Leica Camera

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Coordinates: 50°32′35″N 8°23′25″E / 50.54306, 8.39028

Leica Camera
Type	Rangefinder camera, single-lens reflex camera
Current owner	Leica Microsystems GmbH
Country of origin	Germany
Introduced	1913
Website	Leica Camera - Official website

Leica Camera AG is a German company that has been designing and producing cameras since 1913. The company, formerly Ernst Leitz GmbH, is now three companies: Leica Camera AG, which produces cameras; Leica Geosystems AG which produces geodetic equipment; and Leica Microsystems GmbH, which produces microscopes. Leica Microsystems GmbH is the owner of the Leica brand, and grants licenses to Leica Camera AG and Leica Geosystems.

Contents 1 Leica camera history 2 List of Leica cameras and lenses 2.1 Leica I fixed lens 2.2 Leica screw mount Rangefinder Cameras with interchangeable lens 2.3 Leica M (rangefinder) series 2.3.1 M3 2.3.2 MP 2.3.3 M2 2.3.4 M1 2.3.5 M4 2.3.6 M5 2.3.7 M4-2 2.3.8 M4-P 2.3.9 CL 2.3.10 M6 2.3.11 M7 2.3.12 MP 2.3.13 M8 2.4 R (SLR) series 2.5 C (point and shoot) series 2.6 Digital series 2.7 Leica lenses on Panasonic 2.8 Leica M lenses 2.9 Leica R lenses 3 Leica / Leitz enlargers 3.1 35 mm enlargers 3.2 Medium and other format enlargers 4 The Leica Freedom Train 5 Notable photographers who used Leicas 6 Leica's chiefs of Optical Department 7 Culture 8 See also 9 References 10 External links 10.1 Official sites 10.2 Other links

[edit] Leica camera history

The Leica was the first practical 35 mm camera. The first prototypes were built by Oskar Barnack at E. Leitz Optische Werke, Wetzlar, in 1913. Barnack used standard cinema 35 mm film, but extended the image size to 24 × 36 mm. Barnack believed the 2:3 aspect ratio to be the best choice, leaving room for a 36-exposure film length (originally 40 exposures, but some films were found to be thicker).

Barnack's words, "Small negatives—large images", would soon change the world of photography.

The concept was developed further, and in 1923 Barnack convinced his boss, Ernst Leitz II, to make a prototype series of 30. The camera was an immediate success when introduced at the 1925 Leipzig, Germany Spring Fair as the Leica I (for Leitz Camera). The compactness of the camera, and its reliability and excellent lens, made it a success. The lens was the 4-element Elmar 50 mm f/3.5 objective designed by Dr. Max Berek at Leitz, influenced by the Zeiss Tessar. The focal plane shutter had a range from 1/20 to 1/500 second and Time (marked Z for Zeit).

In 1930 the Leica I Schraubgewinde with an exchangeable objective system based on a 39 mm thread was produced, with a 50 mm normal lens, a 35 mm wide-angle lens and a 135 mm telephoto lens available.

The Leica II came in 1932, with a built in rangefinder coupled to the lens focusing mechanism. This model had a separate viewfinder (showing a reduced image) and rangefinder (showing a double image which was properly focused when it became one image). The Leica III added slow shutter speeds down to 1 second, and increased rangefinder magnification to 1.5× for more accurate focusing. The model IIIa, introduced in 1935, added the 1/1000 second shutter speed. Also significant about the IIIa is that it is the last model made before Barnack's death, and therefore the last model he was wholly responsible for. Leitz continued to refine the original design through to 1957. The final version, the IIIg, included a large viewfinder with framelines, similar to the M3 finder, but still with the separate viewfinder and rangefinder. These models all had a functional combination of circular dials and square windows that was quite esthetically pleasing, although somewhat busy in appearance. All remain perfectly usable today if serviced properly.

The Leica 0, a modern rendition of the Prototype Leica

The Leica I, 1925, 1:3,5

The Leica II, 1932, with integrated rangefinder

Leica IIIf (1950), one of the last screw-mount Leicas, with 50 mm/f1.5 Summarit

In 1954 Leitz unveiled the Leica M3, a bayonet lens model, considered by many to be a design miracle for its combination of simple appearance with functional flexibility. It combined the rangefinder and viewfinder into one large, bright viewfinder with a brighter double image in the center, and introduced a system of parallax compensation. In addition, it had a new rubberized focal-plane shutter, which is known for reliability and is probably the quietest focal-plane shutter ever made. This model has continued to be refined (the latest versions being the M7 (with time automatic) and MP (fully mechanical), both of which have viewfinder frames for 28, 35, 50, 75, 90, and 135 mm lenses which show automatically upon mounting the different lenses); but the basic quality and simplicity of design has not changed. In 2006, Leica Camera released the M8, a digital successor to the M3–M7. The M8 requires the use of an infrared filter when shooting scenes containing certain materials, most notably synthetic black fabrics, due to its high sensitivity to infrared light.

