Lady in the Lake

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Lady in the Lake

French Theatrical Poster
Directed by Robert Montgomery
Produced by George Haight
Written by Story:
Raymond Chandler
Screenplay:
Steve Fisher
Starring Robert Montgomery
Audrey Totter
Lloyd Nolan
Tom Tully
Leon Ames
Jayne Meadows
Music by David Snell
Cinematography Paul Vogel
Editing by Gene Ruggiero
Distributed by Metro-Goldwyn-Mayer
Release date(s) January 23, 1947
(U.S.A.)
Running time 105 minutes
Country United States
Language English
Allmovie profile
IMDb profile

Lady in the Lake (1947) is a film noir drama that marked the directorial debut of actor Robert Montgomery who also starred in the film. Based on the 1944 Raymond Chandler novel The Lady in the Lake. The picture features Audrey Totter, Lloyd Nolan, Tom Tully, Leon Ames and Jayne Meadows.[1]

The storyline revolved around a conventional murder mystery similar to many others of the period, however it was notable for the perspective presented to the viewer. The entire film was seen from the viewpoint of the central character, the detective Philip Marlowe, played by Montgomery. The gimmick was that the audience would see only what the character saw, and MGM in its promotion of the film claimed that it was the first of its kind and the most revolutionary style of film since the introduction of the talkies.

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[edit] Plot

The story is set in Hollywood during the 1940s. Private detective Philip Marlowe is asked by publisher Derace Kingsby to find the latter’s wife, who one month earlier had sent her husband a telegram saying she was heading to Mexico to marry a man named Chris Lavery.

However Kingsby had recently seen Lavery in the neighbouring Bay City, and Lavery seemed unaware of the trip to Mexico. Marlowe pursues his investigation at the Kingsby's lakeside cottage, where Mrs. Kingsby was last seen. There, he finds a first body in the lake.

[edit] Cast

[edit] Critical reaction

The New York Times film critic wrote, "In making the camera an active participant, rather than an off-side reporter, Mr. Montgomery has, however, failed to exploit the full possibilities suggested by this unusual technique. For after a few minutes of seeing a hand reaching toward a door knob, or lighting a cigarette or lifting a glass, or a door moving toward you as though it might come right out of the screen the novelty begins to wear thin."[2]

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