List of compositions by Karlheinz Stockhausen
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A list of compositions by Karlheinz Stockhausen (alphabetical by title).
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[edit] A
- Adieu, for wind quintet (flute, oboe, clarinet, bassoon, and horn), Nr. 21 (1966)
- Alphabet für Liège, Nr. 36 (1972)
- Am Himmel wandre ich ("In the Sky I Am Walking", American Indian Songs), Nr. 36½ (1972)
- Amour, 5 pieces for clarinet, Nr. 44 (1976)
- Atmen gibt das Leben, choral opera with orchestra (or orchestra on tape), Nr. 39 (1974/77)
- Aus den sieben Tagen ("From the Seven Days"), 15 texts for intuitive music (performable separately), Nr. 26 (1968)
- Richtige Dauern (Right Durations), for ca. 4 players
- Unbegrenzt (Unlimited), for ensemble
- Verbindung (Connection), for ensemble
- Treffpunkt (Meeting Point), for ensemble
- Nachtmusik (Night Music), for ensemble
- Abwärts (Downward), for ensemble
- Aufwärts (Upward), for ensemble
- Oben und Unten (Above and Below), theatre piece for a man, a woman, and a child, with 4 instrumentalists
- Intensität (Intensity), for ensemble
- Setz die Segel zur Sonne (Set Sail for the Sun), for ensemble
- Kommunion (Communion), for ensemble
- Litanei (Litany), for speaker or speaking choir [Cf. Litanei 97, below]
- Es (It), for ensemble
- Goldstaub (Gold Dust), for ensemble
- Ankunft (Arrival), for speaker or speaking choir
[edit] B
- Balance, for flute, English horn, and bass clarinet (2006–07). See: Klang: Seventh Hour
- Bassetsu-Trio, for basset horn, trumpet, and trombone, Nr. 3. ex 70 (1997). Arranged from Mittwoch aus Licht, scene 4: Michaelion
[edit] C
- Carré, for 4 choirs and orchestras, Nr. 10 (1959–60)
- Choral ("Wer uns trug mit Schmerzen in dies Leben"), for a capella choir, Nr. 1/9 (1950)
- Chöre für Doris, for a capella choir, Nr. 1/11 (1950)
- Cosmic Pulses, electronic music. See: Klang: Thirteenth Hour
[edit] D
- Dr. K-Sextett, for flute, bass clarinet, percussionist (tubular chimes and vibraphone), piano, viola, and cello, Nr. 28 (1968–69)
- Drei Lieder for alto voice and chamber orchestra, Nr. 1/10 (1950)
[edit] E
- Etude, musique concrète, Nr. 1/5 (1952)
- Europa-Gruss, Nr. 72 (1992/2002)
- Expo, for 3 players or singers with 3 short-wave receivers, Nr. 31 (1969–70)
[edit] F
- Formel, for small orchestra, Nr. 1/6 (1951)
- Fresco, for 4 orchestral groups, Nr. 29 (1969)
- Freude (Joy), for two harps. See: Klang: Second Hour
- Für kommende Zeiten, 17 texts for intuitive music, Nr. 33 (1968–70)
- Übereinstimmung (Unanimity), for ensemble
- Verlängerung (Elongation)
- Verkürzung (Shortening)
- Über die Grenze (Across the Boundary), for small ensemble
- Kommunikation (Communication), for small ensemble
- Intervall, for piano four-hands
- Ausserhalb (Outside), for small ensemble
- Innerhalb (Inside), for small ensemble
- Anhalt (Halt), for small ensemble
- Schwingung (Vibration), for ensemble
- Spektren (Spectra), for small ensemble
- Wellen (Waves), for ensemble
- Zugvogel (Bird of Passage), for ensemble
- Vorahnung (Presentiment), for 4–7 interpreters
- Japan, for ensemble
- Wach (Awake), for ensemble
- Ceylon, for small ensemble
[edit] G
- Gesang der Jünglinge, electronic and concrete music, Nr. 8 (1955–56)
- Gruppen, for 3 orchestras, Nr. 6 (1955–57)
[edit] H
- Harlekin, for clarinet, Nr. 42 (1975)
- Der kleine Harlekin, for clarinet, Nr. 42½ (1975)
- Harmonien, see: Klang: Fifth Hour
