List of paintings by Edward Burne-Jones
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This is a list of the paintings of the British Pre-Raphaelite artist Edward Burne-Jones.
[edit] 1850s
- A Knight and his Lady (1859), private collection (assumed as was sold recently).[1]
- Arthur with Excalibur (1858), private collection (assumed as was sold recently).[2]
[edit] 1860s
- Girls in a Meadow (1860), private collection.[3]
- Sidonia von Bork 1560 (1860), Tate Britain, London.[4]
- Clara von Bork 1560 (1860), Tate Britain, London.[5]
- Merlin and Nimue from 'Morte d'Arthur' (1861), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.
- The Goldfish Pool or Girl and Goldfish (1861), Tullie House Museum, Carlisle.[6]
- Clerk Saunders (1861), Tate Britain, London.[7]
- The Annunciation and the Adoration of the Magi (1861), Tate Britain, London.[8]
- The Backgammon Players (1861-62), Birmingham Museum & Art Gallery, Birmingham.[9]
- Morgan le Fay (1862), Cecil French Bequest, London Borough of Hammersmith and Fulham.[10]
- The Madness Of Sir Tristram (1862), private collection.[11]
- King Mark and La Belle Iseult (1862), Birmingham Museum & Art Gallery, Birmingham.
- Fair Rosamund and Queen Eleanor (1862), Tate Britain, London.
- Cinderella (1863), Museum of Fine Arts, Boston.
- The Merciful Knight (1863), Birmingham Museum & Art Gallery, Birmingham.
- Astrologia (1865), private collection. Listed at Bridgeman Art Library.
- Princesse Sabra (1865), Musée d'Orsay, Paris.
- The Lament (1865), William Morris Gallery.
- The Prioress' Tale (1865-98), Delaware Art Museum.
- Cupid and Psyche (1865), Manchester Art Gallery, Manchster. Second version (c.1865), Yale Centre for British Art, Hartford. Both listed at Bridgeman Art Library.
- The Garland: A Girl Tending Flowers (1866), Cecil French Bequest, London Borough of Hammersmith and Fulham.
- The Mirror of Venus (1866-77), private collection. Later version, completed simulataneously:
- 1873-77 at the Calouste Gulbenkian Foundation, Lisbon.
- Charity (1867), private collection. Listed at Bridgeman Art Library.
- Cupid Delivering Psyche (1867), Cecil French Bequest, London Borough of Hammersmith and Fulham.[12] Three later versions of the same subject (all listed at Bridgeman Art Library):
- 1867 at the Cecil Higgins Art Gallery.
- c1871 at Sheffield Galleries and Museums Trust.
- date unknown, private collection.
- The Love Song (c.1868–73), Metropolitan Museum of Art, New York.
- Green Summer (1868), private collection. Listed at Bridgeman Art Library.
- Laus Veneris (1869), Laing Art Gallery, Newcastle upon Tyne.
- Autumn (1869-70), Roy Miles Fine Paintings. Listed at Bridgeman Art Library.
[edit] 1870s
- Evening Star (1870), private collection. Listed at Bridgeman Art Library.
- Phyllis and Demophoon (1870), Birmingham Museum & Art Gallery, Birmingham.[13]
- The Sleeping Beauty (1870-73), Museo de Arte de Ponce, Puerto Rico. Study in Manchester Art Gallery, Manchester.
- The Wheel of Fortune (1870 onwards), there are at least seven versions of this composition including :[14]
- c.1870 at the Carlisle City Art Gallery, Carlisle.
- c.1870 at the Watts Gallery, Compton.
- 1871-77 at the National Gallery of Victoria, Melbourne. and
- 1871-85 part of the Cecil French Bequest, London Borough of Hammersmith and Fulham.
- 1877-83 at the Musée d'Orsay, Paris.
- c.1882 at the National Museum of Wales, Cardiff (unfinished).
- Fame (c.1870), Watts Gallery, Compton.
- Love or The Triumph of Love (c.1870), Watts Gallery, Compton.
- Oblivion (c.1870), Watts Gallery, Compton.
- Flying Figure (c.1870), Cecil French Bequest, London Borough of Hammersmith and Fulham.
- Day (1870), Fogg Art Museum, Harvard University.
- Night (1870), Fogg Art Museum, Harvard University.
- The Garden of Hesperides (1870-73), private collection.
