La bohème
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| Operas by Giacomo Puccini |
|---|
Le Villi (1884) |
La bohème[1] is an opera in four acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de Bohème by Henri Murger. The world première performance of La bohème was in Turin on February 1, 1896 at the Teatro Regio (now the Teatro Regio Torino) and conducted by the young Arturo Toscanini. In 1946, fifty years after the opera's premiere, Toscanini conducted a performance of it on U.S. radio, and this performance was eventually released on records and on compact disc. It is the only recording of a Puccini opera by its original conductor (info on this recording can be found below in the Selected recordings section).
Ruggero Leoncavallo composed an opera of the same name and it is based on the same story, but with his own libretto. His La bohème, which was premiered in 1897, focuses more on the Musetta and Marcello relationship, rather than that of Mimì and Rodolfo as in Puccini's version. Leoncavallo's version is almost never performed, while Puccini's is a staple of the standard operatic repertoire.
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[edit] Recent performance history
La bohème appears as number 2 on Opera America's list of the 20 most-performed operas in North America[2], second only to Madama Butterfly, also composed by Puccini. It has much in common with La traviata, including the death of the heroine and the music ending in C-sharp minor.
[edit] Roles
| Role | Voice type | Premiere Cast, February 1, 1896 (Conductor: Arturo Toscanini) |
|---|---|---|
| Rodolfo, a poet | tenor | Evan Gorgo |
| Mimì, a seamstress | soprano | Cesira Ferrani |
| Marcello, a painter | baritone | Tieste Wilmant |
| Schaunard, a musician | baritone | Antonio Pini-Corsi |
| Colline, a philosopher | bass | Michele Mazzara |
| Musetta, a singer | soprano | Camilla Pasini |
| Benoît, their landlord | bass | Alessandro Polonini |
| Alcindoro, a state councillor | bass | Alessandro Polonini |
| Parpignol, a toy vendor | tenor | Dante Zucchi |
| A customs Sergeant | bass | Felice Fogli |
| Students, working girls, townsfolk, shopkeepers, street-vendors, soldiers, waiters, children | ||
[edit] Synopsis
The story is set in Paris, around 1830
[edit] Act 1
In the four bohemians' garret
Marcello is painting while Rodolfo gazes out of the window. In order to keep warm, they burn the manuscript of Rodolfo's drama. Colline, the philosopher, enters shivering and disgruntled at not having been able to pawn some books. Schaunard, the musician of the group, arrives with food, firewood, wine, cigars, and money, and he explains the source of his riches, a job with an eccentric English gentleman. The others hardly listen to his tale as they fall ravenously upon the food. Schaunard interrupts them by whisking the meal away and declaring that they will all celebrate his good fortune by dining at Cafe Momus instead.
While they drink, Benoit, the landlord, arrives to collect the rent. They flatter him and ply him with wine. In his drunkenness, he recites his amorous adventures, but when he also declares he is married, they thrust him from the room--without the rent payment--in comic moral indignation. The rent money is divided for their carousal in the Quartier Latin.
The other Bohemians go out, but Rodolfo remains alone for a moment in order to finish a newspaper article, promising to join his friends soon. There is a knock at the door, and Mimì, a seamstress who lives in a flat below, enters. Her candle has blown out, and she has no matches; she asks Rodolfo to light it. She thanks him, but returns a few seconds later, saying she has lost her key. Both candles are extinguished; the pair stumble in the dark. Rodolfo, eager to spend time with Mimi, finds the key and pockets it, feigning innocence. In two arias (Rodolfo's "Che gelida manina — What a cold little hand" and Mimi's "Sì, mi chiamano Mimì — Yes, they call me Mimì"), they tell each other about their different backgrounds. Impatiently, the waiting friends call Rodolfo, but, while he suggests remaining at home with Mimì, she decides to accompany him. As they leave, they sing of their newfound love. (Duet, Rodolfo and Mimì: "O soave fanciulla — Oh gentle maiden")
[edit] Act 2
Quartier Latin
A great crowd has gathered with street sellers announcing their wares. (Chorus: "Aranci, datteri! Caldi i marroni — Oranges, dates! Hot chestnuts."). The friends appear, flushed with gaiety; Rodolfo buys Mimi a bonnet from a vendor. Parisians gossip with friends and bargain with the vendors; the children of the streets clamor to see the wares of Parpignol, the toy seller. The friends enter the Cafe Momus.
