List of symphonies by key

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This list of symphonies by key is a list of famous symphonies sorted by key. For the least often used keys in orchestral music, the symphony listed might be famous only for being in that key.

Contents

[edit] C major (key)

In the Classical period, C major was the key most often chosen for symphonies with trumpets and drums. Even in the Romantic period, with its greater use of minor keys and the permission to use trumpets and drums in any key, C major remained a very popular choice of key for a symphony. The following list only includes the most famous specimen. For a more complete list, see list of symphonies in C major.

[edit] C minor (key)

The key of C minor was, like most other minor keys, associated with the literary Sturm und Drang movement during the Classical period. But ever since Ludwig van Beethoven's famous Symphony No. 5, op. 67 of 1808, C minor imparts a symphony in the key a character of heroic struggle. Early classical symphonies in the key typically ended in C minor but with a picardy third for the very final chord. Following Beethoven's precedent, most C minor symphonies of the Romantic period end in C major. Another option is to end in E-flat major, as Mahler does.

For a more complete listing, see list of symphonies in C minor.

[edit] C sharp minor (key)

Even by Mahler's time symphonies in C-sharp minor were rare. Some of the works listed below might have no claim to fame besides being in this key.

[edit] D flat major (key)

Symphonies in D-flat major are much rarer than those in C-sharp minor and one has to look beyond the standard core repertoire to find them.

[edit] D major (key)

Baroque and Classical symphonies in D major typically used horns in D (reading a seventh down) and when they used trumpets, trumpets in D reading a step up. The following list includes only the most famous of the Baroque, Classical and Romantic periods. For a more complete list, see list of symphonies in D major.

[edit] D minor (key)

Baroque and Classical symphonies in D minor usually used 2 horns in F (whereas for most other minor keys 2 or 4 horns were used, half in the tonic and half in the relative major). Michael Haydn's Symphony No. 29 in D minor is notable for using two trumpets in D (the horns are in F but change to D for the coda of the finale). In the Romantic era, D minor symphonies, like symphonies in almost any other key, used horns in F and trumpets in B-flat.

The following list only includes the most famous D minor symphonies. For a more complete listing, see list of symphonies in D minor.

[edit] E flat major (key)

For a more complete listing of E-flat major symphonies, see list of symphonies in E flat major.

[edit] E flat minor (key)

[edit] E major (key)

In the classical period, symphonies in E major used horns in E but no trumpets. For a more complete list, see List of symphonies in E major.

[edit] E minor (key)

For a more complete listing of E minor symphonies, see list of symphonies in E minor.

[edit] F major (key)

For a more complete listing of symphonies in F major, see list of symphonies in F major.

[edit] F minor (key)

[edit] F sharp major (key)

[edit] F sharp minor (key)

[edit] G major (key)

In the Baroque and Classical periods, G major was one of the most often used keys. Classical symphonies in G major typically had horns in G but no trumpets. In the Romantic era the key was less often used. The following list only includes the most famous works. For a more complete list, see list of symphonies in G major.

[edit] G minor (key)

In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B-flat alto.[3]

For a more complete listing of G minor symphonies, see list of symphonies in G minor.

[edit] G sharp minor (key)

[edit] A flat major (key)

Though A-flat major was chosen often enough for inner movements of symphonies in other keys (most notably slow movements of C minor symphonies), there are very few symphonies with A-flat major as their main key. This very short list that follows may therefore contain some works which are notable for no other reason than their key.

[edit] A major (key)

The following list only includes the most famous A major symphonies. For a more complete listing, see list of symphonies in A major.

[edit] A minor (key)

For a more complete listing of A minor symphonies, see list of symphonies in A minor.

[edit] B flat major (key)

Haydn's Symphony No. 98 is credited as the first symphony he (or anyone else) wrote in B-flat major in which he included trumpet and timpani parts. Actually, his brother Michael Haydn had written one such symphony earlier, No. 36. Though Joseph still gets credit for writing the timpani part at actual pitch with an F major key signature (instead of transposing with a C major key signature), a procedure that made sense since he limited that instrument to the tonic and dominant pitches.[5] Many editions of the work, however, use no key signature and specify the instrument as "Timpani in B flat - F." (Note that in German, the pitch B flat is called "B", and B natural is "H", thus the specification for timpani in a B-flat work could be written "Pauken in B. - F.")

The following list only includes the most famous works in this key. For a more complete listing, see list of symphonies in B flat major.

[edit] B flat minor key

[edit] B major (key)

[edit] B minor (key)

[edit] See also

Symphonies by number, name, and key
No. 0 | No. 1 | No. 2 | No. 3 | No. 4 | No. 5 | No. 6 | No. 7 | No. 8 | No. 9 | No. 10 | No. 11
No. 12 and higher: Haydn, Mozart, Shostakovich, Hovhaness,...
List of symphonies by name - List of symphonies by key - List of symphony composers
See also: Sinfonia | Sinfonia concertante | Unfinished symphony | Curse of the Ninth

[edit] References

  1. ^ Walter Frisch, Brahms: The Four Symphonies New Haven: Yale University Press (2003): 8. In a "chronological listing of symphonies by contemporary composers published" in the time between Schumann's Third and Brahms's First.
  2. ^ Page about Myaskovsky Symphony No. 25. Myaskovsky Official Site. Retrieved on 2007-11-19.
  3. ^ H. C. Robbins Landon, Mozart and Vienna. New York: Schirmer Books (1991): 48. "Writing for four horns was a regular part of the Sturm und Drang G minor equipment." Robbins Landon also notes that Mozart's No. 40 was first intended to have four horns.
  4. ^ Paul Bryan, Johann Waṅhall, Viennese Symphonist: His Life and His Musical Environment Stuyvesant: Pendragon Press (1997): 330. The manuscript copy at Donaueschingen gives the key as "A" while the one at Prague gives it as "Gis" (G-sharp).
  5. ^ H. C. Robbins Landon, Haydn Symphonies London: British Broadcasting Corporation (1966): 57
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