- Spes or Hope (1871), Dunedin Public Art Gallery, Dunedin. Other versions of this subject:
- 1872-77 at the National Gallery of Victoria, Melbourne
- 1896 at the Museum of Fine Arts, Boston.
- Dorigen of Bretaigne longing for the Safe Return of her Husband (1871), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.
- Fides (1871), Vancouver Art Gallery.[15]
- Venus Epithalamia (1871), Fogg Art Museum, Harvard University.
- Pan and Psyche (1872-74), Fogg Art Museum, Harvard University. Second version in private collection. Both listed at Bridgeman Art Library.
- Danäe and the Brazen Tower (1872), Ashmolean Museum, Oxford. There are two later versions of this composition (both listed at Bridgeman Art Library):
- Danaë Watching the Building of the Brazen Tower (1872), Fogg Art Museum, Harvard University
- Danae or the Tower of Brass (1887-88), Glasgow Museums, Glasgow.
- The Beguiling of Merlin (1872-77), Lady Lever Art Gallery, Port Sunlight.
- Psyche entering the Portals of Olympus (1872-81), Birmingham Museum & Art Gallery, Birmingham.
- The Feast of Peleus (1872-81), Birmingham Museum & Art Gallery, Birmingham.
- Troy Triptych (1872-98), Birmingham Museum & Art Gallery, Birmingham.
- The Mirror of Venus (1875), Museu Calouste Gulbenkian, Lisbon. Other versions:
- 1898 at the Calouste Gulbenkian Foundation, Lisbon.
- Frieze of Eight Women Gathering Apples (1876), Tate Britain, London.
- The Annunciation (1876), Lady Lever Art Gallery, Port Sunlight.
- Atlas Turned to Stone (c.1876), Southampton City Art Gallery. Listed at Bridgeman Art Library.
- The Avenging Angel of St Catherine (1878), Cecil French Bequest, London Borough of Hammersmith and Fulham.
- An Angel Playing a Flageolet (1878), Sudley House, National Museums Liverpool.[16] Two further versions exist one in a unidentified private collection and one in Makins Collection. All are listed at Bridgeman Art Library.
- A Musical Angel (c.1878-80), unknown. [17]
[edit] 1880s
- The Golden Stairs (1880), Tate Britain, London.
- The Angel (1881), Glasgow Museums, Glasgow.
- The Last Sleep of Arthur in Avalon (1881), Museo de Arte de Ponce, Puerto Rico.
- Earth Mother (1882), Worcester Art Museum, Massachusetts.[18] Second version in a private collection (both listed at Bridgeman Art Library.
- The Mermaid (1882), Tate Britain, London.
- The Tree of Forgiveness (1882), Lady Lever Art Gallery, Port Sunlight.
- The Magic Circle (c.1882), Tate Britain, London.
- Georgiana Burne-Jones (1883), private collection (?).[19]
- King Cophetua and the Beggar Maid (1884), Tate Britain, London.
- The Pilgrim at the Gate of Idleness (1884), Dallas Museum of Art.
- The Morning of the Resurrection (1886), Tate Britain, London.
- Sibylla Delphica (1886), Manchester Art Gallery, Manchester.
- The Garden of Pan (c.1886), National Gallery of Victoria, Melbourne.
- The Depths of the Sea (1887), Fogg Art Museum, Harvard University.
- The Star of Bethlehem (1887-91), Birmingham Museum & Art Gallery, Birmingham.
- The Nativity (1888), Carnegie Museum of Art, Pittsburgh.
- The King and the Shepherd (1888), Carnegie Museum of Art, Pittsburgh.
- The Heart of the Rose (1889), private collection.
[edit] 1890s
- Sponsa de Libano or The Bride of Lebanon (1891), Lady Lever Art Gallery, Port Sunlight.
- The Sirens (1891-98), Ringling Museum of Art, Florida.
- Vespertina Quies (1893), Tate Britain, London.
- Love Among the Ruins (1894), Wightwick Manor, Wolverhampton
- Psyche's Wedding (1895), Royal Museums of Fine Arts of Belgium.
- The Dream of Launcelot at the Chapel of the San Graal (1895), Southampton City Art Gallery, Southampton.
- The Wizard (1896-98), Birmingham Museum & Art Gallery, Birmingham.
- Love and the Pilgrim (1896-7), Tate Britain, London.
[edit] Series
[edit] The Legend of St George and the Dragon (1865-67)
A series of seven works: [20][21]
- The King's Daughter, Musée d'Orsay, Paris.
