List of works by Francisco Goya

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The following is a list of all of Francisco Goya's works.

[edit] Paintings

  • Hannibal the Conqueror (1770)
  • Martin Zapater (1770)
  • The Adoration of the Name of God (1772; cathedral of Nuestra Señora del Pilar, Zaragoza)
  • Tapestry Cartoons (1775–92; Prado)
  • The Parasol 1777
  • Blind Guitarist (1778)
  • La nevada 1780
  • Winter (The Snowstorm) 1780
  • Crucified Christ (1780; Prado, Madrid)
  • The Queen of Martyrs (1780–81; cathedral of Nuestra Señora del Pilar);
  • St. Bernardino of Siena (1782–83; San Francisco el Grande, Madrid);
  • Family of Infante Don Luis 1783
  • Maria Teresa de Borbon y Vallabriga (1783)
  • The Count of Floridablanca and Goya (1783; Banco Urquijo, Madrid);
  • Sermon of Saint Bernardino of Siena 1784
  • Portrait of Don Manuel Osorio de Manrique Zuniga (1784-1788)
  • The Annunciation (1785; private collection, Spain);
  • The Marquesa de Pontejos (c. 1786; National Gallery of Art, Washington, D.C.);
  • Spring (or The Flower Girls) (1786-87)
  • The Forge (1786-1787)
  • The Swing(1787)
  • St Francis Borgia at the Deathbed of an Impenitent (1788)
  • Family of the Duke of Osuna (1788; Prado);
  • Manuel Osorio de Zúñiga (1788; Metropolitan Museum of Art, New York City);
  • Self-portrait (c. 1790-95)
  • Josefa Bayeu (1790 - 1815)
  • Little Giants (1791-92)
  • Portrait of Mariana Waldstein (c. 1792)
  • Strolling Players (1793)
  • Fire (1793-1794)
  • Yard with Lunatics (1793-94)
  • The Madhouse (1794; Virginia Meadows Museum and Elizabeth Meadows Sculpture Court, Dallas, Texas);
  • The Marquesa de la Solana (c. 1794–95; Louvre, Paris);
  • Duchess of Alba (1795)
  • Duchess of Alba & Her Duenna (1795)
  • "White" Portrait (1795)
  • Self-Portrait on Linen (1795-1797)
  • "Black" Portrait 1797
  • Duchess of Alba 1797
  • Duchess of Alba (1797; Hispanic Society of America, New York City);
  • Que se la llevaron! (1797-98)
  • What a sacrifice! (1797-98)
  • The sleep of reason produces monsters (1797-98)
  • They say yes and give their hand to the first comer (1797-98)
  • You who cannot(1797-98)
  • Self-Portrait with Spectacles (1797-1800)
  • Miracle of St. Antony (1798)
  • The Taking of Christ (1798; Cathedral, Toledo);
  • Ferdinand Guillemardet (1798; Louvre);
  • A Miracle of St. Anthony of Padua” and other scenes (1798; San Antonio de la Florida, Madrid);
  • Queen Maria Luisa, on Horseback (1799; Prado);
  • La Tirana (1799; Academy of San Fernando, Madrid);
  • Countess of Chinchon (1800)
  • La maja desnuda
  • The Family of Charles IV (1800-1801; Prado)
  • La maja vestida (c. 1800–05; Prado);
  • Bartolome Sureda y Miserol (c. 1803-04)
  • Isabel de Porcel (1804-05)
  • Francisca Sabasa y Garcia (1804-1808; National Gallery, Washington D.C)
  • Doña Teresa Sureda (c. 1805)
  • Young Woman with a Fan (1805-1810)
  • Doña Isabel de Porcel (c. 1806; National Gallery, London);
  • The Colossus (c. 1810–12; Prado);
  • Majas on a Balcony (c. 1808-12)
  • Time and the Old Women (c. 1810–12; Musée des Beaux-Arts, Lille, Fr.);
  • General Manuel Romero (c. 1810; private collection, Chicago);
  • The Colossus (1810)
  • Time (1810)
  • Contra el bien general (c. 1810)
  • Allegory of the City of Madrid (1810; Casa del Ayuntamiento, Madrid);
  • Time (c. 1810-12)
  • Majas on a Balcony (Metropolitan Museum version) (1810-1812)
  • The Duke of Wellington (1812; National Gallery, London);
  • Prison Interior (c. 1810-14)
  • Dead Turkey (1812)
  • Duke of Wellington (1812-1814)
  • Burial of the Sardine (1812-1819)
  • The Majas on the Balcony (c. 1812; Metropolitan Museum of Art);
  • This is worse (c. 1812-13)
  • Mariano Goya (c. 1812–14; private collection, Madrid);
  • Portrait of Rita Moon Luna (1814)
  • Ferdinand VII in an Encampment (c. 1814; Prado);
  • The Second of May 1808(1814; Prado);
  • The Third of May 1808(1814; Prado);
  • Young Women with a Letter (c. 1814–18; Musée des Beaux-Arts, Lille);
  • May the rope break! (c. 1815)
  • Self-Portrait (1815; Academy of San Fernando);
  • Unfortunate events in the front seats of the ring of Madrid, and the death of the Mayor of Torrejon (1815-16)
  • Burial of the Sardine (c. 1816 )
  • Inquisition Scene (c. 1816)
  • The Procession (c. 1816)
  • SS. Justa and Rufina (1817; Cathedral, Seville)
  • The Forge (c. 1817)
  • The Giant (1818)
  • The Forge (c. 1819; Frick Collection, New York City);
  • Portrait of Don Juan Antonio Cuervo (1819; Cleveland Museum of Art);
  • The Last Communion of St. Joseph of Calasanz (1819; Escuelas Pías de San Antón, Madrid);
  • Agony in the Garden (1819; Escuelas Pías de San Antón).
  • Self-Portrait with Doctor Arrieta (1820; Minneapolis Institute of Arts, Minnesota);
  • Men Reading (c. 1819-23)
  • Carnival Scene (1820-1824)
  • Atropos(The Fates) (1820-1823)
  • Goat (1820-1823)
  • Fight with Cudgels (1820-1823)
  • Two Women (1820-1823)
  • Men Reading (1820-1823)
  • Deaf Man (1820-1823)
  • Asmodea (1820-1823)
  • Old Men Eating (1820-1823)
  • The Dog (1820-23)
  • Fight with Cudgels (1820-23)
  • The Great He-Goat or Witches Sabbath (c. 1821-23)
  • Leocadia (c. 1821-23)
  • Saturn Devouring His Son (c. 1821-23)
  • Two Old Men (c. 1821-23)
  • Two Old Women Eating from a Bowl (c. 1821-23)
  • Two Young People Laughing at a Man (c. 1821-23)
  • Leandro Fernández de Moratín (1824; Museo de Bellas Artes, Bilbao, Spain);
  • The Milkmaid of Bordeaux (1825–27; Prado)
  • Don Juan Bautista de Muguiro (1827; Prado)
  • Don José Pío de Molina (1827–28; Reinhart Collection, Winterthur)
  • Josefa Bayeu (unknown dating)
  • Striker Family Goya (unknown dating)

