Talk:Keiji Haino
From Wikipedia, the free encyclopedia
 |
This article falls within the scope of the WikiProject contemporary music, a collaborative effort to improve Wikipedia's coverage of contemporary music subjects. If you would like to participate, please visit the project page, where you can join the project and see a list of open tasks. |
| Start | This article has been rated as Start-class on the quality scale. |
| Mid | This article has been rated as mid-importance on the importance scale. |
 |
This article is within the scope of WikiProject Biography. For more information, visit the project page. | ||
| Start | This article has been rated as start-Class on the project's quality scale. [FAQ] | ||
 |
This article is supported by WikiProject Musicians, an attempt to build a comprehensive and detailed biographical guide to musicians and musical groups on Wikipedia. | ||
 |
This article is part of WikiProject Guitarists, a group dedicated to improving Wikipedia's coverage of topics related to guitarists. If you would like to participate, you can edit the article attached to this page, or visit the project page, where you can join the project and/or contribute to the discussion. |
| ??? | This article has not yet received a rating on the quality scale. |
Note: Mitsuru Nasuno was never a member of Ruins. Thus, Sanhedolin is not a Keiji Haino/Ruins collaboration... hahaha... Borkorg 07:12, 15 April 2006 (UTC)
[edit] What does this sentence mean???
"Haino is known for intensely cathartic sound explorations, and much of his work bears an insular singularity" quercus robur 10:42, 22 February 2007 (UTC)
- Yeah, weird. I've changed it to what I guess the author must have meant and added a citation check. -Lemike 06:22, 6 May 2007 (UTC)
- 'Bear' and 'bare' are not the same. Sheesh. I've changed that line again. Franzeska 18:27, 30 October 2007 (UTC)
[edit] Influences
Messiaen should be added to his list of influences.
Per The Wire. Issue 257
"So I picked up Messiaen's Quartet for the End of Time" because it was cheap. Messiaen was an important discovery for me. It felt like someone had stuck a needle into my ear, less like a muscial experience, more like physical pain or acupuncture. Taken to an extreme, healing and pain are the same thing. Anyway, it was probably the Christian element ff his music that caused me pain."
