Led Zeppelin IV

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Led Zeppelin IV
Studio album by Led Zeppelin
Released	November 8, 1971
Recorded	December 1970 – March 1971 at Headley Grange, Hampshire, with The Rolling Stones Mobile Studio; Island Studios, London; Sunset Sound, Los Angeles. Mixed at Island Studios, London; Olympic Studios, London.
Genre	Hard rock, heavy metal, blues-rock, folk rock
Length	42:33
Label	Atlantic
Producer	Jimmy Page
Professional reviews
Allmusic link Robert Christgau (A) link NME (9/10) [October 2, 1992 p. 29] Q [July 1994] Rolling Stone (Favorable) December 11, 1971 p. 63
Led Zeppelin chronology
Led Zeppelin III (1970) Led Zeppelin IV (1971) Houses of the Holy (1973)

Led Zeppelin IV is the common, but unofficial name of the untitled fourth album of English rock band Led Zeppelin. It was released on November 8, 1971. It has no official title printed anywhere on the album, but is called Led Zeppelin IV after the band's previous three albums. Atlantic Records catalogs have used the names Four Symbols ( ) and The Fourth Album; it has also been referred to as Zoso, which the first symbol appears to spell. Led Zeppelin guitarist Jimmy Page frequently refers to the album in interviews as Led Zeppelin IV, while singer Robert Plant thinks of it as "the fourth album, that's it". It is one of the best-selling albums in history, with over 23 million units sold in the United States, third most by any artist of all-time.^[1]

[edit] Overview

The album was initially recorded at Island Records's newly opened Basing Street Studios, London at the same time as Jethro Tull's Aqualung,^[2] before further recordings took place at Headley Grange, a remote Victorian house in East Hampshire, England, as well as Sunset Sound in Los Angeles, CA.

After the lukewarm, if not confused and sometimes dismissive, critical reaction Led Zeppelin III had received in the autumn of 1970, Jimmy Page decided that the next Led Zeppelin album would not have a title, but would instead feature four hand-drawn symbols on the inner sleeve and record label, each one chosen by the band member it represents. "We decided that on the fourth album, we would deliberately play down the group name, and there wouldn't be any information whatsoever on the outer jacket", Page explained. "Names, titles and things like that do not mean a thing."^[3]

Owing to the lack of an official title, Atlantic Records initially distributed graphics of the symbols in many sizes to the press for inclusion in charts and articles. The album was one of the first to be produced without conventional identification, and this communicated an anti-commercial stance that was controversial at the time (especially among certain executives at Atlantic Records).

Led Zeppelin IV remains a perennial favorite on classic rock radio and features "Stairway to Heaven", one of the most famous and popular rock songs ever recorded.

[edit] Reception and influence

In 1998, Q magazine readers voted Led Zeppelin IV the 26th greatest album of all time; in 2000 "Q" placed it at #26 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 66 on Rolling Stone magazine's list of the 500 greatest albums of all time. It is #7 on Pitchfork Media's Top 100 Albums of the 1970s. A 2005 listener poll conducted by Toronto, Ontario classic rock station Q107 named Led Zeppelin IV the #2 best classic rock album of all time. In 2006, the album was rated #1 on Classic Rock magazine's 100 Greatest British Albums poll; that same year it was voted #1 in Guitar World 100 Greatest Albums readers' poll and was ranked #7 in ABC media's top ten albums.

[edit] The symbols

Each member of the band chose a personal emblem for the cover. Left to right, their members and meanings:

• Jimmy Page's symbol is generally referred to as "ZoSo," though its symbols have nonalphabetic connotations Page's symbol was not meant to spell ZoSo but to generate curiosity and mystery. Though it is thought to represent fire. It was designed by Page himself.^[3]
  

  

  The four symbols on the label and inside sleeve of Led Zeppelin IV, representing Jimmy Page, John Paul Jones, John Bonham, and Robert Plant (from left to right) respectively, they are also thought to represent fire, earth, water and air. Although the symbols are sometimes referred to as "Runes", they are sigils.
• John Paul Jones' symbol is a single circle intersecting 3 vesica pisces (a triquetra). Taken from The Book of Signs by Rudolf Koch, it symbolises a person with confidence and competence, it also represents water which is one of the base elements.^[4]
• John Bonham's symbol, the three interlocking rings, represents the trinity of mother, father and child. It could also depict an aerial view of a drum kit. It does in fact represent the idea of trilogies and trios, and, more commonly, is a Christian symbol for the Trinity. In the 1990 Bonham tribute radio special, "It's Been A Long Time", son Jason Bonham stated that the symbol was chosen as a representation of man, woman, and child. Jones's and Bonham's symbols fitting together — one to the other inside out, inverse images — is no accident. In any band, the bassist and drummer form interlocking parts of a rhythm section. The symbol also happens to be the logo for Ballantine beer, and it also represents earth which is a base element.^[3] Former Nirvana drummer and Foo Fighters frontman Dave Grohl has Bonham's symbol tattooed on his right wrist.
• The symbol for Robert Plant is the feather of the Egyptian goddess Ma'at, representing truth, justice, fairness and writing, encapsulated by an unbroken circle representing life. According to Egyptian mythology, Osiris, the god of judgment and death, would take the heart of those who died and put it on a balance with the feather of Ma'at. If the heart outweighed the feather, the person's soul would go to hell, but on the other hand, if the heart was lighter than the feather, the soul would go to heaven,^[3] it also represents wand or air, also elements. Wand is from certain colts.