- Helikopter-Streichquartett, for string quartet and 4 helicopters, Nr. 69 (1992–93) [Scene 3 of Mittwoch aus Licht]
- Herbstmusik, musical theatre for 4 performers, Nr. 40 (1974)
- Laub und Regen, duet for clarinet and viola, Nr. 40½
- Himmelfahrt, see: Klang: First Hour
- Himmels-Tür, see: Klang: Fourth Hour
- Hymnen, 4-channel electronic and concrete music, Nr. 22 (1966–67)
[edit] I
- In Freundschaft, for clarinet, Nr. 46 (1977)
- In Freundschaft, for flute, Nr. 46½
- In Freundschaft, for oboe, Nr. 46⅔
- In Freundschaft, for bassoon, Nr. 46¾
- In Freundschaft, for bassett-horn or bass clarinet, Nr. 464/5
- In Freundschaft, for violin, Nr. 465/6
- In Freundschaft, for viola, Nr. 466/7
- In Freundschaft, for violoncello or double bass, Nr. 467/8
- In Freundschaft, for saxophone, Nr. 469/10
- In Freundschaft, for trumpet in E-flat (with fourth-attachment), Nr. 4610/11
- In Freundschaft, for horn, Nr. 4611/12
- In Freundschaft, for trombone, Nr. 4612/13
- In Freundschaft, for tuba, Nr. 4613/14
- In Freundschaft, for recorder, Nr. 4614/15
- Inori, adorations for 1 or 2 soloists and large orchestra, Nr. 38 (1973–74)
- Vortrag über HU, for a singer, Nr. 38½ (1974)
[edit] J
- Jubiläum, for orchestra, Nr. 45 (1977)
[edit] K
- Klang ("Sound", the 24 Hours of the Day), Nr. 81– (2004–2007)
- First Hour: Himmelfahrt (Ascension), for organ (or synthesizer), soprano, and tenor, Nr. 81 (2004–05)
- Second Hour: Freude (Joy), for 2 harps, Nr. 82 (2005)
- Third Hour: Natürliche Dauern 1–24 (Natural Durations 1–24), for piano, Nr. 83 (2005–06)
- Fourth Hour: Himmels-Tur (Heaven's Door), for a percussionist and a little girl, Nr. 84 (2005)
- Fifth Hour: Harmonien (Harmonies), Nr. 85, versions for:
- bass clarinet, Nr. 85.1 (2006)
- flute, Nr. 85.2 (2006)
- trumpet, Nr. 85.3 (2006)
- Sixth Hour: Schönheit (Beauty), for flute, bass clarinet, and trumpet, Nr. 86 (2006)
- Seventh Hour: Balance, for flute, English horn, and bass clarinet, Nr. 87 (2007)
- Eighth Hour: Glück (Bliss), for oboe, English horn, and bassoon, Nr. 88 (2007)
- Ninth Hour: Hoffnung (Hope), for violin, viola, and cello, Nr. 89 (2007)
- Tenth Hour: Glanz (Brilliance), for oboe, clarinet, bassoon, trumpet, trombone, tuba, and viola, Nr. 90 (2007)
- Eleventh Hour: Treue (Fidelity), for E-flat clarinet, basset horn, and bass clarinet, Nr. 91 (2007)
- Twelfth Hour: Erwachen (Awakening), for soprano saxophone, trumpet, and cello, Nr. 92 (2007)
- Thirteenth Hour: Cosmic Pulses, electronic music, Nr. 93 (2006–07)
- Fourteenth Hour: Havona, for bass voice and electronic music, Nr. 94 (2007)
- Fifteenth Hour: Orvonton, for baritone and electronic music, Nr. 95 (2007)
- Sixteenth Hour: Uversa, for basset-horn and electronic music, Nr. 96 (2007)
- Seventeenth Hour: Nebadon, for horn and electronic music, Nr. 97 (2007)
- Eighteenth Hour: Jerusem, for tenor and electronic music, Nr. 98 (2007)
- Nineteenth Hour: Urantia, for soprano and electronic music, Nr. 99 (2007)
- Twentieth Hour: Edentia, for soprano saxophone and electronic music, Nr. 100 (2007)
- Twenty-first Hour: Paradies (Paradise), for flute and electronic music, Nr. 101 (2007)
- Klavierstücke
- Klavierstücke I–IV, Nr. 2 (1952)
- Klavierstücke V–X, Nr. 4 (1954–55/61)
- Klavierstück XI, Nr. 7 (1956)
- Klavierstück XII, ex Nr. 49¾ (1979/83)
- Klavierstück XIII, Nr. 51½ (1981)
- Klavierstück XIV, ex Nr. 57⅔ (1984)
- Synthi-Fou (Klavierstück XV), ex Nr. 61⅔
- Klavierstück XVI, Nr. 63½ (1995)
- Klavierstück XVII, 7½ ex Nr. 64 (1994/99)
