List of polytonal pieces
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It has been suggested that this article or section be merged into Polytonality. (Discuss) |
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| Neoclassical (see Neoclassicism) |
| Modernistic (see Modernism) |
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| Dadaistic (see Dada) |
| Impressionistic (see Impressionist music) |
| Jazz (see Jazz) |
| Minimalistic (see Minimalist music) |
| Nationalistic (see Nationalism) |
| Populistic (see Populism) |
| Postminimalistic (see Postminimalism) |
| Surrealist (see Surrealist music) |
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| Atonal (see Atonality) |
| Twelve-tone (see Twelve-tone technique) |
| List of pieces which use serialism (see Serialism) |
| Extended techniques (see Extended technique) |
| Pandiatonic (see Pandiatonic) |
| Polytonal (see Polytonality) |
| Process music (see Process music) |
| Quartal (see Quartal harmony) |
| Quarter tone (see Quarter tone) |
| Whole tone (see Whole tone scale) |
| Phase (see Phasing) |
| Quotation (see Quotation) |
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- Symphony No. 2 (1944)
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- Mikrokosmos Volume 5 number 125: The opening (mm. 1-14) of "Boating", (actually bimodality) in which the right hand uses pitches of the pentatonic scale on Eb and the left hand uses those of either G mixolydian or dorian:
- Ferruccio Busoni (Reti, 1958)
- Frédéric Chopin (Reti, 1958)
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- Symphony No. 2, used for ambiguity
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- Planet of the Apes (1968)
- Patton (1970)
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- Variations on America (1891), polytonal interludes added 1909-1910
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- Cabaret (1966), in the Finale Ultimo
- Gustav Mahler (Reti, 1958)
- Darius Milhaud (Reti, 1958)
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- Scaramouche, in the first movement "Vif"
- Sorocaba, from Saudades Do Brasil
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- The Untouchables (1987)
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- Ein musikalischer Spass (Reti, 1958)
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- Lt. Kijé Suite (mov. V, "The Burial of Kijé")
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- A Festival Prelude
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- George Washington Bridge
- Richard Strauss (Reti, 1958)
- Igor Stravinsky (Reti, 1958)
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- Petrushka, opening fanfare
- Richard Wagner (Reti, 1958)
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- What The Hell Happened (from Halcyon Days, 2004)
This list of songs or music-related items is incomplete; you can help by expanding it.
[edit] Source
- Reti, Rudolph (1958). Tonality, Atonality, Pantonality: A study of some trends in twentieth century music. Westport, Connecticut: Greenwood Press. ISBN 0-313-20478-0.