As the men and Mimi dine at the cafe, Musetta, formerly Marcello's sweetheart, arrives with her rich (and aging) government minister admirer, Alcindoro, to whom she speaks as she might to a lapdog. It is clear she has tired of him. To the delight of the Parisians and the embarrassment of her patron, she sings a risqué song ("Quando me'n vo — When I go along"), hoping to reclaim Marcello's attention. Soon Marcello is burning with jealousy. To be rid of Alcindoro for a bit, she pretends to be suffering from a tight shoe and sends him with it to the shoemaker to be fixed. During the ensemble that follows, Musetta and Marcello fall into each other's arms and reconcile.
The friends are presented with the bill, and to their consternation find that Schaunard's money is not enough to pay it. The sly Musetta has the entire bill charged to Alcindoro. The sound of approaching soldiers is heard, and, picking up Musetta, Marcello and Colline carry her out on their shoulders amid the applause of the spectators. When all have gone, Alcindoro arrives with the repaired shoe seeking Musetta. The waiter hands him the bill, and, horror-stricken at the charge, Alcindoro sinks into a chair.
[edit] Act 3
At the toll gate
Peddlers pass through the barriers and enter the city. Amongst them is Mimì, coughing violently. She tries to find Marcello, who lives in a little tavern nearby where he paints signs for the innkeeper. She tells him of her hard life with Rodolfo, who has abandoned her that night. ("O buon Marcello, aiuto! – Oh, good Marcello, help me!"). Marcello tells her that Rodolfo is asleep inside, but he wakes up and comes out looking for Marcello. Mimì hides and overhears Rodolfo first telling Marcello that he left Mimi because of her coquettishness, but finally confessing that he fears she is slowly being consumed by a deadly illness (most likely tuberculosis, known by the catchall name "consumption" in the nineteenth century). Rodolfo, in his poverty, can do little to help Mimi and hopes that his pretended unkindness will inspire her to seek another, wealthier suitor. Out of kindness towards Mimì, Marcello tries to silence him, but she has already heard all. Her coughing reveals her presence, and Rodolfo and Mimì sing of their lost love. They make plans to separate amicably (Mimì: "Donde lieta uscì – From here she happily left"), but their love for one another is too strong. As a compromise, they agree to remain together until the spring, when the world is coming to life again and no one feels truly alone. Meanwhile, Marcello has joined Musetta, and the couple quarrel fiercely: an antithetical counterpoint to the others' reconciliation. (Quartet: Mimì, Rodolfo, Musetta, Marcello: "Addio dolce svegliare alla mattina! – Goodbye, sweet awakening in the morning!")
[edit] Act 4
Back in the garret
Marcello and Rodolfo are seemingly at work, though they are primarily bemoaning the loss of their respective loves. (Duet: "O Mimì, tu più non torni" – O Mimì, will you not return?). Schaunard and Colline arrive with a very frugal dinner and all parody eating a plentiful banquet, dance together, and sing. Musetta arrives with news: Mimi, who took up with a wealthy viscount after leaving Rodolfo in the spring, has left her patron. Musetta has found her wandering the streets, severely weakened by her illness, and has brought her back to the garret. Mimi, haggard and pale, is assisted into a chair. Musetta and Marcello leave to sell Musetta's earrings in order to buy medicine, and Colline leaves to pawn his overcoat (Colline: "Vecchia zimarra – Old coat"). Schaunard, urged by Colline, quietly departs to give Mimi and Rodolfo time together. Left alone, they recall their past happiness. (Duet, Mimì and Rodolfo: "Sono andati? – Have they gone?"). They relive their first meeting--the candles, the lost key--and, to Mimi's delight, Rodolfo presents her with the pink bonnet he bought her, which he has kept as a souvenir of their love. The others return, with a gift of a muff to warm Mimi's hands and some medicine, and tell Rodolfo that a doctor has been summoned, but it is too late to help their friend, who lapses into unconsciousness. As Musetta prays, Mimi dies. Schaunard discovers Mimi lifeless. Rodolfo cries out Mimì's name in anguish, and weeps helplessly.
