L'Heptade

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L'Heptade
Studio album by Harmonium
Released 1976
Recorded June, 1976 - October, 1976
Genre Rock
Length 85:18
Label CBS Records
Professional reviews
Harmonium chronology
Si on avait besoin d'une cinquième saison
(1975)		 L'Heptade
(1976)		 Harmonium en tournée
(1980)

L'Heptade is the third and final album from Harmonium. It was released as a double-LP in 1976 and is considered by some critiques to be one of the most important Quebecois album in popular music.

Contents

[edit] Album description

L'Heptade is composed of seven core songs, in order: Comme un fou (Like a mad man), Chanson noire (Black song), Le premier ciel (The first heaven), L'exil (The exile), Le corridor (The hallway, Lumières de vie (Lights of life), and Comme un sage (Like a wise man). These seven songs were mainly written by the band leader Serge Fiori. The title, Heptade, is the compound of two Greek affixes, Hept- (seven) and -ade, which expresses both the notion of group (décade, pléiade) and epic movement (as in [Iliad]). Fiori mentioned, at the beginning of the live album of L'Heptade, that the album, framed in seven songs, was evoking the journey of a man in one day through seven levels of consciousness. Clues that the whole journey occurs in a single day are given on the original album. For example, a rapid sigh of a man waking up, followed by steps on a cracked wooden floor can be heard in the prologue, the first musical movement preceding the first core song. A man preparing to sleep can be heard in the finale of the album.

All seven core songs include at least two, sometimes up to six, different melodies, often with lengthy solos. Serge Locat offers among the finest ever performance on synthetizers, most notably at the end of "Le premier ciel", and on piano in "Lumières de vie". The voice of Serge Fiori, thanks to his falsetto (head voice), sometimes broken by the emotion, and tainted by his peculiar accent, succeeds to create an emotional intimacy. His singing is often counter-balanced by a chorus formed by some of the finest Quebec singers of the time, including among others Beau Dommage's Pierre Bertrand, Les Séguin's Richard, and Ville Emard Blues Band Estelle Ste-Croix. The signature of Harmonium, that is, the rich sound of the 12-chord guitar, still remains the backbone of a few songs, particularly in "Comme un fou" and at the end of "Le corridor". But L'heptade offers a much more sophisticated music than in the past. Lush arrangements, innovative use of piano, electric piano, and synthesizers, and the sophistication of the melodies are some elements that set this album as a full-fledged progressive rock.

The other musical titles listed on the album represent musical interludes of classical, minimalist signature. These interludes are the result of the collaboration between Fiori and classical music composer and teacher Neil Chotem, and are played either by a single synthetizer or with the Orchestre symphonique de Montreal.

The lyrics of the album have a strong metaphysical underpinning, but the main topic of the whole album is clearly the personal, inner conflict of the main character. A major theme, recurring in all songs of the album, is the antithesis of the world: the Black and White, the Light and Darkness, the Day and Night. The struggle to unite these antitheses appear to be, in the first disc of the double-album, a metaphor of, or perhaps the source of, the internal conflict of the main character. The second disc, in turn, appears to suggest that these antitheses can be overcome through love, but that true appreciation of love appears to be possible only with an uplifting mind. In the original cover of the album, the only printed lyrics were a section of "Lumières de vie", where the character begs to be spoken of love in order to overcome both nights and days (...Lumières de vie... parle-moi d'amour, assez pour éclipser les deux [la nuit, le jour] pour toujours).

[edit] Reception

The album was (and still is) one of the most popular double-album in history of Quebec popular music, selling over 100,000 copies after a few months. Nevertheless, at the time, it had less impact in Quebec than the two previous albums, because of the not-radio-friendly lengthy songs and the sophisticated melodies. Critiques largely offer a warm reception to the album, particularly in the world of progressive rock, where it was praised well outside the Quebec borders. Harmonium was invited to tour with Supertramp in Europe, where they contributed with Supertramp to the diffusion of the ondes Martenot to popular music. Harmonium was later invited to perform as the main band in Vancouver, where a live recording of the album was later edited and published on CD, and in Los Angeles, where the performance was recorded by a team of the National Film Board of Canada. This album is now regarded as one of the masterpiece of the Quebec musical scene, and has sold over 200,000 copies since its release.

[edit] Trivia

  • At 90,000$, the production of L'heptade was the most expensive ever (at the time) in Quebec music industry. While a large part of this amount was provided by a new contract signed with CBS, the musicians still had to contribute to the financing of the production.[1]
  • L'heptade was recorded in a country house belonging to the Fiori family, in Saint-Césaire. By listening carefully, we can sometimes hear the cracking of the floor.
  • The original matrix of this album was damaged by a water flood in the offices of CBS. As a consequence, the CD version was recorded after a vinyl record.
  • Monique Fauteux is the interpret of "Le Corridor".
  • Michel Normandeau, the co-leader of the band, left the band at the beginning of the recording of L'heptade. He thus appear as contributing to the guitar playing of the first song, as well to the lyrics in many songs of the album. He never specified the reasons for his departure, even recently on a fan forum, stating only that the departure was due to normal and expected differences between two persons.

[edit] Track listing

[edit] Side A

  1. "Prologue" (4:20)
  2. "Comme Un Fou" (7:50)
  3. "Sommeil Sans Rêves" (1:25)
  4. "Chanson Noire" (8:12)
    1. "Le Bien, Le Mal" (3:34)
    2. "Pour Une Blanche Cérémonie" (4:38)

[edit] Side B

  1. "L'appel" (0:12)
  2. "Le Premier Ciel" (11:09)
  3. "Sur Une Corde Raide" (0:17)
  4. "L'exil" (12:39)

[edit] Side C

  1. "Le Corridor" (8:10)
  2. "Les Premières Lumières" (1:15)
  3. "Lumières De Vie" (14:11)
    1. "Lumières De Nuit"
    2. "Éclipse"
    3. "Lumière De Jour"
    4. "Lumière De Vie"

[edit] Side D

  1. "Prélude D'Amour" (0:40)
  2. "Comme Un Sage" (13:24)
  3. "Epilogue" (2:52)