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Komparu Zempo (1454-1520[1]?[2]) was a Japanese Noh actor and playwright of the Komparu school. He was the grandson of Komparu Zenchiku. Zempo's plays were more popular and dramatic, novel and crowd-pleasing with large casts and more elaborate effects and sets, than the plays of his grandfather's, or his great-grandfather Zeami's, although he did have an appreciation of yugen and wabi (Zempo was a pupil of Shuko and quoted him as saying "The moon not glimpsed through rifts in clouds holds no interest"[3]).
- See also: List of Noh plays: A-M and List of Noh plays: N-Z
- Arashiyama (嵐山)
- Hatsuyuki ("Virgin Snow" or "First Snow"; 初雪; written in the yugen[2] Zenchiku style[1])
- Ikarikazuki ("The Anchor Draping"; 碇潜)
- Ikkaku sennin ("One-Horned Wizard"; 一角仙人; there is a kabuki adaptation of this and is well-known abroad)
- Ikuta Atsumori (生田敦盛)
- Kamo (賀茂)
- Tōbōsaku (東方朔)
[edit] Treatises
- Mōtanshichinshō (1455)[4]
[edit] Further reading
- Four classical Asian plays in modern translation (1972), by Vera Rushforth Irwin. ISBN 9780140212495. (Contains a translation of Ikkaku sennin.)
- Furyuno no jidai: Konparu Zenpo to sono shuhen ("Komparu Zempo and the age of furyu (spectacle) noh performance"; 1998), by Tomoko Ishii. Published in Tokyo by Tokyo Daigaku Shuppankai; ISBN: 9784130860277[2]
[edit] References
- ^ a b Komparu Zempo. (2007). In Encyclopædia Britannica. Retrieved November 12, 2007[1]
- ^ a b pg 1029 of Seeds in the Heart
- ^ (Zempo Zodan, 1553, p. 480)
- ^ "How to Write a Noh Play; Zeami's Sando", by Shelley Fenno Quinn. Monumenta Nipponica, Vol. 48, No. 1. (Spring, 1993), pp. 53-88.
- Zempo Zodan (manuscript dated 1553) section 4, in Kodai Chusei Geijutsuron. Cited in Hirota, D. (ed) (1995). Wind in the pines: classic writings of the way of tea as a Buddhist path. Fremont, CA: Asian Humanities Press, 71.
