List of pieces which use serialism

From Wikipedia, the free encyclopedia

Musical pieces by style
Period
Neoclassical (see Neoclassicism)
Modernistic (see Modernism)
Style
Dadaistic (see Dada)
Impressionistic (see Impressionist music)
Jazz (see Jazz)
Minimalistic (see Minimalist music)
Nationalistic (see Nationalism)
Populistic (see Populism)
Postminimalistic (see Postminimalism)
Surrealist (see Surrealist music)
Technique
Atonal (see Atonality)
Twelve-tone (see Twelve-tone technique)
List of pieces which use serialism (see Serialism)
Extended techniques (see Extended technique)
Pandiatonic (see Pandiatonic)
Polytonal (see Polytonality)
Process music (see Process music)
Quartal (see Quartal harmony)
Quarter tone (see Quarter tone)
Whole tone (see Whole tone scale)
Phase (see Phasing)
Quotation (see Quotation)

List of pieces which use serialism, by composer:

Structures, book I for two pianos
First Construction (in Metal) for percussion ensemble (1939)
Orbes for orchestra
Aura "Influenced deeply by serialism and the inspiration of Gil Evans, Mikkelborg composed a theme from ten notes based on the letters of Davis' first and last names. The notes yielded a chord, which led him through the work." (AMG)
The Taking of Pelham One Two Three (1974) (film soundtrack)
  • Adam Taylor
Petite Suite pour Violoncelle Seule
Piano Sonata #1
Waltz from 5 Klavierstücke, Op. 23
Serenade, Op. 24
Suite for Piano, Op. 25
Wind Quintet, Op. 26
Suite for piano, piccolo clarinet, clarinet, bass clarinet, violin, viola, and cello, Op. 29
String Quartet No. 3, Op. 30
Variations for Orchestra, Op. 31
Von heute auf morgen, Op. 32
Klavierstück, Op. 33a
Klavierstück, Op. 33b
Moses und Aron (incomplete)
Begleitungsmusik zu einer Lichtspielscene (Drohende Gefahr, Angst, Katastrophe), Op. 34
Concerto for Violin and Orchestra, Op. 36
Concerto for Piano & Orchestra, Op. 42
String Trio, Op. 45
A Survivor from Warsaw, Op. 46
Fantasy for Violin & Piano, Op. 47
Kreuzspiel (1951)
Cantique de durées (1960)