User:Julie Joy Clarke

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JULIE JOY CLARKE[1]was born in Melbourne, Australia on 22 April 1951, where she currently resides.
She has one son Erin Powell who was born in 1977.
Her father David Henry Clarke was a Bombardier in the 2/11 Field Regiment [2] of the Australian Army in WW2 from 1940 - 1945.

  • ACADEMIC QUALIFICATIONS

She undertook her undergraduate degree in Painting and Printmaking at RMIT, postgraduate diploma in Art History, Master of Arts in Art History and her PhD in Cinema (Screen Studies) at the University of Melbourne.
She currently holds the position of Honorary Fellow in Screen Studies in the Department of Culture and Communications. She has written extensively on the Australian Peformance Artist Stelarc [3]and other Australian and International artists.


  • ACADEMIC AND CREATIVE WRITING

Her poetic prose, visual poetry and academic articles have been published in America, Australia, the United Kingdom, Norway and Canada. Poetic prose works - Skywriter Veils Echo, Mind, Fall are held in the State Library of Victoria [4], Monash University [5] and the University of Melbourne [6]. She has been a Visual Poet.

  • LIST OF PUBLISHED ARTICLES

(2008) Edward Scissorhands: All Too Human, Australian Screen Education, ATOM, Melbourne, Australia, May.[7]

(2008). Doubly Monstrous: Female and Disabled, Essays in Philosophy, Special Issue on Disability, The Department of Philosophy, Humboldt State University, California, (ed. Michael Goodman), Volume 9, No. 1, January. [http://www.humboldt.edu/~essays/

(2008) Simulated Talking Machines: Stelarc’s Prosthetic Head, Critical Digital Studies: A Reader, (ed) Arthur and Marilouise Kroker), University of Toronto Press, Toronto, ON,Canada.

(2007) Human By Design: GATTACA, Australian Screen Education, Issue #46, ATOM, Melbourne.

(2007). Review of Michael Richardson’s book, ‘Surrealism and Cinema’, Metro Magazine, Issue #152, ATOM, Melbourne.

(2006). Corporeal Melange: Aesthetics and Ethics of Biomaterials in Stelarc and Nina Sellars ‘Blender’, Leonardo: Art and Science Journal, 39.5, MIT, USA, October.

(2006). Aesthetic Emergence+Self, ‘Imagine Exhibition Catalogue’, (ed. Zara Stanhope), Heide Museum of Modern Art, Templestowe, Victoria, July.

(2005), Stelarc’s Prosthetic Head, Ctheory – An international peer-reviewed journal of theory, technology and culture, 1000 Days of Theory, (ed) Arthur and Marilouise Kroker), 10 October, 2005, [8]

(2005). A Sensorial Act of Replication, Stelarc: The Monograph, (ed.) Dr Marquard Smith, MIT Press, USA, September.

2005). Face-Off, Stelarc Interview, Meanjin: New Writing in Australia, Portraits of the Artist, (ed Ian Britain), Melbourne University Press, Vol. 64, No. 1 & 2, p166.

(2004). pros+thesis, LIVE: Art, Performance and the Contemporary, ed. Adrian Heathfield, Tate Publications, London, September.

(2003). Case for Future Existence or Mutate Now and Live Forever (on the art of Korean artist Lee Bull), House of Tomorrow Catalogue, MESH #16, Experimenta Media Arts, Melbourne, September.

(2002). Only Healthy Seed Must Be Sown: GATTACA, Australian Screen Education, ATOM, Melbourne, #30, November.

(2002). Waste Culture: GATTACA, WASTE, MESH On-line Journal, #15, Experimenta Media Arts, Melbourne, www.experimenta.org

(2002). The Human/not human in the work of Orlan and Stelarc, The Cyborg Experiments: extensions of the body in the media age, (ed. Dr. Joanna Zyslinka), London and New York, Continuum.

(2001). Review of Company in Space Performance – Capital Theatre, Melbourne, Body, Space and Technology Journal, United Kingdom, [9]

(1999). The Sacrificial Body of Orlan, Special issue on Body Modification, Body and Society, (ed. Mike Featherstone & Bryan S. Turner), United Kingdom, Nottingham Trent University, Vol. 5, 2-3, June to September

(1999). Technological Women, Openline Magazine, RMIT University, Melbourne, June.

(1998). The Body Politic, Game Theory, MESH, Experimenta, Media Arts, Melbourne.

(1996), Cyb(erotic) Transformations, Artlink, Arts in the Electronic Landscape, South Australia, July.

(1995). Would you make love to a stick figure? Interview with Professor Allucquere Rosanne Stone, transgendered performance artist at the Metropolitan, Melbourne, MESH, Experimenta Media Arts, Melbourne, August.[10]

  • Catalogue essays:

Clarke, Julie (2004) Karen Casey’s Art of Mind, Catalogue essay for her exhibition at RMIT Gallery, Storey Hall, Melbourne in December.

(2002). Pros + Thesis, Alternate Interfaces, Stelarc Exhibition Catalogue at Monash University Art Gallery, Melbourne, September.

(2002) Clones—Juan Ford Paintings, Dianne Tanzer GalIery, Melbourne

(1999) Silence, BYTEME, Digital Art Exhibition, Bendigo City Art Gallery (along with Dr. Kevin Murray and Dr. Darren Tofts)

(1997) Indulge, Exhibition Catalogue, Fringe Festival, Melbourne

(1997) Challenge of the Space, Exhibition Catalogue, The Graduate Centre, The University of Melbourne

(1996) The Mechanics of Production, interview with Cherrie Whitington, Director of Organic/Mechanic, PGR, The University of Melbourne, Autumn.

(1995) The Virtual Scholar Symposium, interview with Matthew Riddle, Science Research Fellow at the University of Melbourne, Postgraduate Review, December.

  • Film Reviews:

(2005), Enduring Love (film review), Teaching English Australia (ed. Karen Ford), September, [11]

(2005), Rock School (film review), Teaching English Australia (ed. Karen Ford), August, http://www.teachingenglish.com.au (2005), Dirty Pretty Things (film review), Teaching English Australia (ed. Karen Ford), April, [12]

  • Performance Art Reviews

(1997) Zibniev Karkowski, review of performance of Zibniev Karkowski, with Stelarc and Geoffrey Hales at the Continental, Prahran, 1997, commissioned by Karkowski for his Paris and Tokyo performance flyers.

1995) Survival Research Laboratories at ACCA. CATfood, Newsletter No.2. 1995

(1995) White Woman Variation No.1. Review of Linda Sproul performance at ACCA. CATfood Newsletter, July.

(1993) Love Equals Money, review of Michael Cook performance at Autopsy Bandwagon, Carlton, Club Tractor No.1, Melbourne, Victoria.


  • ARTWORK

Her artwork has been included in over thirty exhibitions in Melbourne, Australia. She won (with seven other writers) the Inaugural Faulding Award for writing for multimedia, for the Flightpaths: Writing Journeys project.[13]