The Leica M3 is considered a design miracle for its combination of simple appearance with functional flexibility

Leica's evolutionary design is evident comparing the 2003 MP and the 1954 M3

The Leica Visoflex II (1960)

Leica's answer to the SLR; a Leica Visoflex II on Leica IIIf with 65 mm f/3.5 Elmarit

Leica also produced a series of SLR (single-lens reflex) cameras beginning with the Leicaflex in 1964, followed by the Leicaflex SL and the Leicaflex SL2. Each of the Leicaflex models featured a mechanical shutter and electronic lightmeter, initially with non-TTL ("through-the-lens") light-metering, but with TTL metering from the SL onwards. The Leicaflexes were followed by the Leica R series, starting with the R3, which were initially made in collaboration with the Minolta Corporation. All R-series SLRs have an electronic shutter, except for the all-mechanical R6, whose only electronic part is the lightmeter. The R8 was re-designed and manufactured by Leica, with a larger body and a new, distinctive look. The R9, first manufactured in 2002 and current as of January 2008, has an optional Digital Module back. The Leica SLRs were well-received, but less successful than the company's rangefinder models. The optics were excellent, but more limited in variety than those offered by Leica's Japanese competitors in the SLR marketplace. Leica's SLRs also lacked the newer features of many Japanese cameras; models with through-the-lens metering and auto-exposure arrived later than their competitors, and Leica never made an auto-focusing camera. These issues and the extremely high price of Leica SLR cameras and lenses made them unattractive to working photographers.

The Leicaflex (1964)

The Leica R4 (1980) introduced the shape of the Leica SLR throughout most of the 1980s and 1990s. The Leica SL2 MOT (1974) was the culmination of the original Leicaflexes. The SL2 was reportedly more expensive to produce than the camera's price.

The R9, the latest reflex camera by Leica

The R9 can be fitted with a digital back

Leitz was the first company to use aspheric, multicoated, and rare earth lenses, and many other important innovations. From the 1930s to the 1950s, the Leica competed with the German Contax camera to be the best camera on the market. Leica lenses developed a mythology—it was said that photographs taken with them were distinguishable from photographs taken with other lenses. There has been much controversy about this.

Leica optics are well-known for superior performance at large apertures, making them well-suited for available-light photography. In particular, the high speed Noctilux 50 mm f/1.0 lens is famous in this regard. It was introduced in 1976 and is still being made. The Canon 50 mm f/1.0L USM for the EOS system has been discontinued; the Canon 50 mm f/0.95 is marginally faster but notoriously less sharp. See the article on lens speed for further information.

A number of camera companies built models based on the Leica rangefinder design. These include the Leotax, Nicca and early Canon models in Japan, the Kardon in USA, the Reid in England and the Fed and Zorki in the USSR.

Conceptually bridging the Rangefinder Leicas and the SLR Leicas was the Leica Visoflex System, a mirror reflex box which attached to the lens mount of Leica rangefinders (separate versions were made for the screwmount and M series bodies) and accepted lenses made especially for the Visoflex System. Rather than using the camera's rangefinder, focusing was accomplished via a groundglass screen. A coupling released both mirror and shutter to make the exposure. Camera rangefinders are inherently limited in their ability to accurately focus long focal-length lenses; the mirror reflex box permitted the use of much longer lenses.

The Visoflex mounted

Detail on a Visoflex

Telyt 400mm

The earliest Leica reflex housing was the PLOOT, announced in 1935, along with the 200 mm f/4.5 Telyt Lens. This date is significant because it places Leica among the 35 mm SLR pioneers. Until the 1964 introduction of the Leicaflex, the PLOOT and Visoflex were Leica's only offerings using SLR viewing. A redesigned PLOOT was introduced by Leica in 1951 as the Visoflex I. This was followed by a much more compact Visoflex II in 1960 (which was the only Visoflex version available in both LTM screwmount and M-bayonet) and the Visoflex III with instant-return mirror in 1964. Leica lenses for the Visoflex system included focal lengths of 65, 180 (rare), 200, 280, 400, 560, and 800 mm. In addition the optical groups of many rangefinder lenses could be removed and attached to the Visoflex via a system of adapters, providing additional focal lengths at the cost of some loss of image quality. The Visoflex system was discontinued in 1984.

Leica's sometimes arcane catalogue of accessories belies a comprehensive if sometimes haphazard systems approach to photography. As an example, LTM (screwmount) lenses were easily usable on M cameras via an adapter. Similarly Visoflex lenses could be used on the Leicaflex and R cameras with an adapter. Furthermore, certain LTM and M rangefinder lenses featured removable optical groups which could be mounted via adapters on the Visoflex system, thus making them usable as rangefinder or SLR lenses for Visoflex-equipped Screwmount and M rangefinder cameras, as well as being usable on Leicaflex and R cameras. Leica also carried in their catalogues focusing systems such as the Focorapid and Televit which could replace certain lenses' helicoid mounts for sports and natural-life telephotography.

Very early examples of Leica cameras and rare accessories are highly sought after by camera collectors and can fetch extremely high prices. Cameras carrying markings that show they were issued to the German army or airforce carry very high premiums. As a consequence there are many fake Leica cameras, usually based on Soviet cameras, with the Leica name engraved on the top-plate. Sought-after models include the IIId (the first Leica with integrated self-timer, made in very small numbers), the IIIc with unusual red shutter material and the last of the line, the IIIg with parallax-adjusting viewfinder brightlines for 50 mm and 90 mm lenses.