[edit] Etchings

LOS CAPRICHOS 1792-1799

  • Plate 43 - The sleep of reason
  • Plate 2 - They Say Yes
  • Plate 33 - To the Count Palantine
  • Plate 55 - Until Death
  • Plate 77 - First One, Then Another

Disasters of War 1810-1820

  • Plate 7 - What Valor!
  • Plate 9 - They do not want to
  • Plate 31 - This is too much!
  • Plate 32 - Why?
  • Plate 39 - Great Deeds – Against the Dead
  • Plate 47 - This is how it happened
  • Plate 69 - Nada - We shall see

DISPARATES/PROVERBIOS 1815-1824

  • Plate 1 - Feminine Folly
  • Plate 2 - Folly of Fear
  • Plate 3 - Strange Folly
  • Plate 4 - Big Booby
  • Plate 5 - Folly on the Wing
  • Plate 6 - Foolish Fury
  • Plate 7 - Matrimonial Extravagance
  • Plate 8 - People in Sacks
  • Plate 9 - Universal Folly
  • Plate 10 - Young Woman on a Bucking Horse
  • Plate 11 - Folly of Poverty
  • Plate 12 - Three Gentlemen and Three Dancing Ladies
  • Plate 13 - One Way to Fly
  • Plate 14 - Foolishness at the Carnival
  • Plate 15 - Pure Folly
  • Plate 16 - Exhortation
  • Plate 17 - Loyalty
  • Plate 18 - Old Man Wandering Among Phantoms
  • Plate 19 - A Familiar Folly
  • Plate 20 - Foolish Precision
  • Plate 21 - Animal Foolishness
  • Plate 22 - Foolish Extravagance

Unknown

  • Woman with Scythe and Serpent

[edit] Drawings

  • Utter Madness
  • Duchess of Alba and Maria de la Luz
  • For Being A Jew
  • A Group of Women
  • Self Portrait (drawing)
v • d • e
Francisco Goya
List of works
Selected
Works
Blind Guitarist (1778) • Crucified Christ (1780) • Maria Teresa de Borbon y Vallabriga (1783) • Spring (or The Flower Girls) (1786–1787) • The Swing (1787) • St Francis Borja at the Deathbed of an Impenitent (1788) • Manuel Osorio de Zuniga (c. 1788) • Self-portrait (c. 1790–1795) • Little Giants (1791–1792) • Portrait of Mariana Waldstein (c. 1792) • Strolling Players (1793) • Yard with Lunatics (1793–1794) • Marquesa de la Solana (c. 1794–1795) • Duchess of Alba (1797) • Que se la llevaron! (1797–1798) • What a sacrifice! (1797–1798) • The Sleep of Reason Produces Monsters (1797–1798) • They say yes and give their hand to the first comer (1797–1798) • You who cannot (1797–1798) • Countess of Chinchon (1800) • La maja desnuda • Charles IV of Spain and His Family (1800–1801) • La maja vestida • Bartolome Sureda y Miserol (c. 1803–1804) • Isabel de Porcel (1804–1805) • Doña Teresa Sureda (c. 1805) • The Colossus (1808–1812) • Majas on a Balcony (c. 1808–1812) • Contra el bien general (c. 1810) • Time (c. 1810–1812) • Prison Interior (c. 1810–1814) • This is worse (c. 1812–1813) • The Second of May 1808 • The Third of May 1808 (1814) • May the rope break! (c. 1815) • Unfortunate events in the front seats of the ring of Madrid, and the death of the Mayor of Torrejon (1815–1816) • Burial of the Sardine (c. 1816 ) • Inquisition Scene (c. 1816) • The Procession (c. 1816) • The Forge (c. 1817) • The Giant (1818) • Self-portrait with Dr Arrieta (1820) • Men Reading (c. 1819–1823) • The Dog (1820–1823) • Fight with Cudgels (1820–1823) • The Great He-Goat or Witches Sabbath (c. 1821–1823) • Leocadia (c. 1821–1823) • Saturn Devouring His Son (c. 1821–1823) • Two Old Men (c. 1821–1823) • Two Old Women Eating from a Bowl (c. 1821–1823) • Two Young People Laughing at a Man (c. 1821–1823) • The Milkmaid (1825–1827)
Etchings