Keiji Haino

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Keiji Haino
Keiji Haino, moers festival 2007
Keiji Haino, moers festival 2007
Background information
Origin Chiba, Japan
Genre(s) Rock, Improvisation, Noise, Solo percussion, Psychedelic, Minimalism and Drone
Years active 1970s – present
Associated acts Fushitsusha

Keiji Haino (灰野 敬二 Haino Keiji) born 1952 in Chiba, Japan, and currently residing in Tokyo, is a Japanese musician whose work has included rock, free improvisation, noise, singer-songwriter, solo percussion, psychedelic, minimalism and drone styles. He has been active since the 1970s and continues to record regularly and in new styles.

Contents

[edit] History

Haino's initial artistic outlet was theatre, inspired by the radical writings of Antonin Artaud. An epiphanic moment came when he heard The Doors' "When The Music's Over" and changed course towards music. After brief stints in a number of blues and experimental outfits, he formed improvised rock band Lost Aaraaf in 1970. In the mid 1970s, having left Lost Aaraaf, he collaborated with psychedelic multi-instrumentalist Magical Power Mako and film soundtrack composer Toru Takemitsu.

His musical output throughout the late 1970s is scarcely documented, until the formation of his rock duo Fushitsusha in 1978 (although their first LP did not surface until 1989). This outfit initially consisted of Haino on guitar and vocals, and Tamio Shiraishi on synthesizer. With the departure of Shiraishi and the addition of Jun Hamano (bass) and Shuhei Takashima (drums), Fushitsusha operated as a trio. The lineup soon changed, with Yasushi Ozawa (bass) and Jun Kosugi (drums) performing throughout the 1990s, but returned to a duo with Haino supplementing percussion with tape-loops.

Haino formed Aihiyo in 1998, principally playing a diverse range of covers (including The Rolling Stones, The Ronettes, and the Jimi Hendrix Experience), transforming the original material into Haino's unique form of garage psychedelia.

Other groups Haino has formed include Vajra (with underground folk singer Kan Mikami and drummer Toshiaki Ishizuka), Knead (with the avant-prog outfit Ruins), Sanhedolin (with Yoshida Tatsuya of Ruins and Mitsuru Nasuno of Altered States and Ground Zero) and a solo project called Nijiumu. He has also collaborated with a diverse range of artists, including Faust, Boris, Jim O'Rourke, Derek Bailey, Joey Baron, Peter Brotzmann, Lee Konitz, Loren Mazzacane Connors, Charles Gayle, Earl Kuck, Bill Laswell, Musica Transonic, John Duncan and Fred Frith.

[edit] Style

His main instruments of choice have been guitar and vocals, with many other instruments and approaches incorporated into his career's work. Haino is known for intensely cathartic sound explorations, and despite the fact that much of his work contains thematic or musical similarities, his output has been so varied as to not always be recognizable as him.[citation needed]

Haino cites a broad range of influences, including troubadour music, Marlene Dietrich, Iannis Xenakis, Syd Barrett, and Charlie Parker. His recent foray into DJing at Tokyo nightclubs has reportedly reflected his eclectic taste. He has had a long love affair with early blues music, particularly the works of Blind Lemon Jefferson, and is heavily inspired by the Japanese musical concept of 'Ma', the silent spaces in music (see Taiko for more information). He also has a keen interest in Butoh dancing and collecting ethnic instruments.