Leica cameras, lenses, accessories and even sales literature are almost fanatically collected by enthusiasts. There are dozens of Leica books and collector's guides; perhaps the best known is the massive 3-volume Leica an Illustrated History by James L. Lager, a former Leica employee. The Leica Historical Society of America^[1] is the largest Leica collector and user group, boasting 2,000 members.

In 1986, the Leitz company changed its name to Leica (LEItz CAmera), due to the strength of the Leica brand. At this time, Leica Camera AG became an independent company in the Leica Group and moved its factory from Wetzlar to the nearby town of Solms. In 1996 Leica Camera separated from the Leica Group and became a publicly held company. In 1998 the remaining Leica Group split into 2 independent units: Leica Microsystems and Leica Geosystems.

The Leica Camera company still produces a range of expensive, very high quality optical products, including compact cameras, M-System rangefinder cameras (direct descendants of the first Leica), R-system single-lens reflex cameras, professional digital cameras, digital compact cameras (in association with Panasonic) such as the Leica Digilux 2 / Panasonic DMC-LC1, and the newer Leica Digilux 3. Their binoculars and spotting scopes are marketed especially to birdwatchers, among which Leica together with German competitor Zeiss and Austrian Swarovski are known for their excellent optical performance.

[edit] List of Leica cameras and lenses

Below is a partial list of cameras and lenses produced under the Leica name.

The screwmount cameras followed a simple nomenclature. The Roman numeral I indicates no rangefinder or slow shutter speed dial (generally 1 sec to 1/20 sec). II indicates a rangefinder but no slow speeds. III indicates both a rangefinder and slow speeds. The letters following the number indicate the generation of the camera. There is no "e" in the series (IIIe would sound awkward in German), which runs from a to g.

There is an arcane and sometimes-broken naming system for lenses based on their maximum aperture. "Elmar" denotes an f/4 or f/3.5 maximum aperture. "Elmarit" denotes an f/2.8 maximum aperture, "Summicron" (preceded by Summitar and Summar) denotes f/2, "Summilux" f/1.4 and "Noctilux" f/1.2 or f/1. Telyt is used for all long telephoto lenses.

[edit] Leica I fixed lens

• Leica I — was first introduced at the 1925 spring fair in Leipzig, based on the Ur-Leica prototype developed by Oscar Barnack in 1913 and the Prototyp 1 developed in 1923. Followed by Leica Luxus and Leica Compur (a total of 60,586 was made of the Leica I, Luxus and Compur). From 1930 with interchangeable lenses. First production batch of 174 Leica cameras had Anastigmat lens. These cameras are in the list of most desired items for any collector. Second batch of 1000 cameras had Elmax lens — they are also extremely rare these days.

[edit] Leica screw mount Rangefinder Cameras with interchangeable lens

• Leica I with interchangeable lenses.

• Leica II — 1932. Leica introduces the rangefinder in the camera with this model.
• Leica III — 1933. Also referred to as III (F). Leica incorporates slow speeds to the shutter design in this model.

• Leica IIIa — 1935. Leica incorporates 1/1000s shutter speed to the shutter design.

• Leica IIIb. The rangefinder and viewfinder eyepieces are siamesed for quicker operation.

• Leica IIIc. A stronger die-cast body is introduced. IIIc cameras are very plentiful and most wartime cameras are of this type. Later ones have ball-bearing shutters (IIIcK).

• Leica IIId. Integrated self-timer.

• Leica IIIf — 1950. Leica incorporates flash synchronization. The "Black Dial" IIIf synchronizes at only 1/30 sec, but the later "Red Dial" has a more usable 1/50 sec. Some Red Dial IIIf's also have a self timer and are known as IIIf RD DA (for Delayed Action).

• Leica IIIg — Produced till 1960 (Total 798,200 screwmount cameras had been made by then).

[edit] Leica M (rangefinder) series

[edit] M3

Main article: Leica M3

M3 — 1954–66 (Total 200,000 units manufactured) The M3 was introduced at the German Foto Kina exhibition in 1954. It was the first of the M series Leicas that are still manufactured today — the first interchangeable lens bayonet style Leica body. In an advertisement from 1956, it was regarded as a "lifetime investment in perfect photography". The M3 has a .92 magnification finder, the highest of any M camera made. The price of this high magnification was that a 35 mm lens required "goggles" which fit in front of the view/rangefinder windows to facilitate a wider view. The M3 advanced film via a lever rather than knob, the first M3s required two strokes to advance the film, after 1958 M3s were single-stroke. Early M3s lacked a frame preview selector lever to switch between framelines.

[edit] MP

MP — 1956–7 (Total 402 sets were manufactured). The original MP was based on the M3 and could be fitted with a Leicavit trigger winding device. MP originally stood for "M Professional"; the camera was intended to be a photojournalist's camera.

[edit] M2

M2 — 1958–67 (88,000 sets were manufactured). A scaled-down and lower-cost version of the M3, the M2 had a simplified rangefinder of 0.72 magnification, allowing easier use of 35 mm lenses. The 0.72 magnification became the standard viewfinder magnification for future M cameras. The M2 lacked the self-resetting film frame counter of its predecessor.

