Lawrence Durrell

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Lawrence Durrell

Lawrence Durrell
Born February 27, 1912 (1912-02-27)
Jalandhar, India
Died November 7, 1990 (aged 78)
Sommières, France
Occupation Biographist; poet; playwright; novelist
Nationality British
Writing period 1931 - 1990
Notable work(s) The Alexandria Quartet
Influences
Influenced
Official website

Lawrence George Durrell (February 27, 1912 – November 7, 1990) was an expatriate British novelist, poet, dramatist, and travel writer, though he resisted affiliation with Britain and preferred to be considered cosmopolitan. It has been posthumously suggested that Durrell never had British citizenship,[1] though more accurately, he became defined as a non-patrial in 1968 due to the amendment to the Commonwealth Immigrants Act 1962. Hence, he was denied the right to enter or settle in Britain under new laws and had to apply for a visa for each entry. His most famous work is the tetralogy The Alexandria Quartet.

Contents

[edit] Life and work

Durrell was born in Jalandhar, India, the son of Indian-born British colonials Lawrence Samuel Durrell and his wife Louisa. Before going to England, he pursued schooling at St Joseph's College, North Point, Darjeeling. In England he attended St Edmund's School Canterbury. At the age of eleven, he was sent to attend school in England — a country in which he was never happy, and which he left as soon as possible. Although his formal education was unsuccessful and he failed his university entrance examinations, Durrell had started writing poetry at the age of fifteen: his first collection, Quaint Fragment, was published in 1931.

On January 22, 1935, Durrell married Nancy Isobel Myers, the first of his four marriages.[2] In March that year Durrell, Nancy, his mother, and his siblings (including brother Gerald Durrell, later to be a major British wildlife conservationist and popular writer) moved to the Greek island of Corfu.

In the same year his first novel, Pied Piper of Lovers, was published by Cassell; he also wrote to Henry Miller expressing intense admiration for his novel Tropic of Cancer, which sparked an enduring friendship and mutually critical relationship. The two got on well as they had similar subjects at the time: Durrell's The Black Book abounded with "four-letter words... grotesques,... [and] its mood equally as apocalyptic" as Tropic.

In Corfu, Lawrence and Nancy lived together in bohemian style in a number of large houses, notably the 'White House' on the coast at Kalami. Henry Miller was a guest at the house in 1939. The period is somewhat fictionalised in Durrell's lyrical account of it in Prospero's Cell. It is interesting to compare it with the accounts by his brother Gerald, most notably in My Family and Other Animals , which describes the same period. In Gerald's accounts of the period, Lawrence is described as living with the rest of his family, and Nancy is not mentioned at all. Lawrence's account makes few references to the fact that his mother and three siblings were also resident on Corfu. The accounts do cover overlapping topics, for example both Gerald and Lawrence describe the role played by the Greek doctor, scientist and poet Theodore Stephanides in their life on Corfu.

In August 1937 Lawrence Durrell and Nancy travelled to the Villa Seurat in Paris, to meet Henry Miller and Anaïs Nin. Together with Alfred Perles, Nin, Miller and Durrell "began a collaboration aimed at founding their own literary movement. Their projects included 'The Shame of the Morning' and the 'Booster', a country club house organ the Villa Seurat group appropriated for their own artistic...ends."[3] They also started the Villa Seurat Series in order to publish Durrell's Black Book, Miller's Max and the White Phagocytes, and Nin's Winter of Artifice, with Jack Kahane of the Obelisk Press as publisher.

Durrell's first novel of note, "The Black Book: An Agon", was heavily influenced by Miller and was published in Paris in 1938. The mildly pornographic work only appeared in Britain in 1973. In the story, Lawrence Lucifer struggles to escape the spiritual sterility of dying England, and finds Greece's warmth and fertility.

At the outbreak of the Second World War, his mother and siblings returned to England, while Durrell and Nancy remained on Corfu. In 1940 he and his wife had a daughter, Penelope Berengaria. After the fall of Greece, Lawrence escaped via Crete to Alexandria in Egypt, where he wrote about Corfu and their life on "this brilliant little speck of an island in the Ionian" in the poetic Prospero's Cell.

During the war, Durrell served as a press attaché to the British Embassies, first in Cairo and then Alexandria. After the war he held various diplomatic and teaching jobs. It was in Alexandria that he met Eve (Yvette) Cohen, who was to become the model for the character Justine in the Alexandria Quartet.

Durrell separated from Nancy in 1942. In 1947 he married Yvette Cohen and in 1951 they had a daughter, Sappho Jane, named after the legendary Ancient Greek poetess Sappho. Sappho Durrell committed suicide in 1985, leaving behind writings that pointed accusingly at her father.