- The Petition to the King, Hanover College, Indiana.
- The Princess Drawing the Lot, Hanover College, Indiana.
- The Princess Sabra Led to the Dragon, private collection.
- The Princess Tied to the Tree, private collection.
- St George Slaying the Dragon, Art Gallery of New South Wales, Sydney. Second version, 1868, in the William Morris Gallery.
- The Return of the Princess, Bristol City Museum and Art Gallery, Bristol.
[edit] The Legend of Briar Rose (1885-90)
Farringdon Collection Trust, Buscot Park, Oxfordshire. Four major paintings with 10 "joining panels":
- Briars
- The Briar Wood (1st major painting)
- Briars
- Briars, with Helmet and Greave
- A Terrace, with a Curtain hanging before a flowering Briar
- The Council Chamber (2nd major painting)
- A Terrace, with a Curtain hanging before a flowering Briar
- A Stone Hall with flowering Briars
- The Garden Court (3rd major painting)
- A Stone Hall with flowering Briars
- A Stone Kitchen overgrown with Briars
- A Kitchen with a Cupboard overgrown with Briars
- The Rose Bower (4th major painting)
- A Kitchen, with a Basin, Towel and Briars
[edit] Small Briar Rose series (1871-73)
Museo de Arte de Ponce, Puerto Rico.
- The Briar Wood
- The Council Chamber
- The Rose Bower
[edit] Third Briar Rose series
- The Garden Court, Bristol City Museum and Art Gallery, Bristol.
- The Council Chamber, Delaware Art Museum, Wilmington.
- The Rose Bower, Hugh Lane Gallery of Modern Art, Dublin.
[edit] The Days of Creation (1870-76)
Fogg Art Museum, Harvard University:
- The First Day
- The Second Day
- The Third Day
- The Fourth Day
- The Fifth Day
- The Sixth Day
[edit] Pygmalion Series (1868-70)
Joseph Setton Collection (private), Paris - now owned by Lord Lloyd Weber:
- The Heart Desires
- The Hand Refrains
- The Godhead Fires
- The Soul Attains
[edit] Pygmalion and the Image Series or "Pygmalion and Galatea Series" (1875-78)
Birmingham Museum & Art Gallery, Birmingham:
- The Heart Desires
- The Hand Refrains
- The Godhead Fires
- The Soul Attains
[edit] The Perseus Cycle (1875-90s)
Only four of the paintings were completed in oil, although full size gouache studies were rendered of all the images.[22]
- The Call of Perseus, full size study in Southampton Art Gallery. [23]
- Perseus and the Graiae completed work in oil at Staatsgalerie, Stuttgart.[24] Study in private collection, sketches at the Cecil Higgins Gallery and a full size study Southampton Art Gallery.
- The Arming of Perseus or Perseus and the Nereids (Sea Nymphs), study in Southampton Art Gallery. [25]
- The Finding of Medusa, full size study in Southampton Art Gallery. [26]
- The Death of Medusa, full size study in Southampton Art Gallery. [27]
- The Birth of Pegasus and Chrysaor, full size study in Southampton Art Gallery.
- The Rock of Doom, completed work in oil at Staatsgalerie, Stuttgart;[28] full size study in Southampton Art Gallery.
- The Doom Fulfilled, completed work in oil at Staatsgalerie, Stuttgart;[29] full size study in Southampton Art Gallery.
- The Baleful Head, completed work in oil at Staatsgalerie, Stuttgart;[30] full size study in Southampton Art Gallery.
- Atlas turned to Stone, full size study in Southampton Art Gallery.
-
- Peresus and Andromeda (1876) Art Gallery of South Australia, Adelaide. Same composition as Doom Fulfilled.[31]
[edit] Portraits
- Portrait of Lady Lewis (1870), private collection.[32]
- Portrait of Maria Zambaco (1870)[citation needed]
- Portrait of La Baronne Madeleine Desandes (1895-96), National Gallery of Victoria, Melbourne. Second version in a private collection (both listed at Bridgeman Art Library.
- Portrait of Katie Lewis (1886), [33].
[edit] Undated
- The Temple of Love, Tate Britain, London.
- Flamma Vestalis, Fogg Art Museum, Harvard University.
- Venus Discordia, National Museum of Wales, Cardiff (unfinished).
- Heart of the Rose, Roy Miles Fine Paintings. Listed at Bridgeman Art Library.