy was sent to London to accompany pro-Greek newspaper articles, but has disappeared. The translation is a collaborative effort between MS and PBS.[40] This fragment is included in Clemit and Markley but not in Lyles.
"Life of Shelley" 10 February 1823, 2 March 1823, and 25 March 1823 Bodleian MS Shelley adds. c. 5 ff. 113-118 This fragment "presents a vivid portrait of Mary Shelley in the early stages of her widowhood...The fragments include an assessment of [Percy Bysshe Shelley's] personality and character and some anecdotes of his boyhood found nowhere else."[41] This fragment is included in Clemit and Markley but not in Lyles.
"God of the Best the Brightest" 30 December 1824 and 6 January 1825 Pierpont Morgan Library, MA 406 This poetic fragment may be a quotation from another writer or it may be by MS.[42]
"Alas I weep my life away" 14 August 1831 Journal V, Ab. Dep. d. 311/5 This poetic fragment may be a quotation from another writer or it may be by MS.[43]
" "Struggle no more, my Soul with the sad chains" 16 August 1831 Journal V, Ab. Dep. d. 311/5 This poetic fragment may be a quotation from another writer or it may be by MS.[44]
"Cecil" 1844 Ab. Dep. 3. 229, pp. 1-32 "Cecil" is the last known piece of writing authored by Mary Shelley.[45] This fragment is included in Clemit and Markley but not in Lyles.
"Inez de Medina" 1848-50 Ab. Dep. c. 767/3, pp. 129-46, 147-164 This fragment is a partial translation of the novel Inez de Medina by Laura Galloni.[46] This is the last known work-in-progress by Mary Shelley.[47] This fragment is included in Clemit and Markley but not in Lyles.

[edit] Notes

  1. ^ Not included in Lyles.
  2. ^ Not included in Lyles.
  3. ^ This story is listed in Clemit and Markley, but not in Lyles.
  4. ^ Clemit and Markley write that the case for attribution to MS is "strongly suggestive" (lxxxiv). This story is listed in Clemit and Markley, but not in Lyles.
  5. ^ Clemit and Markley do not list this publication but Lyles does. Citation from Judith Pascoe, "Proserpine and Midas", The Cambridge Companion to Mary Shelley, Ed. Esther Schor, Cambridge: Cambridge University Press (2003), 190, n. 13.
  6. ^ This manuscript was discovered after the publication of Lyles's bibliography, therefore it is only included in Clemit and Markley.
  7. ^ Review of The English in Italy, Continental Adventures. A Novel, and Diary of an Ennuyée.
  8. ^ Clemit and Markley do not feel that there is enough evidence to fully attribute this review of Thomas Rocoe's The Italian Novelists (1825) to Mary Shelley.
  9. ^ Review of Prosper Mérimée's La Guzla, ou Choir de Poesies Illyriques recueillies dans la Dalmatie, la Croatie et l'Herzegowine; and La Jaquerie; Feudal Scenes, follwed by the Family of Carvajal, a Drama.
  10. ^ Review of Italy as it is; and J. Simond's A Tour in Italy and Sicily.
  11. ^ Listed in Clemit and Markley but not in Lyles.
  12. ^ Listed in Clemit and Markley but not in Lyles.
  13. ^ This story is the basis for Percy Shelley's play The Cenci (1819). The translation is included in Clemit and Markley but not in Lyles.
  14. ^ Tilar J. Mazzeo, "Introduction by the Editor of Italian Lives", Literary Lives, Vol. 1, xlviii-li.
  15. ^ Tilar J. Mazzeo, "Introduction by the Editor of Italian Lives", Literary Lives, Vol. 1, li-lvi.
  16. ^ Lisa Vargo, "Editor's Introduction Spanish and Portuguese Lives", Literary Lives, Vol. 2, xxviii-xxxiv.
  17. ^ Clarissa Campbell Orr, "Editor's Introduction French Lives", Literary Lives, Vol. 2, liv-lvii.
  18. ^ Clarissa Campbell Orr, "Notes on French Lives I", Literary Lives, Vol. 3, xiii-xviii.
  19. ^ Clarissa Campbell Orr, "Notes on French Lives II", Literary Lives, Vol. 3, xviii-xxii.
  20. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, xxxii.
  21. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, xxxiii.
  22. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, xxxiv.
  23. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, xxxiv.
  24. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, xxxv.
  25. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, xxxv.
  26. ^ Lyrics by Mary Shelley, music by Henry Hugh Pearson.
  27. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, xxxi.
  28. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, xxxii.
  29. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, lxxii.
  30. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, lxxii.
  31. ^ A. A. Markley, "Introduction", Literary Lives. Vol. 4, xlviii.
  32. ^ A. A. Markley, "Introduction", Literary Lives. Vol. 4, xlix.
  33. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, lxxvi.
  34. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, lxxvi-lxxviii.
  35. ^ A. A. Markley, "Introduction", Literary Lives. Vol. 4, lx.
  36. ^ A. A. Markley, "Introduction", Literary Lives. Vol. 4, lxii.
  37. ^ A. A. Markley, "Introduction", Literary Lives. Vol. 4, li.
  38. ^ A. A. Markley, "Introduction", Literary Lives. Vol. 4, lii.
  39. ^ A. A. Markley, "Introduction", Literary Lives. Vol. 4, liv.
  40. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, lxxviii-lxxix.
  41. ^ A. A. Markley, "Introduction", Literary Lives. Vol. 4, lv.
  42. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, lxxx.
  43. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, lxxx.
  44. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, lxxx.
  45. ^ A. A. Markley, "Introduction", Literary Lives. Vol. 4, xlvi.
  46. ^ A. A. Markely, "Introduction", Literary Lives, Vol. 4, lxvii.
  47. ^ A. A. Markley, "Introduction", Literary Lives, Vol. 4, lxix.

[edit] Bibliography

  • Lyles, W. H. Mary Shelley: An Annotated Bibliography. New York: Garland Publishing, 1975. ISBN 0824099931.
  • Mazzeo, Tilar J., ed. Mary Shelley's Literary Lives and Other Writings. 4 vols. London: Pickering & Chatto, 2002. ISBN 1851967168.

[edit] External links

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Works
Mounseer Nongtongpaw · History of a Six Weeks' Tour · Frankenstein · Mathilda · Proserpine · Midas · Valperga · Maurice · The Last Man · The Fortunes of Perkin Warbeck · Lodore · Falkner · Rambles in Germany and Italy · Lives of the Most Eminent Literary and Scientific Men · List of works by Mary Shelley