[edit] M1

M1 — 1959–64 (9,392 sets were manufactured). A stripped version of the M2 for scientific/technical use, the M1 was a viewfinder camera with no built-in rangefinder. In 1965 replaced by the MD (with no viewfinder at all), and the MDa (based on the M4) (1967), and finally the MD-2 (based on the M4-2) (1980).

[edit] M4

M4 — 1967–75 (50,000 sets were manufactured); 1974–5 (6,500 sets were manufactured). With added rangefinder framelines for 35 mm and 135 mm lenses. Introduced the canted rewind crank (the previous Ms had rewind knobs). With the M5, last M camera to have a self-timer.

[edit] M5

M5 — 1971–75 (31,400 sets were manufactured). With added integral TTL lightmeter. First Leica with a light meter, a mechanical swinging-arm CDS cell positioned behind the lens. The added functionality required a redesigned, larger body compared with the traditional M3 dimensions. Certain wide angle lenses (early 21 mm f4.0 and f3.4) could not be used in the camera without modification because of the possibility of damage to the rear element of the lens or the meter arm. For similar reasons, collapsible lenses could not be collapsed on the M5. These restrictions also held true for the Leica CL (below). With the M4, last M camera to have a self-timer.

[edit] M4-2

M4-2 — 1977–80 (17,000 sets were manufactured). First M to be manufactured since 1975. With stronger gears for the adaptation of a motor drive. First M with hotshoe for electronic flash. No self-timer. Made in Canada.

[edit] M4-P

M4-P — 1980–86. Added rangefinder framelines for the 28 mm and 75 mm lenses. No self-timer. Made in Canada for the most part.

[edit] CL

Main article: Leica CL

CL — 1973–76 (the compact Leica). Also known as the Minolta CL, Leitz-Minolta CL, introduced with 2 lenses special to that model: the 40 mm Summicron-C f2 and 90 mm Elmar-C f4. Internal metering similar to the M5—CDS cell on a swinging stalk. The CL is also notable for being the only Leica M-bayonet camera to have a vertically travelling shutter. Minolta later manufactured and sold an improved electronic version, the Minolta CLE with Auto Exposure, Off-The-Film TTL metering and TTL Flash metering, together with three M-Rokkor lenses, the 40 mm f/2, 28 mm f/2.8 and 90 mm f/4.

[edit] M6

Main article: Leica M6

M6 — 1984–98. A breakthrough camera, finally combining the M3 form factor with a modern, off-the-shutter light meter with no moving parts and LED arrows in the viewfinder. Informally referred to as the M6 "Classic" to distinguish it from the "M6 TTL" models, and to indicate its "Classic" M3 dimensions.

• M6J — 1994. A collector's edition of 1,640 cameras to celebrate the 40th anniversary of the Leica M System. Notable for its introduction of the 0.85 magnification finder, the first high-magnification finder since 1966, and the basis for the 0.85 cameras to follow starting in 1998.
• M6 0.85 — 1998. The M6 could be optionally ordered with a .85 magnification viewfinder for easier focusing with long lenses and more accurate focusing with fast lenses, such as the 50 mm f/1.0 Noctilux and 75 mm f/1.4 Summilux. The 28 mm framelines are dropped in this model. Only 3,130 of these cameras were made (all black chrome), so they are among the rarer non-commemorative M6's.
• M6 TTL — 1998–2002. With .72 and .85 viewfinder versions. Since 2000, the .58 version of M6 TTL has been added to the line, featuring a lower magnification viewfinder for easier framing with wide-angle lenses. One of the key differences from the M6 "Classic" is TTL flash capability with dedicated flash units, such as the SF-20. The added electronics increased the height of the top plate by 2 mm. The shutter dial of the M6 TTL is reversed from previous models, turning in the same direction as the light meter arrows in the viewfinder; this feature has continued in both the M7 and the M8.

[edit] M7

• M7 2002 — current model (as of January 2008). The M7 has TTL exposure, aperture priority and manual exposure, electronic shutter and two mechanical speeds of 1/60 and 1/125. It comes in 0.58, 0.72 and 0.85 viewfinder versions, each with different brightline framelines. Same taller top plate and counter-clockwise shutter dial as the M6 TTL. The M7 is featured in the 2004 American movie comedy EuroTrip.

[edit] MP

• MP^[2] 2003 — current model (as of January 2008). An homage to the original MP, the new MP (this time standing for "Mechanical Perfection") cosmetically resembles the original (even down to changing the rewind crank back to a knob!) but is functionally closer to the M6 Classic. A notable improvement was the modification of the rangefinder to eliminate flare of the focusing patch experienced in the M4-2, M4-P, M6, and the M6 TTL. The Leicavit M is an accessory introduced with the new MP, allowing trigger wind with the right hand at speeds up to 2–2.5 frame/s. The new MP is available in chrome and black paint and with viewfinders of .58, .72 and .85 magnification.
• À La Carte Program 2004 — present. Program to facilitate custom-built combinations of metal finish, leather type, viewfinder magnification, and custom engraving.

