Linda George (Australian singer)

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For other uses, see Linda George (disambiguation).


Linda George was one of Australia’s most successful and respected female vocalists of the 1970s, best known for her soulful voice and her 1974 hit "Mama's Little Girl". She went on to be an in-demand session singer, and teacher.

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[edit] Early career

George was born in the UK and emigrated with her family to Australia as a young teenager in the 1960s where they settled in Adelaide. By 1969 Linda had joined her first band Nova Express, a large Jazz-Rock group similar to U.S. acts Chicago or Blood Sweat and Tears, with the notable difference of having a female singer up front.

Finding it hard to financially sustain such a large ensemble the Nova Express soon moved to Melbourne, Victoria, then the live music capital of Australia. There they entered and won the state final of the 1969 Hoadley's Battle of the Bands, though they lost out to The Flying Circus, runner up Zoot and 3rd place- getter Autumn at the National Finals. However 1970 saw the band’s first and only single released on the EMI label imprint Columbia. A more than competent version of "Piece of My Heart" (originally recorded by Erma Franklin, then Janis Joplin). This debut single managed to reach a respectable #28 in hometown Melbourne and George’s career began to take off. She left Nova Express later that year for a solo career, initially sharpening her performance skills with Brian May and the ABC Showband on a tour of Vietnam.

[edit] Solo career

In 1972 George joined the new independent label Image Records and released her first solo single "Let's Fly Away" in May of that year. Though not a success, her career received a major boost in March 1973 when she scored the pivotal role of the Acid Queen in the Australian stage production of The Who’s Rock Opera Tommy. George’s performance was singled out for praise amongst a cast of local stars including Daryl Braithwaite, Colleen Hewett, Billy Thorpe, Ross Wilson, Jim Keays, Doug Parkinson, Broderick Smith, Wendy Saddington, Bobby Bright and The Who’s own Keith Moon who reprised his role as Uncle Ernie for the Melbourne show only. The Sydney show, with Molly Meldrum replacing Moon, was later televised by the Seven Network. The show later received a TV award for the year's most outstanding creative effort.

The raised exposure helped ensure that George’s second single (as 'Miss Linda George', a name under which she released some later material as well) in July 1973 was a success. A superb interpretation of the then current Gladys Knight & the Pips U.S hit "Neither One of Us" George’s version took all the sales in Australia, just narrowly missing the National Top 10, while the original failed completely to dent the Top 40. George's hit follow up, an updated remake of Ruby and The Romantics (1963) hit "Our Day Will Come", while not as big a hit, helped keep her name at the forefront.

Next came the much acclaimed debut L.P. Linda in August 1974. No expense was spared to hire the best session musicians at the time, U.S. Record Producer Jack Richardson, who had worked with Alice Cooper, The Guess Who, Poco and Bob Seger among others, was brought to Australia to oversee proceedings by Image Records boss John McDonald and George's Manager Garry Spry of Aim Australia Management.

Choosing not to rest on her laurels, neither of George’s previous two hits appeared on the new record. However, the first single from the album became her biggest hit and her signature song "Mama's Little Girl", which went to #8 Nationally. It’s follow up "Give it Love" was not as successful but, did garner enough TV and radio exposure to keep album sales moving steadily. While only peaking at #32, the Linda album stayed on the charts for five months, quite an achievement for an Australian female performer at the time. The previous two years had also seen George win several awards as "Best New Female Artist", "Best Female Vocalist", "Best Female Single", despite some formidable competition at the time, she clearly became Australia's Top Female Singer and her appearance at the historic Sunbury Pop Festival confirmed it.

Now at the peak of her still-young career Jack Richardson was again enlisted to produce the follow up album, Step by Step which was released in December 1975. The album featured a tougher rock sound compared to the soul/pop of the previous release. After the release of the second album her management company parted ways with her. To promote the album she formed her own Linda George Band which performed throughout 1976 to rave reviews for her performances. The album’s first single "Shoo Be Doo Be Doo Dah Day" performed reasonably well in former hometown Adelaide, but public reaction in the rest of Australia was only lukewarm. Even worse, the album only managed three weeks at the very bottom of the Top 40. A follow up single, the title track, was released to boost sales but, this performed even worse, failing to make the charts at all.

Moving on from this disappointment, George then released a brand new, non-album single "Sitting in Limbo" in November 1976. A version of the Jimmy Cliff classic, it still did nothing to stem the tide. Following this latest disappointment George broke her ties with Image to continue working as a session singer and found herself much in demand.

[edit] The Session Singer and beyond

Throughout her hitmaking years Linda George had continued to be a popular backing vocalist on many singles and albums by her contemporaries, including Brian Cadd, Madder Lake, Daryl Braithwaite, Normie Rowe, Marcie Jones of Marcie and The Cookies and Kerrie Biddell. She decided to continue in that direction. During those remaining years of the 1970s, not only was her voice prominent in the background of many recordings, but with her hits still fresh in the memory, she was also one of the most recognised and most used voices singing Radio and TV jingles. These advertisements endorsed the virtues of everything from margarine to real estate and provided a lucrative income.

During 1979 Linda found herself performing backing vocals on Mike Brady’s album Invisible Man. Brady had just enjoyed a massive #1 hit with "Up There Cazaly" and helped by thissuccess, he set up his own record label Full Moon Records, through which the album would be released. One of the results of all this was that George signed to the label and was again back in the spotlight.

Her first single in four years was a duet with Melbourne stalwart Paul McKay on "Love Is Enough" which was released in April 1980. It resulted in George enjoying substantial airplay on Radio and TV. She found herself back in the charts ten years after first charting with Nova Express, the single peaking at #25 in Melbourne and again things looked promising for her. A follow up single, the uptempo "Telephone Lines" came out in 1981 and also enjoyed some airplay, but was not a success. One last single was released on Full Moon in 1982 but this one sank completely without trace and she has not recorded since.

Not that she has been idle. While resuming her session work, George also spent much of the 1980s singing with the soul big bands Grand Wazoo and W.J.A.Z and often guested with the Cox-Brady band. More recently her vocal gifts have been used to teach voice at the Victorian College of the Arts.

[edit] Discography

[edit] Albums

[edit] Singles

  • May 1972 Let's Fly Away / Song To Save The World (Image Records)
  • July 1973 Neither One Of Us (Wants To Be The First To Say Goodbye) / If It's Alright With You (Image Records)
  • November 1973 Our Day Will Come / Yesterday And You (Image Records)
  • July 1974 Mama's Little Girl / Between Her Goodbye And My Hello (Image Records)
  • December 1974 Give It Love / Yesterday And You (Image Records)
  • September 1975 Shoo Be Doo Be Doo Da Day / I Wanna Hear Music (Image Records)
  • May 1976 Step by Step / Wake Up (Image Records)
  • November 1976 Sitting In Limbo / Hard To Be Friends (Image Records)
  • April 1980 Love Is Enough / You Are Mine Tonight (with Paul McKay) (Full Moon Records)
  • June 1981 Telephone Lines / Physical Things (Full Moon Records)
  • August 1982 Face To Face / Up Until Now (Full Moon Records)

[edit] Sources

  • Noel McGrath's Encyclopedia Of Australian Rock and Pop
  • David Kent's Australian Chart Book 1970-1992
  • Gavin McGrath's State Chart Books
  • Chris Spencer's Who's Who Of Australian Rock

[edit] External links