- Klavierstück XVIII, Nr. 73⅔ (2004)
- Klavierstück XIX, Nr. 80 (2001/2003)
- Kontakte ("Contacts"), for electronic sounds, Nr. 12 (1958–60)
- Kontakte, for electronic sounds, piano, and percussion, Nr. 12½ (1958–60)
- Originale, musical theatre with Kontakte, Nr. 12⅔ (1961)
- Kontra-Punkte ("Counter-Points"), for 10 instruments, Nr. 1 (1952–53)
- Kreuzspiel, for oboe, bass clarinet, piano, and 3 percussionists, Nr. 1/7 (1951)
- Kurzwellen, for 6 players with live electronics, plus sound director, Nr. 25 (1968)
[edit] L
- Licht, Nr. 47–80 (1977–2003)
- Jahreslauf, Nr. 47 (1977/91)
- Donnerstag aus Licht, opera in three acts, a greeting, and a farewell, Nr. 48–50 (1978–80)
- Michaels Reise um die Erde, Nr. 48 (1978)
- Donnerstags-Gruss, Nr. 48½ (1978)
- Michaels Jugend, Nr. 49 (1978–79)
- Michaels Heimkehr, Nr. 50 (1980)
- Donnerstags-Abschied, Nr. 50¾ (1980)
- Samstag aus Licht, opera in a greeting and four scenes, Nr. 51–54 (1981–84)
- Luzifers Traum, Nr. 51 (1981)
- Kathinkas Gesang als Luzifers Requiem, Nr. 52 (1982–83)
- Luzifers Tanz, Nr. 53 (1983)
- Samstags-Gruss, Nr. 53½ (1984)
- Luzifers Abschied, Nr. 54 (1982)
- Montag aus Licht, opera in three acts, a greeting, and a farewell, Nr. 55–59 (1984–88)
- Montags-Gruss (Evas-Gruss), for multiple basset-horns and electronic keyboard instruments, Nr. 55 (1986/88)
- Evas Erstgeburt, Nr. 56 (1987)
- Evas Zweitgeburt, Nr. 57 (1984–87)
- Evas Zauber, Nr. 58 (1984–86)
- Montags-Abschied, Nr. 59 (1986/88)
- Dienstag aus Licht, opera in a greeting and two acts (with a farewell), Nr. 47, 60–61 (1977/87–91)
- Dienstags-Gruss, Nr. 60 (1987–88)
- Jahreslauf vom Dienstag, Nr. 47 (1977/91)
- Invasion-Explosion mit Abschied, Nr. 61 (1990–91)
- Freitag aus Licht, opera in a greeting, two acts, and a farewell, Nr. 62–64 (1991–94)
- Freitags-Gruss and Freitags-Abschied (concert title: Weltraum ("Outer Space"), electronic music, Nr. 62 (1991/92/94)
- Paare vom Freitag, Nr. 63 (1992/99)
- Freitag-Versuchung, Nr. 64 (1991–94)
- Mittwoch aus Licht, opera in a greeting, four scenes, and a farewell, Nr. 65–71 (1995–98)
- Mittwochs-Gruss, Nr. 65 (1998)
- Welt-Parlament, Nr. 66 (1995)
- Orchester-Finalisten, Nr. 68 (1995–96)
- Helikopter-Streichquartett, Nr. 69 (1992–93)
- Michaelion, Nr. 70 (1997)
- Mittwochs-Abschied, Nr. 71 (1996)
- Sonntag aus Licht, Nr. 75–80 (1998–2003)
- Lichter-Wasser, Nr. 75 (1998–99)
- Engel-Prozessionen, Nr. 76 (2000)
- Licht-Bilder, Nr. 77 (2002)
- Düfte-Zeichen, Nr. 78 (2002)
- Hoch-Zeiten, Nr. 79 (2001–2002)
- Sonntags-Abschied, Nr. 80 (2001/2003)
- Licht-Ruf, Nr. 67 (1995)
- Litanei 97, Nr. 74 (1997)
[edit] M
- Mantra, for 2 pianists (with wood blocks and antique cymbals) and electronics, Nr. 32 (1970)
- Mikrophonie I, for tamtam (2 players), 2 microphones, 2 filters with potentiometers, and 4 pair of loudspeakers, Nr. 15 (1964)
- Mikrophonie II, for 12 voices, Hammond organ (or synthesizer), 4 ring modulators, and tape, Nr. 17 (1965)
- Mittwoch-Formel, Nr. 73½, for percussion trio (2004)
- Mixtur, for orchestra, 4 sinewave generators, and 4 ring-modulators, Nr. 16 (1964)
- Mixtur, version for small orchestra, Nr. 16½ (1964/67)
- Mixtur 2003, for 5 instrumental groups, 4 sinewave-generator players, 4 sound mixers with 4 ring modulators, and sound director, Nr. 16⅔ (1964/67/2003)
- Musik im Bauch, for 6 percussionists and music boxes, Nr. 41 (1975)
- Momente, for soprano solo, 4 choirs, and 13 instrumentalists, Nr. 13 (1962–64/69)
[edit] N