Leica MP

Leica à la carte

[edit] M8

Main article: Leica M8

• M8, the first digital Leica M. It incorporates a 10.3 Megapixel Kodak sensor designed specifically for the M8, with an innovative microlens pattern that allows the use of wideangle non-retrofocus lenses. The crop factor is 1.33 multiplier, compared with 35 mm film. The digital M8 is 3 mm thicker than the film M7, the extra thickness of the body serves to accommodate both the sensor and the back-mounted 2.5" LCD and its protective glass. The camera also supports Leica's new 6-bit coding for lenses, allowing the camera to identify which lens is attached and perform lens-specific image corrections. This camera initially suffered criticism at launch because of excessive infrared (IR) sensitivity (which causes a magenta cast when shooting color), green ghosting, point source light smearing, and poor auto-white-balance. Leica acknowledged these issues within months of the M8's launch. Excessive IR sensitivity is inherent in the design of the camera, but Leica offered free filters to correct the problem. Affected cameras can be returned to Leica to have the non-IR problems fixed, and newer M8s will have only the high IR sensitivity. The M8's high IR sensitivity makes it a superb black-and-white camera.^[3]

[edit] R (SLR) series

• Leicaflex — 1964/5 — sometimes called the Standard — built-in external light meter, clear focusing screen with centre microprism spot. There was a great deal of pressure to introduce a Leica SLR because of the phenomenal success of the Nikon F (1959).

• Leicaflex SL and SL MOT — 1968 — TTL selective-area metering, slightly taller body than its predecessor, long-lived and lovely to use. The MOT model took a large and heavy motor drive. Only about 1,000 SL MOTs were made.

• Leicaflex SL2/SL2 MOT — 1974 — refinement of the SL with more sensitive light meter and improved body shape. Thought by some to be the toughest 35 mm SLR ever built. The Leica Solms museum has on display an SL2 MOT with Motor and 35 mm Summicron which survived a 25,000-foot (7600 m) fall from a Phantom II fighter jet: battered but in one piece, and deemed repairable by Leica. Only about 1,000 SL2 MOTs were made. The SL2 was the swan-song of the Leicaflexes; the SL2 reportedly cost Leitz more to manufacture than it recouped in sales, and motivated the company to collaborate with Minolta for their next series of electronic cameras. The SL2 would also be the last mechanical Leica SLR for 14 years.

• R3 — the first electronic Leitz SLR — 1976 to 1980, based upon the Minolta XE1/7. The first few were built in Germany and then production was transferred to the Leitz Portugal factory.

• R4MOT/R4/R4S/R4S Mod2 — 1980–87 — a new compact model based upon the Minolta XD11. The R4 set the design for all cameras up to and including the R7. The R4 offered Program mode, Aperture and Shutter Priority, and Manual, with Spot and Centerweighted metering. The R4MOT differed in designation only; all R4s and up accepted motors and winders. The R4S and R4S Mod2 were simplified models at slightly lower prices.Leica R4.</ref>

• R5 and R-E — 1987 — revised electronics (R5 had TTL flash capability), the RE was a simplified model.

• R6 — 1988–92 mechanical shutter, relied on battery power only for the built-in light meter.

• R6.2 — 1992 — as R6 but with refinements, including a 1/2000th shutter speed.

• R7 — 1992 — yet more advanced electronics.

• R8 — complete redesign, this time in-house with production moved back to Germany. All traces of Minolta gone.

• R9 — refinement of the R8 with 100 g less weight and a new anthracite body finish.

• R8/R9 DMR Digital Module-R — 10 megapixel digital back for the R8/R9, making them the first 35 mm SLR cameras able to capture to film or digitally.

• R10 — Unofficial name of the fully digital body Leica would be currently working on. It would be presented during the Photokina 2008.

[edit] C (point and shoot) series

• Z2X
• C1
• C2
• C3
• C11 APS
• Leica Minilux 40 mm
• Leica Minilux Zoom
• Leica CM 40 mm
• Leica CM Zoom

[edit] Digital series

Leica Digilux 2

Leica Digilux 2 with DC Vario-Summicron 1:2.0-2.4/7-22.5

Leica D-Lux 2

Leica D-Lux 3

Leica's digital cameras, other than the DMR and the M8, are produced in Japan by Panasonic. While the earliest Leica digital cameras were rebranded Fujifilm models, all current Leica digital cameras except the R8/R9 Digital Modul-R and M8 are rebranded versions of Panasonic's Lumix digital cameras.

