Karakuri ningyō

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A karakuri automaton, circa 1800. British Museum.
A karakuri automaton, circa 1800. British Museum.
Tea-serving karakuri, with mechanism, 19th century. Tokyo National Science Museum.
Tea-serving karakuri, with mechanism, 19th century. Tokyo National Science Museum.
"Karakuri-Zui" ("Illustrated Compendium of Mechanical Devices"), by Hosokawa Hanzō, 1796. British Museum.
"Karakuri-Zui" ("Illustrated Compendium of Mechanical Devices"), by Hosokawa Hanzō, 1796. British Museum.

Karakuri ningyō (からくり人形?) are mechanized puppets or automata from Japan from the 18th century to 19th century. The word 'karakuri' means a "mechanical device to tease, trick, or take a person by surprise". It implies hidden magic, or an element of mystery. In Japanese ningyō is written as two separate characters, meaning person and shape. It may be translated as puppet, but also by doll or effigy.[1] The dolls' gestures provided a form of entertainment.

Three main types of karakuri exist: Butai karakuri (舞台からくり stage karakuri?) were used in theatre. Zashiki karakuri (座敷からくり tatami room karakuri?) were small and were played with in rooms. Dashi karakuri (山車からくり festival car karakuri?) were used in religious festivals, where the puppets were used to perform reenactments of traditional myths and legends.

They influenced the Noh, Kabuki and Bunraku theatre.

Contents

[edit] Zashiki karakuri

The most common example today of a zashiki karakuri mechanism shown at the right. It is a tea-serving robot, which start moving forward when a cup of tea is placed on the plate in its hands. It was used in a situation when a host treat a tea to a guest in a tea ceremony. It moves in a straight line for a set distance with moving their feet as if they are walking, and then it bows its head. This signals that the tea is for drinking, and the doll stops when the cup is removed. When it is replaced, the robot rises its head, turns around and returns to where it came from. It is typically powered by a wound spring made of whalebone, and the actions are controlled by a set of cams and levers.

[edit] See also

[edit] References

  1. ^ Jane Marie Law, Puppets of Nostalgia – The Life, Death and Rebirth of the Japanese Awaji Ningyo Tradition, 1977, Princeton University Press

[edit] External links