- Natürliche Dauern (Natural Durations), for piano. See: Klang: Third Hour
[edit] O
- Originale, musical theatre, Nr. 12⅔ (1961) [Cf. Kontakte, above]
[edit] P
- Plus-Minus, 2 x 7 pages for realization, Nr. 14 (1963)
- Pole, for 2 players or singers with 2 short-wave radios, Nr. 30 (1969–70)
- Prozession, for 6 players with live electronics, Nr. 23 (1967)
- Punkte ("Points"), for orchestra, Nr. ½ (1952/62/66/93)
[edit] Q
- Quitt ("Even"), for alto flute, clarinet, and trumpet, Nr. 1 ex 59 (1989)
[edit] R
- Refrain, for piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and celesta (+ 3 antique cymbals), Nr. 11 (1959)
- 3 x Refrain 2000, for sampler-celesta (+ 3 antique cymbals), piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and sound director, Nr. 11½ (2000)
- Rotary-Bläserquintett ("Rotary Wind Quintet"), for flute, oboe, clarinet, bassoon, and horn, Nr. 70½ (1997)
[edit] S
- Schlagtrio ("Percussive Trio") [originally Schlagquartett], for piano and 2 x 3 [originally 3 x 2] timpani, Nr. ⅓ (1952)
- Schönheit (Beauty), for flute, bass clarinet, and trumpet (2006–2007). See: Klang: Sixth Hour
- Sirius, electronic music with trumpet, soprano, bass clarinet, and bass voice, Nr. 43 (1975–77)
- Aries, for trumpet and electronic music, Nr. 43½ (1977/80)
- Libra, for bass clarinet and electronic music, Nr. 43⅔ (1977)
- Capricorn, for bass and electronic music, Nr. 43¾ (1977)
- Solo, for a melody instrument and feedback (live electronics with 4 technicians, 4 pair of loudspeakers), Nr. 19 (1965–66)
- Sonatine, for violine and piano, Nr. ⅛ (1951)
- Spiel ("Play"), for orchestra, Nr. ¼ (1952)
- Spiral, for a soloist with short-wave receiver and live electronics with sound director, Nr. 27 (1968)
- Sternklang ("Star Sound"), park music for five groups, Nr. 34 (1971)
- Stimmung ("Tuning"), for 6 vocalists, Nr. 24 (1968)
- Stimmung "Paris Version", for 6 vocalists, 6 microphones, 6 loudspeakers, and sound director, Nr. 24½ (1968)
- Stop, for small orchestra in 6 groups, Nr. 18 (1965)
- Stop, "Paris Version", Nr. 18½ (1969)
- Stop und Start, for 6 instrumental groups, Nr. 18⅔ (2001)
- Strahlen ("Rays"), for a percussionist and ten-channel sound recording, Nr. 80½ (2002)
- Studie I, electronic music, Nr. 3/I (1953)
- Studie II, electronic music, Nr. 3/II (1954)
- Sukat, for alto flute and basset-horn, Nr. 2 ex 60 (1989)
[edit] T
- Telemusik, electronic and concrete music, Nr. 20 (1966)
- Thinki, for flute, Nr. 1 ex 70 (1997)
- Tierkreis ("Zodiac"), 12 melodies of the star signs, for a melody and/or chording instrument, Nr. 41½ (1974–75)
- Trans, for orchestra and tape, Nr. 35 (1971)
- Traum-Formel ("Dream Formula"), for basset-horn, Nr. 51⅔ (1981)
- Trompetent ("Trumpetent"), for 4 trumpeters, Nr. 73 (1995)
- Türin, for Tür (door), rin, and speaker (versions in German and English), with electronics (2006)
[edit] U
- Unsichtbare Chöre, 16-channel recording of a capella choir, for 8-channel playback, ex Nr. 79 (1979)
[edit] V
- Vibra-Elufa, for vibraphone, Nr. 9¾ ex 64 (2003)
[edit] W
- Weltraum ("Outer Space"), electronic music, Nr. 62 (see: Licht: Freitags-Gruss and Freitags-Abschied, above)
[edit] X
- Xi, for a melody instrument with microtones, Nr. 1 ex 55 (1986)
[edit] Y
- Ylem, for 19 players, Nr. 37 (1972)
- Ypsilon, for a melody instrument with microtones, Nr. 2 ex 59 (1989)
[edit] Z
- Zeitmaße ("Time Measures"), for oboe, flute, cor anglais, clarinet, and bassoon, Nr. 5 (1955–56)
- Zyklus ("Cycle"), for a percussionist, Nr. 9 (1959)