List of solo piano pieces, American
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Contents |
[edit] Samuel Barber
- Excursions (4), op. 20 (1942–44)
- Piano Sonata, op. 26 (1949)
[edit] John Cage
- Three Easy Pieces (1933)
- Quest (1935)
- Two Pieces for Piano (1935, rev. 1974)
- Metamorphosis (1938)
- Bacchanale for prepared piano (1940; frequently misdated 1938)
- Opening Dance for Sue [Laub] (ca. 1940–41)
- And the Earth Shall Bear Again for prepared piano (1942)
- Primitive for prepared piano (1942)
- In the Name of the Holocaust for prepared piano (1942)
- Totem Ancestor for prepared piano (1942)
- Jazz Study (ca. 1942; attributed)
- Ad Lib (1942–43)
- A Room (1943; for piano or prepared piano)
- Our Spring Will Come for prepared piano (1943)
- Tossed As It Is Untroubled for prepared piano (1943; orig. Meditation)
- Triple-Paced No. 1 (1943)
- The Perilous Night for prepared piano (1943–44)
- Four Walls (1944; the ninth of its sixteen parts is for solo voice)
- Prelude for Meditation for prepared piano (1944)
- Root of an Unfocus for prepared piano (1944)
- Spontaneous Earth for prepared piano (1944)
- Triple-Paced No. 2 for prepared piano (1944)
- The Unavailable Memory of for prepared piano (1944)
- A Valentine Out of Season for prepared piano (1944)
- Daughters of the Lonesome Isle for prepared piano (1945)
- Mysterious Adventure for prepared piano (1945)
- Soliloquy (1945; excerpted from Four Walls)
- Crete (ca. 1945)
- Dad (ca. 1945)
- Ophelia (1946)
- Two Pieces for Piano (1946; adapted for inclusion in The Seasons)
- Sonatas and Interludes for prepared piano (1946–48)
- Music for Marcel Duchamp for prepared piano (1947)
- The Seasons (1947)
- Dream (1948)
- In a Landscape (1948; for piano or harp solo)
- Our Spring Will Come for prepared piano (1948)
- Suite for Toy Piano (1948)
- Music for Works of Calder for prepared piano (1949–50; the second of its three sequences is for magnetic tape)
- Haiku (1950–51)
- Music of Changes (1951)
- Seven Haiku (1951–52)
- Two Pastorales for prepared piano (1951–52)
- 4'33" (1952, 2d ver. ca. 1960; "for any instrument or combination of instruments"—first performed on solo piano)
- For MC and DT (1952)
- Music for Piano No. 1 (1952)
- Waiting (1952)
- Music for Piano No. 2 (1953)
- Music for Piano No. 3 (1953)
- Music for Piano No. 4–19 (1953; for any number of pianos)
- 34'46.776" For a Pianist for prepared piano (1954)
- 31'57.9864" For a Pianist for prepared piano (1954)
- Music for Piano No. 21–36; 37–52 (1955; for piano solo or ensemble)
- Music for Piano No. 53–68; 69–84 (1956; for piano solo or ensemble)
- Winter Music (1957; for one to twenty pianos)
- TV-Köln (1958; for "piano with or without other instruments or objects")
- Variations I (1958; for "any number of performers; any kind and number of instruments"—first performed on solo piano)
- Music for Amplified Toy Pianos (1960; for any number of toy pianos)
- Variations II (1961; "for any number of players and any sound producing means"—first performed on solo piano)
- Variations III (1962–63; "for one or any number of people performing any actions"—first performed on solo piano)
- Cheap Imitation (1969; based on Erik Satie's Socrate)
- Etudes Boreales I–IV (1978; for piano and/or cello)
- Perpetual Tango (1984; based on Erik Satie's Sports et divertissements)
- ASLSP (1985; for piano or organ solo)
- One (1987)
- One2 (1989; for solo performer on one to four pianos)
- Sports: Swinging (1989; based on Erik Satie's La balançoire from Sports et divertissements)