Lawrence Durrell
Lawrence Durrell

In 1947 he was appointed director of the British Council Institute in Córdoba, Argentina, where for the next eighteen months he gave lectures on cultural topics.[4] He returned to London in the summer of 1948, around the time that Marshal Tito broke ties with Stalin's Cominform, and Durrell was posted to Belgrade,[5] where he was to remain until 1952. This sojourn gave him material for his book White Eagles over Serbia (1957). In 1952 he moved to Cyprus, buying a house and taking a position teaching English literature at the Pancyprian Gymnasium to support his writing, followed by public relations work for the British government there during agitation for union with Greece. He wrote about his time in Cyprus in Bitter Lemons, which won the Duff Cooper Prize in 1957. In 1954, he became a Fellow of the Royal Society of Literature.

In 1957, he published "Justine", the first part of what was to become his most famous work, The Alexandria Quartet. "Justine", "Balthazar" (1958), "Mountolive" (1959) and "Clea" (1960) deal with events before and during the Second World War in Alexandria. The first three books tell essentially the same story but from different perspectives, a technique Durrell described in his introductory note to "Balthazar" as "relativistic". Only in the final part, "Clea", does the story advance in time and reach a conclusion.

The Quartet impressed critics by the richness of its style, the variety and vividness of its characters, its movement between the personal and the political, and its exotic locations in and around the city which Durrell portrays as the chief protagonist: "... the city which used us as its flora - precipitated in us conflicts which were hers and which we mistook for our own: beloved Alexandria!" The Times Literary Supplement review of the Quartet stated: "If ever a work bore an instantly recognizable signature on every sentence, this is it." There was some suggestion that Durrell might be nominated for the Nobel Prize for Literature, but this did not materialize.

Given the complexity of the work, it was probably inevitable that George Cukor's 1969 attempt to film the Quartet (Justine) simplified the story to the point of melodrama, and was poorly received.

Durrell separated from Eve Cohen in 1955, and was married again in 1961 to Claude-Marie Vincendon; she died of cancer in 1967.

Durrell settled in Sommières, a small village in Provence, France, where he purchased a large house standing secluded in its own extensive walled grounds on the edge of the village. Here he wrote The Revolt of Aphrodite, comprising "Tunc" (1968) and "Nunquam" (1970), and The Avignon Quintet, which attempted to replicate the success of The Alexandria Quartet and revisited many of the same motifs and styles to be found in the earlier work. Although it is frequently described as a quintet, Durrell himself referred to it as a "quincunx". The middle book of the quincunx, "Constance, or Solitary Practices", which portrays France under the German occupation, was nominated for the Booker Prize in 1982 and the opening novel, Monsieur, or the Prince of Darkness, received the 1974 James Tait Black Memorial Prize. In 1974, Durrell was the Andrew Mellon Visiting Professor of Humanities at the California Institute of Technology.[6]

Durrell's poetry has been overshadowed by his novels. Peter Porter, in his introduction to a Selected Poems,[7] writes of Durrell as a poet: "one of the best of the past hundred years. And one of the most enjoyable." He goes on to describe Durrell's poetry as "always beautiful as sound and syntax. Its innovation lies in its refusal to be more high-minded than the things it records, together with its handling of the whole lexicon of language."[8]

Durrell also spent several years in the service of the Foreign Office. He was senior Press Press Officer to the British Embassies in Athens and Cairo, Press Attache in Alexandria and Belgrade, Director of the British Institutes in Kalamata, Greece, and Cordoba, Argentina. He was also Director of Public Relations in the Dodecanese Islands and on Cyprus.

His fourth and final marriage was in 1973 to Ghislaine de Boysson, whom he divorced in 1979.

Durrell suffered from emphysema for many years. He died of a stroke at his house in Sommières in November 1990.

[edit] Major works

[edit] Novels

[edit] Travel

  • Prospero's Cell: A guide to the landscape and manners of the island of Corcyra (1945; republished 2000) (ISBN 0-571-20165-2)
  • Reflections on a Marine Venus (1953)
  • Bitter Lemons (1957; republished as Bitter Lemons of Cyprus 2001)
  • Blue Thirst (1975)
  • Sicilian Carousel (1977)
  • The Greek Islands (1978)
  • Caesar's Vast Ghost (1990)

[edit] Poetry

  • Quaint Fragments (1931)
  • Ten Poems (1932)
  • Transition: Poems (1934)
  • A Private Country (1943)
  • Cities, Plains and People (1946)
  • On Seeming to Presume (1948)
  • Selected Poems: 1953–1963 Edited by Alan Ross (1964)
  • The Ikons (1966)
  • The Suchness of the Old Boy (1972)
  • Collected Poems: 1931–1974 Edited by James A. Brigham (1980)
  • Selected Poems of Lawrence Durrell Edited by Peter Porter (2006)

[edit] Drama

  • Bromo Bombastes, under the pseudonym Gaffer Peeslake (1933)
  • Sappho: A Play in Verse (1950)
  • An Irish Faustus: A Morality in Nine Scenes (1963)
  • Acte (1964)

[edit] Humor

  • Esprit de Corps (1957)
  • Stiff Upper Lip (1958)
  • Sauve Qui Peut (1966)
  • Antrobus Complete (1985), a collection of short stories, previously published in various magazines, about life in the diplomatic corps.