• Digilux (Fujifilm MX-700)^[4]
• Digilux Zoom (Fujifilm MX-1700)^[5]
• Digilux 4.3 (Fujifilm 4700 Zoom)^[6]
• D-Lux (Panasonic DMC-F1)^[7]
• D-Lux 2 (Panasonic DMC-LX1)^[8]
• D-Lux 3 (Panasonic DMC-LX2)^[9]
• Digilux 1 (Panasonic DMC-LC5)^[10]
• Digilux 2 (Panasonic DMC-LC1)^[11]
• Digilux 3 (Panasonic DMC-L1) Four Thirds DSLR
• R8/R9 DMR Digital Modul-R DSLR^[12]
• C-Lux 1 (Panasonic DMC-FX01)^[13]
• C-Lux 2 (Panasonic DMC-FX30)^[14]
• V-Lux 1 (Panasonic DMC-FZ50)
• M8

[edit] Leica lenses on Panasonic

Leica branded lenses are used on many Panasonic video recorders as well as the Lumix line of Panasonic digital cameras. Some of these include the DMC-FZ7, DMC-LX1 and DMC-LX2, DMC-FZ10, DMC-FZ20, DMC-FZ30, DMC-FZ50, DMC-FX01, DMC-FX100, DMC-TZ1, DMC-TZ3, DMC-TZ8, and DMC-TZ8 models.

These lenses are manufactured by Panasonic "using measurement instruments and quality assurance systems that have been certified by Leica Camera AG based on the company's quality standards".^[15] As such, whether these are strictly "Leica" lenses or not is occasionally disputed, but generally, Panasonic and Leica are considered joint development partners for this equipment. Regardless of their origin, these lenses are generally regarded as very high quality.^[16]

[edit] Leica M lenses

• Elmarit-M Asph. 21 mm f/2.8 (from 1997)
• Elmarit-M Asph. 24 mm f/2.8 (from 1998)
• Summicron-M Asph. 28 mm f/2 (from 2000)
• Elmarit-M 28 mm f/2.8 (from 1993)
• Elmarit-M Asph. 28 mm f/2.8 (from sept. 2006)
• Summilux-M 35 mm f/1,4, seven lenses (from 1960)
• Summilux-M Asph. 35 mm f/1.4 with two polished aspherical lenses
• Summilux-M Asph. 35 mm f/1.4, with one pressed aspherical lens (from 1994)
• Summicron-M Asph. 35 mm f/2 (from 1997)
• Summarit-M 35 mm f/2.5 (from 2007)
• Leica 40 mm f/2.0 Summicron-C (designed for Leica CL)

• Summilux-M Asph. 50 mm f/1.4 (from 2004)
• Summicron-M 50 mm f/2 (from 1979)
• Noctilux-M 50 mm f/1 (from 1976)
• Summarit-M 50 mm f/2.5 (from 2007)
• Elmar-M 50 mm f/2.8 (collapsible / From 1925)

• Summilux-M 75 mm f/1.4 (1980-2007)
• Apo-Summicron-M Asph. 75 mm f/2 (from 2005)
• Summarit-M 75 mm f/2.5 (from 2007)
• Apo-Summicron-M Asph. 90 mm f/2 (from 1998)
• Summarit-m 90 mm f/2.5 (from 2007)
• Elmarit-M 90 mm f/2.8
• Elmarit 135 mm f/2.8
• Apo-Telyt-M 135 mm f/3.4

• Macro-Elmar-M 90 mm f/4
• Tri-Elmar-M Asph. 28-35-50 mm f/4
• Tri-Elmar-M Asph. 16-18-21 mm f/4 (from sept. 2006)

Note: Noctilux is a f/1 or f/1.2 lens, Summilux is a f/1.4 lens, Summicron is a f/2 lens, Summarit is a f/2.5 lens, Elmarit is a f/2.8 lens and Elmar is a f/4 lens in Leica lingo.

[edit] Leica R lenses

WIDES and ULTRA-WIDES

• Leica 15 mm f/3.5 Super-Elmar-R — 1980 (Carl Zeiss design)
• Leica 15 mm f/2.8 Super-Elmarit-R ASPH — 2001 (Schneider-Kreuznach design)
• Leica 16 mm f/2.8 Fisheye-Elmarit-R — 1970 (Minolta design)
• Leica 19 mm f/2.8 Elmarit-R 1st version
• Leica 19 mm f/2.8 Elmarit-R 2nd version — 1990
• Leica 21 mm f/4.0 Super-Angulon-R — 1968-1992 (Schneider-Kreuznach design)
• Leica 21 mm f/3.4 Super-Angulon-R — 1968 (Schneider-Kreuznach design)
• Leica 24 mm f/2.8 Elmarit-R (Minolta design)
• Leica 28 mm PC-Super-Angulon-R (Schneider-Kreuznach design)
• Leica 28 mm f/2.8 Elmarit-R 1st version — 1970
• Leica 28 mm f/2.8 Elmarit-R 2nd version — 1994
• Leica 35 mm f/4.0 PA-Curtagon-R (Schneider-Kreuznach design)
• Leica 35 mm f/2.8 Elmarit-R 1st version — 1964
• Leica 35 mm f/2.8 Elmarit-R 2nd version
• Leica 35 mm f/2.8 Elmarit-R 3rd version
• Leica 35 mm f/2.0 Summicron-R 1st version — 1970
• Leica 35 mm f/2.0 Summicron-R 2nd version — 1976
• Leica 35 mm f/1.4 Summilux-R