- One5 (1990)
[edit] Other original compositions by Cage that may be performed on solo piano
- Party Pieces (Sonorous and Exquisite Corpses) (ca. 1944–45; for "any melody or keyboard instruments"; with Henry Cowell, Lou Harrison, and Virgil Thomson)
- Haiku (1958) (1958; for "any kind of sound production")
- Theatre Piece (1960; "for 1–8 performers")
- 0'00" (4'33" No. 2) (1962; "solo to be performed in any way by anyone")
- Variations IV (1963; "for any number of players, any sounds or combinations of sounds produced by any means, with or without other activities")
- Sound Anonymously Received (1969; "for an unsolicited instrument")
- 49 Waltzes for the Five Boroughs (1977; "for performer(s) or listener(s) or record maker(s)")
- A Dip in the Lake: Ten Quicksteps, Sixty-two Waltzes, and Fifty-six Marches for Chicago and Vicinity (1978; "for performer(s) or listener(s) or record maker(s)")
- One7 (1990; "for any way of producing sounds"—first performed by John Cage on unidentified instrument)
[edit] Henry Cowell
- Anger Dance (1914; orig. Mad Dance)
- Dynamic Motion (1916; frequently misdated 1914)
- The Tides of Manaunaun (1917; frequently misdated 1911 or 1912)
- What's This? (First Encore to Dynamic Motion) (1917)
- Amiable Conversation (Second Encore to Dynamic Motion) (1917)
- Advertisement (Third Encore to Dynamic Motion) (1917)
- Antinomy (Fourth Encore to Dynamic Motion) (1917, rev. 1959; frequently misspelled "Antimony")
- Time Table (Fifth Encore to Dynamic Motion) (1917)
- The Trumpet of Angus Og (1918–24)
- Fabric (1920)
- Vestiges (1920)
- The Voice of Lir (1920)
- The Sword of Oblivion for string piano (ca. 1920–22)
- Exultation (1921)
- The Hero Sun (1922)
- Nine Ings (1922)
- Piece for Piano with Strings (1923; for solo string piano, despite possibly confusing title)
- Aeolian Harp for string piano (ca. 1923)
- A Rudhyar (1924)
- The Harp of Life (1924)
- Snows of Fujiyama (1924)
- The Banshee for string piano (1925)
- Slow Jig (1925)
- The Leprechaun (1928)
- Euphoria (1929)
- Fairy Answer (1929)
- Lilt of the Reel (1930)
- Tiger (1930)
- Sinister Resonance for string piano (ca. 1930)
- Deep Color (1938)
- High Color (ca. late 1930s–early 1940s)
- Elegie (for Hanya Holm) (1941)
[edit] Philip Glass
- A Musical Portrait of Chuck Close-Movement I
- A Musical Portrait of Chuck Close-Movement II
- Dreaming Awake
- Metamorphosis One
- Metamorphosis Two
- Metamorphosis Three
- Metamorphosis Four
- Metamorphosis Five
- Wichita Sutra Vortex
- Mad Rush
- Modern Love Waltz
[edit] Charles Ives
- Piano Sonata No. 2, "Concord, Mass., 1840-60" (1904–15, publ. 1920, rev. 1947)
[edit] Conlon Nancarrow
- Studies (50) for Player Piano (late 1940s–early 1980s)
[edit] Leo Ornstein
- Wild Men's Dance (aka Danse Sauvage; ca. 1913–14)
- Three Moods (ca. 1914)
- Poems of 1917 (10) (1917)
- A la Chinoise (pre-1918)
- Suicide in an Airplane (ca. 1918–19; frequently misdated 1913)
- Impressions of the Thames (aka Impressions de la Tamise; 1920)
- Arabesques (9) (1921)
- Piano Sonata No. 4 (1924)
- Piano Sonata No. 5, "Biography" (1974)
- Piano Sonata No. 6 (1981)
- Piano Sonata No. 7 (1988)
- Piano Sonata No. 8 (1990)
[edit] Dane Rudhyar
- Trois Poëmes (1913)
- Syntony (1919–24, rev. 1967; assembled from four pieces: Dithyramb, Eclogue, Oracle, and Apotheosis)
- Tetragrams (9) (1920–67)
- Pentagrams (4) (1924–26)
- Three Paeans (1925–27)
- Granites (1929)
- Three Cantos (1977)
[edit] Carl Ruggles
- Evocations (Four Chants for Piano) (1937–43)
See also Lists of solo piano pieces.