L'Allegro, il Penseroso ed il Moderato

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Oratorios by George Frideric Handel

Il trionfo del Tempo e del Disinganno (1707)
La Resurrezione (1708)
Brockes Passion (1715)
Esther (1718)
Acis and Galatea (1718)
Esther (1732)
Deborah (1733)
Athalia (1733)
Alexander's Feast (1736)
Il trionfo del Tempo e della Verità (1737)
Saul (1738)
Israel in Egypt (1738)
L'Allegro, il Penseroso ed il Moderato (1740)
Messiah (1741)
Samson (1741)
Semele (1743)
Joseph and his Brethren (1743)
Hercules (1744)
Belshazzar (1744)
Occasional Oratorio (1746)
Judas Maccabaeus (1746)
Joshua (1747)
Alexander Balus (1747)
Susanna (1748)
Solomon (1748)
Theodora (1749)
The Choice of Hercules (1750)
Jephtha (1751)
The Triumph of Time and Truth (1757)

L'Allegro, il Pensieroso ed il Moderato (HWV 55) is a pastoral ode by George Frideric Handel based on the poetry of John Milton. Handel composed the work over the period of 19 January to 4 February 1740[1], and the work was premiered on 27 February 1740 at the Royal Theatre of Lincoln's Inn Fields. One of Handel's librettists, Charles Jennens, arranged Milton's two poems, L'Allegro and il Penseroso, interleaving them to create dramatic tension between the personified characters of Milton's poems (L'Allegro or the "Joyful man" and il Pensieroso or the "Contemplative man"). The first two movements consist of this dramatic dialog between Milton's poems. In an attempt to unite the two poems into a singular "moral design", Jennens added a new poem, "il Moderato", to create a third movement.

Michael O'Connell and John Powell have published an analysis of Handel's setting of the text in his musical treatment.[1]

[edit] Dramatis Personae

  • L'Allegro (tenor)
  • Il Pensieroso (soprano)
  • Il Moderato (bass)
  • Chorus

[edit] References

  1. ^ a b Michael O'Connell, John Powell, "Music and Sense in Handel's Setting of Milton's L'Allegro and Il Penseroso" (Autumn 1978). Eighteenth-Century Studies, 12' (1): pp. 16–46.

[edit] External links


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