La cifra

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Operas by Antonio Salieri

Armida (1771)
La fiera di Venezia (1772)
Europa riconosciuta (1778)
La scuola de' gelosi (1778)
Der Rauchfangkehrer (1781)
Il ricco d'un giorno (1784)
Les Danaïdes (1784)
Les Horaces (1786)
Prima la musica e poi le parole (1786)
Tarare (1787)
Axur, re d'Ormus (1788)
La cifra (1789)
Palmira, regina di Persia (1795)
Falstaff (1799)

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La cifra is an opera by Antonio Salieri in two acts, set to an Italian libretto by Lorenzo Da Ponte.

The work, a dramma giocoso, is set in Scotland, and was written for Adriana Ferrarese del Bene, the first Fiordiligi in Mozart's Così fan tutte.[1]

Contents

[edit] Performance history

The opera was first performed in Vienna on December 9, 1789. This was followed by a production in Dresden on October 13, 1790. It went on to receive several productions both in Germany and Austria between 1789 and 1805.[2].

La cifra received a recent performance in Cologne in June 2006, in a production conducted by Martin Haselböck and directed by Christian Stückl.[3]

[edit] Roles

Cast Voice type Premiere, December 9, 1789
(Conductor: - )
Eurilla soprano Adriana Ferrarese del Bene
Lisotta, the daughter of Rusticone soprano Bettina Colombati
Milord Fideling tenor Francesco Bussani
Sandrino, the future groom of Lisotta bass Paolo Mandini
Rusticone, mayor and hotel owner bass Francesco Benucci
Leandro, friend of Milord Fideling tenor Girolamo Cruciati

[edit] Brief Synopsis

Adriana Ferrarese del Bene who created the role of Eurilla in La cifra
Adriana Ferrarese del Bene who created the role of Eurilla in La cifra

Fideling, a Scottish lord, is seeking a lost noblewoman with whom he had fallen in love. Lisotta, the daughter of the town's mayor is betrothed to Sandrino, but is in love with Fideling and believes herself to be the woman he is searching for. Eurilla also loves Fideling but despairs because she is a mere shepherdess. In Act II, before her true identity is revealed, she sings 'Alfin son sola … Sola e mesta' (In the end I am alone... Alone and sad). It finally emerges that Eurilla is in fact the daughter of a nobleman. She and Fideling are reunited and all ends happily in the finale. [4]

[edit] Recordings

There is no known studio recording of the complete opera, However, The Salieri Album, (Cecilia Bartoli with the Orchestra of the Age of Enlightenment, conducted by Adam Fisher, Decca 475 100-2) has two excerpts:

  • 'E voi da buon marito … Non vo’ gia che vi suonino' (Lisotta's recitative and aria from Act I)
  • 'Alfin son sola … Sola e mesta' (Eurilla’s recitative and rondo from Act II.

[edit] References

  1. ^ Glasow, E. Thomas, 'Cecilia Bartoli: The Salieri Album (review)', The Opera Quarterly, Volume 20, Number 2, Spring 2004, pp. 339-341
  2. ^ 'Die Oper in Italien und Deutschland zwischen 1770 und 1830', Das Opernprojekt, University of Cologne (accessed 26 June 2007)
  3. ^ Schwering, Markus, 'Das ist ein Mozart fürs Volk', Kölner Stadt-Anzeiger, May 30, 2006 (accessed 26 June 2007)
  4. ^ Liner notes for The Salieri Album (Decca 475 100-2)