Koos Kombuis

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Koos Kombuis
Born November 5, 1954 (1954-11-05) (age 53)
Devils Peak, Cape Town, RSA

Koos Kombuis (born André le Roux du Toit, November 5, 1954) is a South African musician, singer, songwriter and writer who became famous as part of a group of anti-establishment maverick Afrikaans musicians, who, under the collective name of Voëlvry (directly translated meaning "Free as a bird"; in Afrikaans "voëlvry" is synonymous to the word "fugitive"), toured campuses across South Africa in the 1980s, to "liberate Afrikaans from the shackles of its past". Fellow musicians of this movement were Johannes Kerkorrel and Bernoldus Niemand (James Phillips).

They were a younger generation Afrikaner who didn't believe in apartheid and didn't toe the ruling National Party line. This movement coined the term Alternative Afrikaner for themselves. Kombuis is somewhat of an icon among certain South Africans who consider him the guru of Afrikaans rock music and father of non-conformist Afrikaans culture.

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[edit] Funny stage name

Koos Kombuis is a humoristic stage name as well as his pen name. Koos (pronounced "koos") is a shortened version for the common name "Jacobus" / "Jakobus", but is also Afrikaans slang for a chamber pot. Kombuis means "Kitchen" in Afrikaans. His childhood nickname was "Koos", and he got his last name from a time when he squatted in the kitchen of former drug-dealer and author Al Lovejoy [1]. The name also alludes to the Afrikaans language derogatorily being known as "Kitchen Dutch" in its early years.

Du Toit started out as a poet and novelist in the early 1980s writing under the name André Letoit, (a non-intentional anagram for "toilet") but wanting something more colloquial-sounding for his musical career, settled on Koos Kombuis.

He has introduced an A in his stage name, now being Koos A. Kombuis. The A is for Andre, formed part of his first stage name, Andre le Toit. He claims the fact that the spelling of his initials, K.A.K ("shit" in Afrikaans), is purely coincidental.

[edit] Early life

Du Toit grew up in Riversdal, Paarl, Wellington, Kuruman and in Bellville, before the family settled in Stellenbosch (and later in Pretoria, where he spent the last year of high school at Menlo Park High School). After school, Du Toit did his compulsory military service: apparently he was so bad at shooting that he was posted in the fire brigade. After this, Du Toit went back to the fire brigade several times, the only job he claims he was never fired from (Kombuis 2000: 78).

After the army, he wanted to study at the University of Stellenbosch with his childhood friends, but his parents insisted he attend the University of Pretoria instead. He left after two years, never finishing a degree, and moved to Johannesburg where he settled in an apartment in Hillbrow. Here he was involved in a lot of different fringe churches and religious denominations, but got increasingly worried about his own mental health.

He finally went back to his parents in Pretoria and asked to get medical help. After seeing several psychologists and being severely medicated, the decision was taken to give him shock therapy. Du Toit claims that after ten treatments, he suffered amnesia and effectively can't remember the year 1976 to date. After this treatment his parents had him committed to Weskoppies psychiatric hospital in Pretoria (wrongly) diagnosed as having schizophrenia. This was decided after a questionnaire and a single rorschach test [2]. After psychiatrists realised that he wasn't sick, he'd spent a year in a ward with drug addicts and schizophrenics.

At this point he started sending his short stories to Afrikaans weekly Huisgenoot, and spent the next few years as a freelance writer, publishing several novellas, volumes of poetry and short stories. His first (semi-autobiographical) novel Somer II ("Summer II") appears in 1985. His last autobiography, Seks & Drugs & Boeremusiek: die memoires van 'n volksverraaier ("Sex, drugs and Boer (folk) music: the memoires of a national traitor") appears in 2000. In this book he corrects many of the more far-fetched claims he made in Somer II.

[edit] Musical Style

He cites Bob Dylan, Neil Young as well as ex-Beatles George Harrison and John Lennon as musical influences. His musical style is raw, and Kombuis often accompanies himself only with his acoustic guitar, but sometimes uses his backing rock band known as "Die Warmblankes" ("The Almost Drunk / Mellow Whites").

Koos Kombuis is considered one of the best lyricists in South African music today. One of his most popular hits is "Lisa se Klavier" ("Lisa's Piano"), which has been covered by Laurika Rauch and The Parlotones.

[edit] Sponsorship

Koos Kombuis has long been sponsored by budget South African red wine blend Tassenberg, an ever-present bottle of "Tassies" on stage with him. By 2004 Tassenberg's management ended their association with the arts. Kombuis now drinks Beyerskloof on stage.

[edit] Trivia

  • Lives in Somerset West with wife Esné ("Kannetjie") and has two children (born 2000 and 2002), a boy Simon and a girl Marleen.
  • His grandfather was P.C. Schoonees, one of the editors of the Afrikaans dictionary HAT or "Verklarende Handwoordeboek van die Afrikaanse Taal" ("Concise Dictionary of the Afrikaans Language").

[edit] Discography

  • Ver van die Ou Kalahari (1987)
  • Niemandsland and Beyond
  • Elke Boemelaar se Droom (1994)
  • Madiba Bay (1997)
  • Blameer dit op Apartheid
  • Mona Lisa (1999)
  • Blou Kombuis
  • Equilibrium
  • 'n Jaar in die Son

[edit] Literature

  • Suburbia (1982)
  • Nou is die Kaap weer Hollands (1982)
  • My nooi is in 'n tikmasjien (1984)
  • Somer II (1985)
  • Die Geel Kafee (1985)
  • Breekwater (1986)
  • Die Bar op De Aar (1988)
  • Suidpunt-Jazz (1989)
  • Paradise Redecorated (1990)
  • Koos se Songs (1998)
  • Die tweede Reën (1998)
  • Seks & Drugs & Boeremusiek
  • My Mamma is 'n Taal
  • Hotel Atlantis
  • The Secret Diary of God
  • Raka - die Roman

[edit] External links

[edit] References

  • Kombuis, Koos A. (2000). Seks & Drugs & Boeremusiek: Die memoires van 'n volksverraaier. Cape Town: Human & Rousseau. ISBN 0-7981-4065-8