List of Caribbean aerophones

From Wikipedia, the free encyclopedia

This is a list of aerophones used in the Caribbean music area, including the islands of the Caribbean Sea, as well as the musics of Guyana, Suriname, French Guiana, Bahamas, and Bermuda.


Instrument Tradition Description Image
accordion[1]
Dominican Republic Used in popular merengue, where it replaced the guitar
Hornbostel-Sachs: 4
-
bois bourrique See vaccine - -
botija[2][3]
botijuela, bunga
Cuba Empty jug, sometimes with a hole on the side, used in rural folk genres like son
Hornbostel-Sachs: 4
-
botijuela See botija - -
bugle[4]
Trinidad and Tobago Original source of the melody in steelpan
Hornbostel-Sachs: 4
-
bunga See botija - -
cayambouque[5]
Haiti Cow horn, used for signalling
Hornbostel-Sachs: 4
-
clarinet[6]
Trinidad and Tobago Used in traditional calypso
Hornbostel-Sachs: 4
-
clarinet[7]
Trinidad and Tobago Later addition to the tamboo bamboo ensembles
Hornbostel-Sachs: 4
-
cornet[6]
Trinidad and Tobago Used in traditional calypso
Hornbostel-Sachs: 4
-
flute[1]
Dominican Republic Used to accompany upper-class merengue in the later 19th century
Hornbostel-Sachs: 4
-
harmonium[7]
Indo-Caribbean Used in chutney music
Hornbostel-Sachs: 4
-
kartal[7]
Trinidad and Tobago Harmonium, used in chutney
Hornbostel-Sachs: 4
-
lambis[5]
Haiti Conch shell horn, used for signalling
Hornbostel-Sachs: 423.11
-
saxophone[3]
Cuba Used in popular Cuban bands
Hornbostel-Sachs: 4
-
saxophone[1]
Dominican Republic Used in merengue, where it is the main instrumentation for the jaleo
Hornbostel-Sachs: 4
-
trumpet[2][3]
Cuba Used in comparsa pre-Easter celebrations
Hornbostel-Sachs: 4
-
trumpet[7]
Trinidad and Tobago Later addition to the tamboo bamboo ensembles
Hornbostel-Sachs: 4
-
trumpet[8]
Trinidad and Tobago Used in the Spiritual Baptist musical tradition
Hornbostel-Sachs: 4
-
vaccine[5]
bois borrique
Haiti Made of bamboo
Hornbostel-Sachs: 423
-
von-von[5]
Haiti Bullroarer, used in Rara ceremonies
Hornbostel-Sachs: 412.22
-

[edit] References

  • Manuel, Peter (1988). Popular Musics of the Non-Western World: An Introductory Survey. New York: Oxford University Press. ISBN 0195063341. 

[edit] Notes

  1. ^ a b c Manuel, pg. 43
  2. ^ a b Courlander, Harold (April 1942). "Musical Instruments of Cuba". The Musical Quarterly 28 (2): 227–240. doi:10.1093/mq/XXVIII.2.227. 
  3. ^ a b c Manuel, pg. 30
  4. ^ Brown, Ernest D. (1990). "Carnival, Calypso, and Steelband in Trinidad". The Black Perspective in Music 18 (1/2): 81–100. doi:10.2307/1214859. 
  5. ^ a b c d Courlander, Harold (July 1941). "Musical Instruments of Haiti". The Musical Quarterly 27 (3): 371–383. doi:10.1093/mq/XXVII.3.371. 
  6. ^ a b Manuel, pg. 79
  7. ^ a b c d Ramnarine, Tina K. (1998). "Brotherhood of the Boat: Musical Dialogues in a Caribbean Context". British Journal of Ethnomusicology 7: 1–22. 
  8. ^ Glazier, Stephen D. (Spring - Summer 1997). "Embedded Truths: Creativity and Context in Spiritual Baptist Music". Latin American Music Review / Revista de Música Latinoamericana' 18 (1): 44–56. doi:10.2307/780325.