Just Music (band)

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Just Music
From the left:Teplitz,Stock,Krämer,Cremer,Harth,Volhard in 1968
From the left:Teplitz,Stock,Krämer,Cremer,Harth,Volhard in 1968
Background information
Origin Frankfurt/Main, Germany
Genre(s) Experimental,
Free improvisation
Years active 1967–1972
Label(s) ECM,CBS,selfproduction
Associated acts E.M.T.
Former members
Alfred Harth
Dieter Herrmann
Johannes Krämer
Thomas Stoewsand
Franz Volhard
Peter Stock
Thomas Cremer

Just Music were an German avant-garde music ensemble, an interchangeable collective of classically trained instrumentalists founded at the centrum freier cunst,Frankfurt/Main in 1967 by multi-instrumentalist Alfred Harth. An inherent anti-commercial bias kept them at arm's length from the mainstream music business, enabling them to experiment at will. „Ein Modell fuer annaehernd herrschaftsfreie Kommunikation und Interaktion“ (Flyer,March 1969). Just Music changed their name several times depending on the context.
Other names are New Thing Orchestra, Free Jazz Orkestra Frankfurt , Panta Rei and urKult .

Contents

[edit] History

Alfred Harth had founded the club H in 1965 and then the meeting point and platform centrum freier cunst in Frankfurt/Main starting with his essay "On Synaesthetics“ in 1967 and the vision of synthesizing avant-garde art, avant-garde music and avant-garde literature.It became an open exchange and performance place for young experimental artists,poets and musicians in the Frankfurt area with the Just Music ensemble as a main creative pool.American clarinetist Tony Scott played there with Just Music and also in the following years Harth and Just Music kept open to perform with many others as the German musicians trumpetist and composer Michael Sell (with the Free Jazz Group Wiesbaden),saxofonist Peter Brötzmann and tuba and bassplayer Peter Kowald,Czech flutist Jiri Stivin,members of the AACM,Polish violinist Zbigniew Seifert,American saxofonist Anthony Braxton a.o. In 1969 Just Music recorded the 2nd LP (1002) for Manfred Eicher’s label ECM though this music sounds not at all compatible with the later ECM and Thomas Cremer,Harth and Thomas Stöwsand made a joint performance with the Nicole Van den Plas Trio from Belgium at the San Sebastian Jazz festival in Spain.From then on Just Music also worked in cooperation with members of the Nicole Van den Plas Trio .In 1971 Harth and Van den Plas started to focus on duo works and in 1972 with guests as Peter Kowald and drummer Paul Lovens a.o. in Belgium which later in the same year lead to the foundation of the group E.M.T. when Just Music had performed their last concerts with partly exchanged members in Poland.

[edit] Music

Just Music ’s repertoire included written scores and Graphic notation (music) by Alfred Harth and free improvisation.It incorporated elements of jazz, classical music, fluxus, dada, happening and the avant-garde. Their music was mostly experimental, making classification all but impossible and contained an extreme variety of timbres and dynamics at the basis of a spontaneous expression.Process was more important than a result. Just Music partly incorporated their audiences.

[edit] Concept

Since the mid1960s Alfred Harth was open to all creative horizons influenced by the Stuttgarter Schule around Max Bense, zen and the fluxus events in nearby Wiesbaden.He treated breaking glass,thunder and rain,fireworks or everyday tool’s noises as equal synaesthetic manifestations.Harth co-created a toneless wind instrument concept during a studio production at the Hessischer Rundfunk,experimented muting his saxofones with all kinds of stuff even from outside the keys by covering the saxofone with clothes and implemented backward recorded accordion live on cassette.Johannes Krämer was using a wide variety of unorthodox guitar tunings,and preparing guitars with objects like drumsticks and screwdrivers to alter the instruments' timbre. On the other hand Just Music had formed the political fraction urKult who demonstrated against the „unilateral presentation and consumption of New Music without political implications“ before or even during other relevant concert events and by this provoked the ivory tower of the nearby Darmstädter Ferienkurse events as well as music businesses “as instruments of the establishment”.