[edit] Orchestration
La bohème is scored for:
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[edit] Selected recordings
| Year | Cast (Rodolfo, Mimì, Musetta, Marcello, Colline, Schaunard) |
Conductor, Opera House and Orchestra |
Label |
|---|---|---|---|
| 1942 | Frederick Jagel, Grace Moore, Francesco Valentino, Wilfred Engelman, Ezio Pinza, Frances Greer |
Cesare Sodero, Metropolitan Opera Orchestra and Chorus |
Audio CD: Line Music Cat: 5.00284 Audio CD: Cantus Classics ASIN: B0007V43EQ |
| 1946 | Jan Peerce, Licia Albanese, Francesco Valentino, George Cehanovsky, Nicola Moscona, Anne McKnight |
Arturo Toscanini, NBC Symphony Orchestra and Chorus |
Audio CD: Line Music Cat: 5.00294 Audio CD: Cantus Classics ASIN: B00000I6N5 |
| 1956 | Jussi Björling, Victoria de los Ángeles, Lucine Amara, Robert Merrill, Giorgio Tozzi, John Rearden |
Thomas Beecham, RCA Victor Orchestra and Chorus |
Audio CD: EMI Classics Cat: 7243-5-67753-2-9 |
| 1959 | Carlo Bergonzi, Renata Tebaldi, Gianna d'Angelo, Ettore Bastianini, Cesare Siepi, Renato Cesari |
Tullio Serafin, Coro e Orchestra dell'Accademia di Santa Cecilia |
Audio CD: Decca |
| 1961 | Richard Tucker, Anna Moffo, Mary Costa, Robert Merrill, Giorgio Tozzi, Philip Maero |
Erich Leinsdorf, Rome Opera Chrorus and Orchestra |
Audio CD: RCA Victor |
| 1972 | Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Gianni Maffeo, Nicolai Ghiaurov |
Herbert von Karajan, Berliner Philharmoniker |
Audio CD: Decca (London) ASIN: B0000041TD |
Note: "Cat:" is short for catalogue number by the label company; "ASIN" is amazon.com product reference number.
[edit] Derivative works
- 1959 - "Musetta's Waltz" was adapted by songwriter Bobby Worth for the 1959 pop song "Don't You Know?", a hit for Della Reese.
- 1983 - The opera was adapted into short story form by the novelist V. S. Pritchett for publication by the Metropolitan Opera Association[3]
- 1996 - La bohème was also the inspiration for Jonathan Larson's hit Broadway musical Rent.
[edit] Modernizations
Baz Luhrmann produced the opera for Opera Australia in 1993 with modernized supertitle translations, and a budget of only AU$60,000. A DVD was issued of the stage show. This version was set in 1957, rather than the original period of 1830. The reason for updating La bohème to this period, according to Baz Luhrmann, was that "... [they] discovered that 1957 was a very, very accurate match for the social and economic realities of Paris in the 1840s." In 2003, Luhrmann restaged his version on Broadway and won a Tony Award. To play the eight performances per week on Broadway, three casts of Mimìs and Rodolfos, and two Musettas and Marcellos, were used in rotation.
[edit] Films containing music from La bohème
The following movies contain music from La bohème in their soundtracks:
- Mimi: a 1935 British film starring Gertrude Lawrence and Douglas Fairbanks, Jr..
- The Great Caruso: a 1951 film starring Mario Lanza and Ann Blyth.
- The Boondock Saints: a 1999 film starring Sean Patrick Flanery and Norman Reedus.
- Moonstruck: a 1987 film starring Cher and Nicolas Cage.
- Atonement (film): a 2007 film starring James McAvoy and Keira Knightley
- No Reservations: a 2007 movie starring Catherine Zeta-Jones and Aaron Eckhart
[edit] Notes
- ^ The title, which is French and is pronounced [la bɔˈɛm] (although the opera is sung in Italian), refers to the bohemian life the characters lead (not to the historical region in the present-day Czech Republic, Bohemia). (Another possible translation, and perhaps a secondary meaning intended by the librettists, is "The bohemian girl," i.e. Mimi herself.)
- ^ OPERA America's "The Top 20" list of most-performed operas
- ^ Pritchett, V.S. (1983). La Bohème. London: Michael Joseph. ISBN 0718123034.
[edit] References
- Opera plots taken from The Opera Goer's Complete Guide by Leo Melitz, 1921 version.
[edit] External links
- Video of the final scene of La bohème with Roberto Alagna and Angela Gheorghiu
- Recordings of Puccini's La bohème
- Another site with recordings of La bohème
- Libretto in Italian
- English translation of the libretto by W. Grist and P. Pinkerton at Project Gutenberg
- Scènes de la vie de bohème on Gutenberg.org
- Recommended discography
- Upcoming performances from Operabase.com
- Full Piano Score with notes
- Recording of "Mi chimano Mimì in German by Lotte Lehmann