NORMAL, MACRO and Medium TELEPHOTO

• Leica 50 mm f/2.0 Summicron-R 1st version — 1964
• Leica 50 mm f/2.0 Summicron-R 2nd version — 1977 — built-in lens hood, 3-cam and R-cam only version.
• Leica 50 mm f/1.4 Summilux-R 1st version
• Leica 50 mm f/1.4 Summilux-R 2nd version
• Leica 50 mm f/1.4 Summilux-R 3rd version — 1997 (ROM contacts)
• Leica 60 mm Macro-Elmarit-R 1st version — 1972 — outside bayonet lens hood fitting
• Leica 60 mm Macro-Elmarit-R dn2 version
• Leica 75 mm f/2.0 Elcan-R code C-341 — Extremely rare
• Leica 80 mm f/1.4 Summilux-R
• Leica 90 mm f/2.8 Elmarit-R 1st version — 1964-1996
• Leica 90 mm f/2.8 Elmarit-R 2nd version — 1983
• Leica 90 mm Summicron-R 1st version — 1969
• Leica 90 mm Summicron-R 2nd version -
• Leica 90 mm APO-Summicron-R ASPH — 2002
• Leica 90 mm f/1.0 Elcan-R — Extremely rare
• Leica 100 mm f/4.0 Macro-Elmar-R bellows version
• Leica 100 mm f/4.0 Macro-Elmar-R helical version
• Leica 100 mm f/2.8 APO-Macro-Elmarit-R

TELEPHOTO and MODULAR SYSTEM

• Leica 135 mm f/2.8 Elmarit-R 1st version — 1965
• Leica 135 mm f/2.8 Elmarit-R 2nd version
• Leica 180 mm Elmar-R — 1976
• Leica 180 mm f/2.8 Elmarit-R 1st version
• Leica 180 mm f/2.8 Elmarit-R 2nd version
• Leica 180 mm f/3.4 APO-Telyt-R — 1975-1998
• Leica 180 mm f/2.8 APO-Elmarit-R — 1998
• Leica 180 mm f/2.0 APO-Summicron-R
• Leica 180 mm f/3.4 Elcan-R code C-303 — Extremely rare
• Leica 250 mm f/4.0 Telyt-R 1st version -
• Leica 250 mm f/4.0 Telyt-R 2nd version
• Leica 280 mm f/4.8 Telyt-V
• Leica 280 mm f/4.0 APO-Telyt-R
• Leica 280 mm f/2.8 APO-Telyt-R — 1984-1997
• Leica 350 mm f/4.8 Telyt-R
• Leica 400 mm f/6.8 Telyt-R — 1968-1994
• Leica 400 mm f/5.6 Telyt-R
• Leica 400 mm f/2.8 APO-Telyt-R — 1992-1996
• Leica 450 mm f/5.6 Elcan-R, code C-329 — Extremely rare
• Leica 500 mm f/8 MR-Telyt-R
• Leica 560 mm f/6.8 Telyt-R — 1971-1995
• Leica 560 mm f/5.6 Telyt-R — 1966-1973
• Leica 800 mm f/6.3 Telyt-S — 1972-1995 (sold, during a brief promotion, with what the ad said was a "free tripod" -- a VW Fox)
• Leica modular APO-Telyt-R 260/400/560 head
• Leica modular APO-Telyt-R 400/560/800 head

ZOOM LENSES ("Vario")

• Leica 21-35 mm f/3.5-f/4.0 Vario-Elmar-R zoom — 2002
• Leica 28-70 mm f/3.5-f/4.5 Vario-Elmar-R zoom (Sigma design)
• Leica 28-90 mm f/2.8-f/4.5 Vario-Elmarit-R ASPH. zoom — 2004
• Leica 35-70 mm f/4.0 Vario-Elmar-R zoom
• Leica 35-70 mm f/3.5 Vario-Elmar-R zoom (Minolta design)
• Leica 35-70 mm f/2.8 Vario-Elmarit-R ASPH. zoom — 2000 (only 200 were made)
• Leica 70-180 mm f/2.8 Vario-APO-Elmarit-R zoom
• Leica 70-210 mm f/4.0 Vario-Elmar-R zoom (Minolta design)
• Leica 75-200 mm f/4.5 Vario-Elmar-R — 1976-1984 (Minolta design)
• Leica 80-200 mm f/4.5 Vario-Elmar-R zoom (Minolta design)
• Leica 80-200 mm f/4.0 Vario-Elmar-R zoom
• Leica 105-280 mm f/4.2 Vario-Elmar-R zoom

[edit] Leica / Leitz enlargers

[edit] 35 mm enlargers

These started to be released in 1932 with the Valoy. Among the popular models were:

• Leitz Valoy and Valoy II — manual focus, later versions of the Valoy II were grey in colour.
• Leitz Focomat/VIWO. First released in 1934 it formed the basis for the Focomat line of autofocus enlargers.
• Leitz Focomat 1
• Leitz VUTOO
• Leitz Focomat Ia — Same as Focomat 1C, that is with autofocus, but the head does not tilt back to allow for easy insertion of negative.
• Leitz Focomat VUTOO. A special version Focomat with a long, thick (5cm) and tall (120cm) column mated with a large baseboard (62x65cm) released in 1940 probably for intelligence and military applications.
• Leitz Focomat Ib
• Leitz Focomat Ic.
• Leitz Focomator. A special purpose enlarger for drugstore photo printers. Originally released in 1951 various versions and variations continued into the early 1960s.