There is also a fifth, smaller symbol chosen by guest vocalist Sandy Denny representing her contribution to "The Battle of Evermore"; it appears in the credits list on the inner sleeve of the LP, serving as an asterisk and is shaped like three triangles touching at their points.

During Led Zeppelin's tour of the United Kingdom in Winter 1971, which took place shortly following the release of the album, the band visually projected the four symbols on their stage equipment. Jimmy Page's "Zoso" symbol was put onto one of his Marshall amplifiers, John Bonham's three interlinked circles adorned the outer face of his bass drum, John Paul Jones had his symbol stenciled onto material which was draped across his Fender Rhodes keyboard and Robert Plant's feather symbol was painted onto a side speaker PA cabinet. Only Page's and Bonham's symbols were retained for subsequent Led Zeppelin concert tours.^[5]

[edit] Album cover and inside sleeve

The painting on the front of the album, showing an old man carrying a bundle of sticks, was allegedly purchased from a junk shop in Reading, Berkshire by a Led Zeppelin roadie (Jimmy Page has stated it was bought by Robert Plant)^[6] and affixed to the internal, papered wall of the partly demolished house for the photograph to be taken.

Led Zeppelin IV outer gatefold album cover

The typeface for the lyrics to "Stairway to Heaven", printed on the inside sleeve of the album, was Page's contribution. He found it in an old arts and crafts magazine called Studio Magazine which started in the late 1800s. He thought the lettering interesting and arranged for someone to work up a whole alphabet.^[6]

[edit] Track listing

[edit] Side one

1. "Black Dog" (Jimmy Page, Robert Plant, John Paul Jones) – 4:57
2. "Rock and Roll" (Page, Plant, Jones, John Bonham) – 3:40
3. "The Battle of Evermore" (Page, Plant) – 5:52
4. "Stairway to Heaven" (Page, Plant) – 8:00

[edit] Side two

1. "Misty Mountain Hop" (Page, Plant, Jones) – 4:38
2. "Four Sticks" (Page, Plant) – 4:46
3. "Going to California" (Page, Plant) – 3:31
4. "When the Levee Breaks" (Page, Plant, Jones, Bonham, Memphis Minnie) – 7:07

[edit] Personnel

• Jimmy Page – acoustic guitar, electric guitar, mandolin, producer, remastering, digital remastering
• Robert Plant – vocals, harmonica
• John Paul Jones – synthesizer, bass guitar, keyboards, mandolin, recorders
• John Bonham – drums
• Ian Stewart – piano (on "Rock and Roll", uncredited)
• Sandy Denny – vocals (on track 3)
• Peter Grant – executive producer
• George Chkiantz – mixing
• Andy Johns – engineer, mixing
• Graphreaks – design coordinator
• Barrington Colby Mom – inside illustration (The Hermit)

CD Mastering engineers

• Joe Sidore - original CD (mid-1980s)
• George Marino - remastered CD (1990)

[edit] Chart positions

[edit] Album

[edit] Singles

[edit] Certifications

[edit] In popular culture

In the film Fast Times at Ridgemont High; Mike Damone (Robert Romanus) tells Mark Ratner (Brian Backer): "When it comes down to making out, whenever possible, put on side 1 of Led Zeppelin IV." This line was voted in Entertainment Weekly as one of "50 Great Movie Quotes of the Last Half Century".^[7] Led Zeppelin IV has only two sides, and in the next scene, Ratner is on the date with Physical Graffiti's "Kashmir" playing in the car. According to the DVD commentary track, the error was not intentional, and the director speculated that the mistake could be used to show Damone's lack of knowledge. In actuality, Universal Pictures couldn't get the rights to any of the songs on Led Zeppelin IV, despite screenwriter Cameron Crowe's prior relationship to the band, so they opted to use "Kashmir" instead.^{[citation needed][dubious – discuss]} Cadillac also used the song "Rock and Roll" in an ad campaign, debuted during the 2002 Superbowl, for a number of years.

[edit] See also

• The 500 Greatest Albums of All Time
• Symbols (album), a similarly graphically titled album by KMFDM

[edit] References

[edit] External links

• Led Zeppelin IV at MusicBrainz

v • d • e (Led Zeppelin IV) Black Dog · Rock and Roll · The Battle of Evermore · Stairway to Heaven · Misty Mountain Hop · Four Sticks · Going to California · When the Levee Breaks