List of basic opera topics

From Wikipedia, the free encyclopedia

Opera is one of the performing arts (alongside music, dance and drama), and its special character as an art form derives from combining elements of the others, combined with visual effects. Opera is invariably live and given in a specially-equipped opera house or theatre. It is normally (electronically) unamplified to order to feature the beauty of the natural voice. While the scale of opera can be larger or smaller - there are many different genres of opera - performance typically involves different types of artist (singers, instrumentalists and often dancers and actors) and technical staff. Usually an orchestra led by a conductor accompanies the singers. In contrast to spoken theatre, the opera world is international. German, French, Italian and English works are performed world-wide in their original languages, and artists travel from country to country performing.

The following list of topics is provided as an overview of and introduction to opera:

Contents

[edit] Essence of opera

Main article: Opera

[edit] Branches of opera

English opera - French opera - German opera - Hungarian opera - Italian opera - Russian opera

[edit] Genres of opera

[edit] History of opera

Main article: History of opera

[edit] Basic opera concepts

[edit] Participants in opera

[edit] Basic dance concepts relevant to opera

Ballet - Choreography - Dance

[edit] Basic music concepts relevant to opera

Composer - Lyrics - Music - Musical composition - Voice type - Singing - Song - Orchestra - Score - Sheet music

[edit] Basic theatre concepts relevant to opera

Curtain call - Prop (short for "Theatrical property") - Stage - Stagecraft (Technical theatre) - Theatrical scenery - Ticket

[edit] People in opera

[edit] Opera composers, librettists, directors

[edit] Opera singers categories

Sopranos - Mezzo-sopranos - Contraltos - Countertenors - Tenors - Baritones - Bass-baritones - Basses

[edit] Other opera lists

[edit] External links

"America’s Opera Boom"] By Jonathan Leaf, The American, July/August 2007 Issue