La gazza ladra

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Operas by Gioachino Rossini

La cambiale di matrimonio (1810)
L'equivoco stravagante (1811)
L'inganno felice (1812)
Ciro in Babilonia (1812)
La scala di seta (1812)
Demetrio e Polibio (1812)
La pietra del paragone (1812)
L'occasione fa il ladro (1812)
Il signor Bruschino (1813)
Tancredi (1813)
L'italiana in Algeri (1813)
Aureliano in Palmira (1813)
Il turco in Italia (1814)
Sigismondo (1814)
Elisabetta, regina d'Inghilterra (1815)
Torvaldo e Dorliska (1815)
The Barber of Seville (1816)
La gazzetta (1816)
Otello (1816)
La Cenerentola ( 1817)
La gazza ladra (1817)
Armida (1817)
Adelaide di Borgogna (1817)
Mosè in Egitto (1818)
Ricciardo e Zoraide (1818)
Adina (1818)
Ermione (1819)
Eduardo e Cristina (1819)
La donna del lago (1819)
Bianca e Falliero (1819)
Maometto II (1820)
Matilde di Shabran (1821)
Zelmira (1822)
Semiramide (1823)
Il viaggio a Reims (1825)
Le siège de Corinthe (1826)
Ivanhoé (1826)
Moïse et Pharaon ( 1827)
Le comte Ory (1828)
Guillaume Tell ( 1829)

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"The Thieving Magpie" redirects here, for the Marillion album of the same name see The Thieving Magpie (album)

La gazza ladra (The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie voleuse by JMT Badouin d'Aubigny and Louis-Charles Caigniez.

The opera is best known for its overture, which is notable for its use of snare drums.

Rossini was famous for his writing speed, and La gazza ladra was no exception. It was reported that the producer had to lock Rossini in a room the day before the first performance in order to write the overture. Rossini then threw each sheet out of the window to his copyists, who wrote out the full orchestral parts.

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[edit] Performance history

It was first performed on 31 May 1817 at La Scala, Milan. The opera was revised by Rossini for subsequent productions in Pesaro in 1818, and for the Teatro del Fondo (Naples) in 1819 and the Teatro di San Carlo (Naples) in 1820. He again worked on the music in Paris in 1866.

Riccardo Zandonai made his own version of the opera for a revival in Pesaro in 1941. Alberto Zedda edited Rossini's original work for publication by the Fondazione Rossini in 1979.

[edit] Roles

Role Voice type Premiere Cast, May 31, 1817
(Conductor: Alessandro Rolla)
Ninetta, Fabrizio’s servant soprano Teresa Belloc-Giorgi
Fabrizio Vingradito, a rich farmer bass Vincenzo Botticelli
Lucia, his wife mezzo-soprano Marietta Castiglioni
Giannetto, his son, a soldier tenor Savino Monelli
Fernando Villabella, Ninetta’s father, a soldier bass-baritone Filippo Galli
Gottardo, village mayor bass Antonio Ambrosi
Pippo, a young peasant, employed by Fabrizio contralto Teresa Gallianis
Giorgio, servant to the mayor bass Paolo Rosignoli
Isacco, a pedlar tenor Francesco Biscottini
Antonio, the gaoler tenor Francesco Biscottini
Ernesto, a soldier, friend of Fernando bass Alessandro De Angeli

[edit] Synopsis

Ninetta hopes to marry Giannetto, returning from the war. She tries to shelter her father Fernando Villabella, who has deserted from the army, and is troubled by the attentions of the mayor, Gottardo. A missing spoon and the evidence of Isacco, the pedlar, who has bought a piece of silver from Ninetta to raise money for her father, lead to her accusation and imprisonment. She is tried and found guilty, to be saved from death at the last minute by the discovery of the thief, the thieving magpie of the title.

[edit] Arias

The most famous aria in the opera is probably Ninetta's prayer "Deh, tu reggi in tal memento". The soprano aria "Di piacer mi balza cor" and the tenor aria "Vieni fra queste braccia" (interestingly the cabaletta for the duet between Arturo and Elvira from Bellini's I Puritani starts with the exact same words) are two examples of Rossini's brilliant vocal writing.

[edit] Overture in popular culture

This overture, beginning and ending in E major, though passing through G major, makes a few appearances in Stanley Kubrick's A Clockwork Orange, and has also provided the background score for many television, radio commercials.

In Haruki Murakami's novel The Wind Up Bird Chronicles the overture is whistled by the waiter carrying the whiskey and ice in the hotel scenes. It is this that allows the main character Toru Okada to recognize his presence.

The music is also used during the "baby-snatching" scene in Sergio Leone's Once Upon a Time in America (1984).

An excerpt of the music was also used for Sony's Bravia TV advertisement campaign.

[edit] Trivia

In Tintin's The Castafiore Emerald, the opera helps Tintin realize who has stolen Bianca Castafiore's prized emerald.

[edit] References

Gazza ladra, La by Richard Osborne, in The New Grove Dictionary of Opera, ed. Stanley Sadie (London, 1992) ISBN 0-333-73432-7

[edit] External sites