[edit] Name

Just Music is almost a German expression, too. The name was chosen by Alfred Harth to express that there shall be no pressure for anything. Just Music strictly avoided titles for their works and even several times changed their group name. Existing music titles had been given by others or later.

[edit] Performances (selection)

F.l.t.r.:Alfred Harth,Nicole Van den Plas,Thomas Cremer,Franz Volhard,Peter Stock in 1970
F.l.t.r.:Alfred Harth,
Nicole Van den Plas,
Thomas Cremer,Franz Volhard,
Peter Stock in 1970

1967

1968

  • TV-Feature with concrete poet Franz Mon in Mainz
  • concert managed by Siegfried Schmidt-Joos in Düsseldorf
  • performs Christian Wolff’s „Play“ from the Prose Collection at the Theater am Turm (TAT),Frankfurt/Main
  • at the main cathedral,Dom,in Frankfurt/Main
  • at the Liederhalle,Mozartsaal,Stuttgart,radio recorded by Süddeutscher Rundfunk (SDR)

1969

  • at the Rational Theater in München (first concert together with Thomas Stoewsand who then moved to Frankfurt and stayed member until the last concerts in Poland)
  • at the Action Center in München
  • at the Jazzfestival San Sebastian in cooperation with the Nicole Van den Plas Trio,Spain
  • at the Stadttheater Bremerhaven

1970

  • radio play Alles wie zuvor in cooperation with composer Aleida Montijn produced at the radio Frankfurt/Main,Hessischer Rundfunk
  • at the 12th German Jazzfestival in Frankfurt/Main
  • at the 12th German Jazzfestival with the European Free Jazz Orchestra (A.Harth, P.Stock) conducted by members of the AACM
  • at the Jazzfestival Prerov (with N.Van den Plas, A.De Tiege) and with Jiri Stivin in Prague,Czechoslovakia
  • live at the radio Prague,Czechoslovakia
  • one month daily at the Theatre Lucernaire, Paris,France
  • two weeks daily at the theatre festival,Theatre de la Recherche, in Avignon, France, (with J.Van den Plas)
  • studio production at the Frankfurt radio,Hessischer Rundfunk,with Peter Kowald,Heinz Sauer,Michael Sell,N.Van den Plas a.o.

1971

1972

[edit] Personnel

From the left:Nicole Van den Plas,Thomas Cremer,Thomas Stoewsand,Alfred Harth in 1971
From the left:
Nicole Van den Plas,
Thomas Cremer,
Thomas Stoewsand,Alfred Harth in 1971
  • Thomas Cremer – drums,clarinet,voice
  • Andre De Tiege (Belgium) - bass
  • Ronnie Dusoir (Belgium) - dr
  • Alfred Harth – tenorsax,clarinet,bassclarinet,trumpet,voice,misc.
  • Dieter Herrmann – trombone
  • Gerhard Herrmann (Austria) – drums
  • Johannes Krämer – guitar,voice
  • Hans Schwindt - clarinet,altosax
  • Peter Stock – bass
  • Thomas Stoewsand – cello,flutes,voice
  • Witold Teplitz – violin,clarinet
  • Franz Volhard – cello
  • Jean Van den Plas (Belgium) – cello,bass
  • Nicole Van den Plas (Belgium) - piano
  • Edmond Van Lierde (Belgium) - altosax

[edit] Discography

  • Just Music, self-produced, 300 items, 1969
  • Just Music ECM 1002, 1969
  • Born Free CBS, 1970
  • 4.Januar 1970, selfproduction, 300 items, 1970
  • CD with unreleased music by Just Music in preparation for 2008

[edit] References

  • Jürgen Schwab: Der Frankfurt-Sound. Eine Stadt und ihre Jazzgeschichte(n). Frankfurt/Main: Societäts-Verlag, 2005, with 2 CDs,ISBN 3-7973-0888-4
  • Steve Lake,Paul Griffiths:”Horizons Touched - The Music of ECM” ,Granta Books, London
  • Christoph Wagner: Brüche und Kontinuität,Alfred 23 Harth,in “Neue Zeitschrift für Musik”,Schott Music,Mainz,Germany, 6/2007