[edit] Solo & Collaborative Discography

  • Watashi Dake (1981)
  • Kaii Abe (Collaboration with unknown musicians) (1982)
  • Nijiumu (1990)
  • Live in the first year of the Heisei, Volume One (With Kan Mikami and Motoharu Yoshizawa (1990)
  • Live in the first year of the Heisei, Volume Two (With Kan Mikami and Motoharu Yoshizawa (1990)
  • Live at Lazyways, Koenji, Tokyo (with Toshi Ishizuka) (1992)
  • Itsukushimi (Affection)(1992)
  • <live> 30 - June - 1992 (1992)
  • Execration that accept to acknowledge (1993)
  • Ama No Gawa (Milky Way) (1993)
  • Guitar Works (7")(1994)
  • Beginning and end, interwoven (1994)
  • Hikari=Shi" (light=death) (Maki Miura, Keiji Haino, and Ogreish Organism) (1994)
  • Two strings will do it (Barre Phillips, Keiji Haino, and Sabu Toyozumi) (1994)
  • Live at Downtown Music Gallery (Keiji Haino and Loren Mazza Cane Connors) (1995)
  • A Challenge to Fate (1995, reissued 2004)
  • Tenshi No Gijinka (1995)
  • I said, This is the son of nihilism (1995)
  • Twenty-first Century Hard-y Guide-y Man (1995)
  • Etchings in the air (Barre Phillips and Keiji Haino) (1996)
  • Evolving Blush or Driving Original Sin (With Peter Brotzmann) (1996)
  • Gerry Miles (With Alan Licht) (1996)
  • The Book of "Eternity Set Aflame" (1996)
  • Saying I love you, I continue to curse myself (1996)
  • Drawing Close, Attuning --The Respective Signs of Order and Chaos (With Derek Bailey (1997)
  • Vol. 2 (Keiji Haino and Loren Mazza Cane Connors) (1997)
  • Keeping on breathing (April 21, 1997)
  • Sruthi Box (Promotional Release) (April 21, 1997)
  • So, black is myself (May 1,1997)
  • The 21st Century Hard-y Guide-y Man (1998)
  • Incubation (with Musica Transonic) (1998)
  • Black: Implication Flooding (With Boris) (1998)
  • Even Now, Still I Think (June 24, 1998)
  • An Unclear Trial: More Than This (With Greg Cohen and Joey Brown) (November 1998/January 1999)
  • Y (With Jean-Francois Pauvros) (January 2000)
  • The Strange Face (With Shoji Hano) (September 2000)
  • Shadow - Live in Wels, Austria (With Shoji Hano & Peter Brotzmann) (September 2000)
  • Ichioku to ichibanme no inori o michibiki daseba ii

A translation of the title: You should draw out the billion and first prayer (With Coa) (October 2000)

  • Songs (With Derek Bailey) (December 2000)
  • Abandon all words at a stroke, so that prayer can come spilling out (May 2001)
  • Until Water Grasps Flame (With Yoshida Tatsuya (January 2002)
  • Mazu wa iro o nakusouka!! (Nov 5, 2002)
  • Free Rock (Doo-Dooettes + Keiji Haino + Rick Potts) (Nov 25, 2002)
  • "C'est parfait" endoctriné tu tombes la tête la première (January 2003)
  • Hikari yami uchitokeaishi kono hibiki (December 24, 2003)
  • Koko (December 24, 2003)
  • Live at Cafe Independants Friday 23. January. 2004 (Keiji Haino, Tatsuya Yoshida & Mitsuru Natsuno + Bus Ratch) (June 2004)
  • Tayu tayu to tadayoitamae kono furue (With Michihiro Sato) (July 2004)
  • Next Let's Try Changing the Shape (April 2004, January 2005)
  • Black Blues (soft version) (May 2004)
  • Black Blues (violent version)(May 2004)
  • Uchu Ni Karami Tsuite Iru Waga Itami (March 10, 2005)
  • kono kehai fujirareteru hajimarini (August 25, 2005)
  • Reveal'd to none as yet -

an expedience to utterly vanish consciousness while still alive (December 2005)

  • New Rap (With Yoshida Tatsuya) (March 2006)
  • Homeogryllus japonicus Orchestra 2004 (With Mamoru Fujieda) (April 2006)
  • Animamima (With Sitaar Tah!) (May 2006)
  • Yaranai ga dekinai ni natte yuku (August 15, 2006)
  • Mamono (With KK Null) (November 2006)
  • Cosmic Debris, Vol.III (With My Cat Is An Alien) (August 2007)

[edit] Vajra

  • Tusgaru (1995)
  • Chiru-Ha/Ozakijinjya (CD-Single) (1995)
  • Ring (1996)
  • "Sichisiki" (The Seventh Consciousness) (1997)
  • Sravaka (1998)
  • Mandala Cat Last (2002)
  • Live 2007 (2007)

[edit] Aihiyo

  • untitled (1998)
  • Second Album (2000)

[edit] Black Stage

  • untitled (with Natsuki Kido & Yuji Katsui) (1996)

[edit] Purple Trap

  • Soul's True Love (4CD) (1995)
  • Decided... Already The Motionless Heart Of Tranquility, Tangling The Prayer Called "I"
(1999)

[edit] Knead

  • 1st (May 2002)
  • This melting happiness - I want you to realize that it is another trap (July 2003)

[edit] Sanhedolin

  • Manjoicchi wa muko (August 10, 2005)

[edit] Lost Aaraaff

  • untitled (1991)

[edit] Nijiumu

  • Era of Sad Wings (1993)
  • Live (Part of Driftworks 4CD box-set)

[edit] External links