[edit] Letters and essays

  • A Key to Modern British Poetry (1952)
  • Lawrence Durrell and Henry Miller: A Private Correspondence (1962) edited by George Wickes
  • Spirit of Place: Letters and Essays on Travel (1969) edited by Alan G. Thomas
  • Literary Lifelines: The Richard Aldington—Lawrence Durrell Correspondence (1981) edited by Ian S. MacNiven and Harry T. Moore
  • A Smile in the Mind's Eye (1982)
  • "Letters to T. S. Eliot." (1987) Twentieth Century Literature vol. 33 no. 3 pp. 348-58.
  • The Durrell-Miller Letters: 1935–80 (1988) edited by Ian S. MacNiven
  • Letters to Jean Fanchette (1988) edited by Jean Fanchette

[edit] Editing and translating

  • Wordsworth; Selected by Lawrence Durrell (1973) edited by Durrell
  • New Poems 1963: A P.E.N. Anthology of Contemporary Poetry (1963) edited by Durrell
  • The Best of Henry Miller (1960) edited by Durrell
  • The Curious History of Pope Joan (1954) by Emmanuel Royidis, translated by Durrell
  • The King of Asine and Other Poems (1948) by George Seferis, translated by Durrell, Bernard Spencer, and Nanos Valaoritis
  • Six Poems From the Greek of Sekilianos and Seferis (1946) translated by Durrell

[edit] Notes

  1. ^ Ezard, John. "Durrell Fell Foul of Migrant Law", The Guardian, 2002-04-29. Retrieved on 2007-01-30. . }}
  2. ^ MacNiven, Ian S. (1998). Lawrence Durrell: A Biography. Faber and Faber. ISBN 0-571-17248-2.  p. xiii.
  3. ^ Dearborn, Mary V. (1992). The Happiest Man Alive: A Biography of Henry Miller. Touchstone Books. ISBN 0-671-77982-6.  p. 192 and picture insert captions.
  4. ^ Interview with Marc Alyn, published in Paris in 1972, translated by Francine Barker in 1974; reprinted in Earl G. Ingersoll, Lawrence Durrell: Conversations, Associated University Presses, 1998. ISBN 0-8386-3723-X. p. 138.
  5. ^ Alyn, op. cit. Ingersoll, page 139.
  6. ^ (1991) in Andrews, Deborah. (ed).: The Annual Obituary 1990. Gale.  p. 678.
  7. ^ (2006) in Porter, P. (ed).: Lawrence Durrell: Selected Poems. Faber and Faber. 
  8. ^ Porter, op. cit., p. xxi.

[edit] Further reading

Biography and Interviews

  • Bowker, Gordon. Through the Dark Labyrinth: A Biography of Lawrence Durrell. New York: St. Martin’s, 1997.
  • Chamberlin, Brewster. A Chronology of the Life and Times of Lawrence Durrell. Corfu: The Durrell School of Corfu, 2007
  • Durrell, Lawrence. The Big Supposer: An Interview with Marc Alyn. New York: Grove, 1974.
  • Haag, Michael. Alexandria: City of Memory. London and New Haven: Yale University Press, 2004.
  • MacNiven, Ian. Lawrence Durrell - A Biography. London: Faber and Faber, 1998.
  • Todd, Daniel Ray. An Annotated, Enumerative Bibliography of the Criticism of Lawrence Durrell's Alexandria Quartet and his Travel Works. Diss. Tulane University. 1984.
  • Ingersoll, Earl. Lawrence Durrell: Conversations. Cranbury, NJ: Ashgate; 1998.

