Les fêtes de Polymnie

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Operas by Jean-Philippe Rameau

Hippolyte et Aricie (1733)
Les Indes galantes (1735)
Castor et Pollux (1737)
Les fêtes d'Hébé (1739)
Dardanus (1739)
La princesse de Navarre (1745)
Platée (1745)
Les fêtes de Polymnie (1745)
Le temple de la Gloire (1745)
Les fêtes de Ramire (1745)
Les fêtes de l'Hymen et de l'Amour (1747)
Zaïs (1748)
Les surprises de l'Amour (1748)
Pigmalion (1748)
Naïs (1749)
Zoroastre (1749)
La guirlande (1751)
Acante et Céphise (1751)
Daphnis et Eglé (1753)
Les sibarites (1753)
La naissance d'Osiris (1754)
Anacréon (1754)
Anacréon ( different version, 1757)
Les Paladins (1760)
Les Boréades (unperformed)
Nélée et Myrthis (date unknown)
Zéphire (date unknown)
Io (unfinished, date unknown)
Lost operas

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Les fêtes de Polymnie (The Festivals of Polyhymnia) is an opéra-ballet in three entrées and a prologue by Jean-Philippe Rameau. The work was first performed on 12 October 1745 at the Opéra, Paris, and is set to a libretto by Louis de Cahusac. The piece was written to celebrate the French victory at the Battle of Fontenoy in the War of the Austrian Succession.[1]

The prologue, Le temple de Mémoire ("The Temple of Memory"), describes the victory of Fontenoy in allegorical fashion. The first entrée is entitled La fable (Legend) and depicts the marriage of Hercules and Hebe, the goddess of youth. The second entrée, L'histoire ("History"), tells the story of the Hellenistic king of Syria Seleucus, who gives up his fiancée Stratonice when he learns his son Antiochus is passionately in love with her (this tale was also the subject of a later 18th century French opera, Méhul's Stratonice). The third and final entrée is called La féerie ("Fairy tale") and is set in the Middle East. Through her love for him, Argélie redeems Zimès from the power of the evil fairy Alcine.

Neither Cuthbert Girdlestone[2] nor Graham Sadler (in the Viking Opera Guide [3]) consider this among Rameau's finest works, though both remark on the originality of its overture, which breaks the traditional Lullian mould common to French overtures up until that time.

[edit] Roles

[edit] References

  1. ^ Viking p.839
  2. ^ Girdlestone p.445
  3. ^ Viking p.840

[edit] Sources

  • Cuthbert Girdlestone Jean-Philippe Rameau: His Life and Work (Dover paperback edition, 1969)
  • The New Grove French Baroque Masters ed. Graham Sadler (Grove/Macmillan, 1988)
  • The Viking Opera Guide ed. Amanda Holden (Viking, 1993)