Killer of Sheep

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Killer of Sheep
Theatrical Poster (2007 release)
Directed by	Charles Burnett
Produced by	Charles Burnett
Written by	Charles Burnett
Starring	Henry G. Sanders Kaycee Moore Charles Bracy Angela Burnett
Cinematography	Charles Burnett
Editing by	Charles Burnett
Distributed by	Milestone Films
Release date(s)	March 30, 2007
Running time	81 minutes
Country	United States
Language	English
Budget	US$10 000
Official website
Allmovie profile
IMDb profile

Killer of Sheep is a 1977 American film written, directed, produced and shot by Charles Burnett. It features Henry G. Sanders, Kaycee Moore, Charles Bracy, among others. The drama depicts the culture of urban African-Americans in Los Angeles' Watts district. The film's style is often likened to Italian neorealism.

At the time of its completion the film could not be released because the filmmakers had not secured rights to the music used in the film. The rights were purchased in 2007 at a cost of US$150 000 and the film was restored and transferred from a 16mm to a 35mm print. Killer of Sheep received a limited release 30 years after it was completed, with a DVD release in late 2007.

1 Plot
2 Production
3 Cast
4 Critical reception
- 4.1 Top ten lists
5 Distribution
6 References
7 External links

[edit] Plot

Movie critic Dana Stevens describes the film plot as "a collection of brief vignettes which are so loosely connected that it feels at times like you're watching a non-narrative film."^[1] There are no acts, plot arcs or character development, as conventionally defined.

Stan (Henry Gayle Sanders) works long hours at his job in a slaughterhouse in Watts, Los Angeles. The monotonous slaughter affects his home life with his unnamed wife (Kaycee Moore) and two children, Stan Jr. and Angela (Jack Drummond and Burnett’s niece, Angela).

Through a series of episodic events — some friends try to involve Stan in a criminal plot, a white woman propositions Stan in a store, Stan and his friend Bracy (Charles Bracy) attempt to buy a car engine — a mosaic of an austere working-class life emerges in which Stan feels unable to affect the course of his life.

[edit] Production

The film was directed by Charles Burnett. It was shot in Watts on a budget of less than US$10,000 over roughly a year's worth of weekends in 1972 and 1973. In 1977, Burnett submitted the film as his Master of Fine Arts thesis at the School of Film at the University of California, Los Angeles. Burnett stated that he also intended to make the film a history of African-American music and filled it with music from a variety of genres and different eras.^[2]

[edit] Cast

Henry G. Sanders as Stan
Kaycee Moore as Stan's wife
Charles Bracy as Bracy
Angela Burnett as Stan's daughter
Eugene Cherry as Eugene
Jack Drummond as Stan's son

[edit] Critical reception

Though the film won the Critics' Award at the Berlin Film Festival it never saw popular release due to complications in securing the music rights for the 22 songs on the soundtrack, which included such big names as Dinah Washington, Paul Robeson, Louis Armstrong and Earth, Wind and Fire. It remained in obscurity for nearly thirty years, garnering much critical and academic praise and earning a reputation as a lost classic.

Killer of Sheep has been likened by a number of critics and scholars to the work of Italian neorealist directors, particularly Vittorio De Sica and Roberto Rossellini, for his documentary aesthetic and use of mostly non-professional, on-location actors. Burnett has also been compared to Yasujiro Ozu for his strong sense of composition, Stanley Kubrick for his sharp ear for juxtaposing popular music with images, John Cassavetes for his knack for coaxing natural performances from amateur actors, and Robert Altman for his interest in the minutiae of human interaction. Burnett's self-professed influences are Jean Renoir, Basil Wright, and Federico Fellini, all of whom are high examples of the tender, humane and compassionate qualities for which Burnett has been praised, qualities which are intensely present in Killer of Sheep. Movie critic Andrew O'Hehir, noting the strong influences of Renoir, Rosselini and Satyajit Ray, said, "It's hard to overemphasize how strange and ambitious and completely out of context it was for a black urban filmmaker with no money and no reputation to make that kind of movie in 1977."^[3]

The film was chosen by the National Society of Film Critics as one of the 100 Essential Films. In 1990, Killer of Sheep was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant."^[4]

[edit] Top ten lists

The film appeared on several critics' top ten lists of the best films of 2007.^[5]

2nd - Philip Martin, Arkansas Democrat-Gazette
3rd - Glenn Kenny, Premiere
3rd - Michael Sragow, The Baltimore Sun
3rd - Richard Corliss, TIME magazine
5th - Dana Stevens, Slate
10th - Ella Taylor, LA Weekly

[edit] Distribution

Having previously only existed on worn 16mm prints, the film was restored and enlarged to 35mm by the UCLA Film and Television Archive and Milestone Films, thanks in part to a donation from filmmaker Steven Soderbergh. The soundtrack, which had not been licensed, was also paid for at a cost of over US$150 000.^[6] The music of this final scene was initially Washington's 1959 version of "Unforgettable", but the restorers were unable to get the rights for the 2007 release and "This Bitter Earth" was substituted in its stead.^[2] This was the only song for which usage rights could not be arranged.^[6]

On March 30, 2007, it opened in select theaters in the United States and Canada and was released on DVD on November 13, 2007 as part of a deluxe box set with a director's cut of Burnett's sophomore feature My Brother's Wedding and three Burnett shorts: Several Friends (a 1969 aesthetic precursor to Killer of Sheep), The Horse (an "allegory of the South" in Burnett's words), and When It Rains (praised as one of the greatest short films of all time by critic Jonathan Rosenbaum).

On January 21, 2008 (Martin Luther King, Jr. Day) Turner Classic Movies presented the world broadcast premiere of the movie as part of a night-long marathon of Burnett's movies. Burnett was interviewed before and after the movie by TCM's Prime Time host Robert Osborne.