The above Leitz enlargers came normally without an enlarging objective and were intended to be used with the taking camera optics. A special version of the Elmar made specifically to enlargers was issued as the Varob (first delivered in 1934).

Produced first with Varob 5 cm f1:3.5 lenses, later with Elmar 5 cm f1:3.5, focotar 5 cm f1:4.5, focotar 50 mm f/1:4.5, focotar 50 mm 2nd version f/1:4.5, Focotar-2 f/1:4.5. Changes in Focotar name or focal length designation do not necessarily coincide with the optical formula. The Focotar-2 is always the same formula, and so is the 5 cm version. The 50 mm exists in two versions. The 1C helical will accommodate lenses of various makes. Available in "color" version with filter drawer and lighted enlargement factor scale. Many small design variations exist.

• Leitz/Leica V35. The last Leitz/Leica enlarger. Launched in 1978 it was discontinued in 1997. It either ALWAYS came with a 40 mm Focotar objective or was and provided with cams for 50 mm. The two are not interchangeable.

[edit] Medium and other format enlargers

Leitz made and produced a number of enlargers over the years as a branching out from the needs of microphotography. Early enlargers supported the then popular glass plate microscope formats of 4.5x6cm and 6.5×9cm.

• Leitz Focomat IIa — 35 mm-6×9 format, dual lens turret on later versions that fitted a 5 cm Elmar f/1:3.5 or Focotar f/1:4.5, and a 9.5 cm f/1:4.5 Focotar, autofocus. The early version has a single helical that will accommodate lenses of any make. Available in "color" version with filter drawer and lighted enlargement factor scale.
• Leitz Focomat IIc — 35 mm-6×9 formats, dual lens stage rather than turret, autofocus. First produced with Focotar 6 cm f/1:4.5 and focotar 9.5 cm f/1:4.5, later with Focotar 60 mm and V-Elmar 100 mm f1:4.5, still later with Focotar 60 mm and Focotar II 100 mm f/1:5.6. All the 6 cm and 60 mm Focotars appear to be the same optical design. Kienzle or other colour heads sometime fitted. Only very slender enlarging lenses will for the IIc helicals. Available in "color" version with filter drawer and lighted enlargement factor scale.
• Leitz Focomat II (modified for American military), code EN-121A — Extremely rare
• Vincent electrical shutter (for enlarger) — Extremely rare
• ELCAN 52 mm enlarger lens (20×-25× enlargements) — Extremely rare
• ELCAN 20 mm enlarger lens (40×-75× enlargements) — Extremely rare

[edit] The Leica Freedom Train

Main article: Leica Freedom Train

During the 1930s and 1940s, Ernst Leitz II and his daughter Dr. Elise Kuehn-Leitz, both Protestant Christians, arranged for hundreds of Jewish employees and their families to get out of Germany, thus escaping the Holocaust.^[17]

• Leica Freedom Train A four minute movie.

[edit] Notable photographers who used Leicas

• Diane Arbus
• Micha Bar-Am
• Harry Belafonte
• Margaret Bourke-White
• Henri Cartier Bresson
• Robert Capa^[18]
• Anton Corbijn
• Roger Deakins
• David Douglas Duncan
• Alfred Eisenstaedt^[18]
• Queen Elizabeth II^[18]
• Elliot Erwitt^[18]
• Christopher Forbes
• Ralph Gibson
• Nan Goldin^[19]
• Ara Güler
• Ernst Haas
• Spike Jonze
• André Kertész^[18][20]
• Alberto Korda
• Karl Lagerfeld
• Baron Hugo van Lawick
• Mary Ellen Mark^[18]
• Tim Page
• Leni Riefenstahl
• Alexander Rodchenko^[18]
• Jeanloup Sieff
• Sebastião Salgado^[18]
• Ben Shahn
• Garry Winogrand

[edit] Leica's chiefs of Optical Department

In chronological order:

• Oskar Barnack, Wetzlar
• Max Berek, Wetzlar
• Helmut Marx, Weztlar
• Walter Mandler, Midland
• Wolfgang Vollrath, Wetzlar
• Lothar Kölsch, Solms
• Peter Karbe, Solms

[edit] Culture

Leica awards once in a year the Oskar Barnack Award and the Leica Publishers Award (previously „European Publishers Award for Photography"). Leica also has Galleries in Frankfurt, Istanbul, New York, Solms, Tokyo, São Paulo and Wien where they show works of selected photographers.

Leica supports the American Birding Association and other nature and bird projects.

[edit] See also

• List of digital camera brands
• LHSA
• Digital Classic Camera Leica M3

[edit] References

[edit] External links

[edit] Official sites

• Leica Camera AG
• Leica Geosystems
• Leica Geosystems Geospatial Imaging
• Leica Microsystems

[edit] Other links

• The Leica FAQ by Andrew Nemeth
• Erwin Puts' site
• Thorsten Overgaard's Leica Site
• Leica Camera Workshop Asia
• The Leica Camera Forum
• Candid Camera: The cult of Leica by Anthony Lane in the New Yorker.
• From Leitz sublime to Leica splitsville by Herbert Keppler