Book-length Criticism

  • Alexandre-Garner, Corinne, ed. Lawrence Durrell Revisited : Lawrence Durrell Revisité. Confluences 21. Nanterre, France: Université Paris X, 2002.
  • Alexandre-Garner, Corinne, ed. Lawrence Durrell: Actes Du Colloque Pour L'Inauguration De La Bibliothèque Durrell. Confluences 15. Nanterre, France: Université Paris-X, 1998.
  • Alexandre-Garner, Corinne. Le Quatuor D'Alexandrie, Fragmentation Et Écriture : Étude Sur Lámour, La Femme Et L'Écriture Dans Le Roman De Lawrence Durrell. Anglo-Saxon Language and Literature 136. New York: Peter Lang, 1985.
  • Begnal, Michael H., ed. On Miracle Ground: Essays on the Fiction of Lawrence Durrell. Lewisburg: Bucknell University Press, 1990.
  • Cornu, Marie-Renée. La Dynamique Du Quatuor D'Alexandrie De Lawrence Durrell: Trois Études. Montréal, QU: Didier, 1979.
  • Fraser, G. S. Lawrence Durrell: A Study. London: Faber and Faber, 1968.
  • Friedman, Alan Warren, ed. Critical Essays on Lawrence Durrell. Boston: G. K. Hall, 1987.
  • Friedman, Alan Warren. Lawrence Durrell and "The Alexandria Quartet": Art for Love's Sake. Norman: University of Oklahoma Press, 1970.
  • Herbrechter, Stefan. Lawrence Durrell, Postmodernism and the Ethics of Alterity. Postmodern Studies 26. Amsterdam: Rodopi, 1999.
  • Hoops, Wiklef. Die Antinomie Von Theorie Und Praxis in Lawrence Durrells Alexandria Quartet: Eine Strukturuntersuchung. Frankfurt: Peter Lang, 1976.
  • Isernhagen, Hartwig. Sensation, Vision and Imagination: The Problem of Unity in Lawrence Durrell's Novels. Bamberg: Bamberger Fotodruck, 1969.
  • Kaczvinsky, Donald P. Lawrence Durrell’s Major Novels, or The Kingdom of the Imagination. Selinsgrove: Susquehanna UP, 1997.
  • Lampert, Gunther. Symbolik Und Leitmotivik in Lawrence Durrells Alexandria Quartet. Bamberg: Rodenbusch, 1974.
  • Lillios, Anna, ed. Lawrence Durrell and the Greek World. London: Associated University Presses, 2004.
  • Moore, Harry T., ed. The World of Lawrence Durrell. Carbondale: Southern Illinois University Press, 1962.
  • Morrison, Ray. A Smile in His Mind's Eye: A Study of the Early Works of Lawrence Durrell. Toronto: University of Toronto Press, 2005.
  • Pelletier, Jacques. Le Quatour D'Alexandrie De Lawrence Durrell Lawrence Durrell's Alexandria Quartet. Paris: Hachette, 1975.
  • Pine, Richard. Lawrence Durrell: The Mindscape. Corfu: The Durrell School of Corfu, revised edition 2005.
  • Pine, Richard. The Dandy and the Herald: Manners, Mind and Morals From Brummell to Durrell. New York: St. Martin's, 1988.
  • Raper, Julius Rowan, et al., eds. Lawrence Durrell: Comprehending the Whole. Columbia: U of Missouri P, 1995.
  • Rashidi, Linda Stump. (Re)constructing Reality: Complexity in Lawrence Durrell’s Alexandria Quartet. New York: Peter Lang, 2005.
  • Ruprecht, Walter Hermann. Durrells Alexandria Quartet: Struktur Als Belzugssystem. Sichtung Und Analyse. Swiss Studies in English 72. Berne: Francke Verlag, 1972.
  • Sajavaara, Kari. Imagery in Lawrence Durrell's Prose. Mémoires De La Société Néophilologique De Helsinki 35. Helsinki: Société Néophilologique, 1975.
  • Sertoli, Giuseppe. Lawrence Durrell. Civilta Letteraria Del Novecento: Sezione Inglese - Americana 6. Milano: University of Mersia, 1967.


Bibliography

  • Potter, Robert A., and Brooke Whiting. Lawrence Durrell: A Checklist. Los Angeles: University of California, Los Angeles Library, 1961.
  • Thomas, Alan G., and James Brigham. Lawrence Durrell: An Illustrated Checklist. Carbondale: Southern Illinois University Press, 1983.


[edit] Cultural references

  • Lawrence Durrell - song by Mick Thomas
  • Stranger Than Fiction - The Alexandria Quartet is briefly referred to in a scene between Dustin Hoffman and Will Ferrell in the movie Stranger Than Fiction (2006). The following is written on the chalkboard behind them: "Mountolive's ear aches, Liza's blindness, Clea's amputated hand, Leila's smallpox, Justine's stroke, Pombal's gout." This juxtaposed against Harold Crick's (Farrell) impending, 'literary' doom.
  • Flirting - A paperback copy of Durrell's Justine sits on her vanity while Thandi Newton smokes at her mirror, echoing a scene in Justine.

[edit] External links


Persondata
NAME Durrell, Lawrence
ALTERNATIVE NAMES Durrell, Lawrence George
SHORT DESCRIPTION Biographer; poet; playwright; novelist
DATE OF BIRTH February 27, 1912
PLACE OF BIRTH Jalandhar, India
DATE OF DEATH November 7, 1990
PLACE OF DEATH Sommières, France