Judy Garland

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Judy Garland

from the trailer for A Star Is Born, 1954
Born Frances Ethel Gumm
June 10, 1922(1922-06-10)
Grand Rapids, Minnesota, U.S.
Died June 22, 1969 (aged 47)
Chelsea, London, England
Years active 1925-1969 (singer)
1935-1963 (actress)
Spouse(s) David Rose (1941–1944)
Vincente Minnelli (1945–1951)
Sidney Luft (1952–1965)
Mark Herron (1965–1967)
Mickey Deans (1969)

Judy Garland (born Frances Ethel Gumm; June 10, 1922 – June 22, 1969) was an American actress and singer. Through a career that spanned 45 of her 47 years, Garland attained international stardom as an actress in both musical and dramatic roles, as a recording artist and on the concert stage. Respected for her versatility, she won an Academy Award and a Golden Globe for her work in films, Grammy Awards and a Tony Award.

After appearing in vaudeville with her sisters, Garland was signed to Metro-Goldwyn-Mayer as a teenager. There she made more than two dozen films, including nine with Mickey Rooney, and the film with which she would be most identified, The Wizard of Oz (1939). After 15 years, Garland was released from the studio but gained renewed success through record-breaking concert appearances, including a critically acclaimed Carnegie Hall concert, a well-regarded but short-lived television series and a return to film acting beginning with A Star Is Born (1954).

Despite her professional triumphs, Garland battled personal problems throughout her life. Insecure about her appearance, her feelings were compounded by film executives who told her she was unattractive and overweight. Plied with drugs to control her weight and increase her productivity, Garland endured a decades-long struggle with addiction. Garland was plagued by financial instability, often owing hundreds of thousands of dollars in back taxes. Married five times, four of her marriages ended in divorce. She attempted suicide on a number of occasions. Garland died of an accidental drug overdose at the age of forty-seven, leaving children Liza Minnelli, Lorna Luft and Joey Luft.

In 1997, Garland was posthumously awarded a Grammy Lifetime Achievement Award and several of her recordings have been inducted into the Grammy Hall of Fame. In 1999, the American Film Institute placed her among the ten greatest female stars in the history of American cinema.[1]

Contents

[edit] Biography

[edit] Childhood and early life

Born in Grand Rapids, Minnesota, Garland was the youngest child of former vaudevillians Frank Gumm and Ethel Marion Milne. Her ancestry on both sides of the family can be traced back to the early colonial days of the United States. Her father was descended from the Marable family of Virginia and her mother from Patrick Fitzpatrick, who arrived in America from Smithtown, County Meath, Ireland in the 1770s.[2]

Named after both her parents and baptized at a local Episcopal church, "Baby" (as Frances was affectionately called) shared the family's flair for song and dance. "Baby" Gumm's first appearance came at the age of two-and-a-half, when she joined her two older sisters, Mary Jane ("Suzy") and Dorothy Virginia ("Jimmie") on stage for a chorus of "Jingle Bells" in a Christmas show at her father's movie theater.[3]

The Gumm girls performed at their father's theater, accompanied by their mother on piano, for the next few years. In June 1926, following rumours that Frank had made sexual advances toward male ushers at his theater, the family relocated to Lancaster, California.[4] Frank purchased and operated another theater there and Ethel, acting as their manager, began working to get her daughters into pictures.

[edit] The Gumm Sisters

In 1928, The Gumm Sisters enrolled in a dance school run by Ethel Meglin, proprietress of the Meglin Kiddies dance troupe. The sisters appeared with the troupe at its annual Christmas show.[5] It was through the Meglin Kiddies that Garland and her sisters would make their film debut, in a 1929 short subject called The Big Revue. This was followed by appearances in two Vitaphone shorts the following year, A Holiday in Storyland (featuring Garland's first on-screen solo) and The Wedding of Jack and Jill. They next appeared together in Bubbles. The final on-screen appearance of The Gumm Sisters came in 1935, in another short entitled La Fiesta de Santa Barbara.[6]

In 1934, the sisters, who had been touring the vaudeville circuit as "The Gumm Sisters" for many years, performed in Chicago at the Oriental Theater with George Jessel. He encouraged the group to choose a more appealing name after the name "Gumm" was met with laughter from the audience. "The Garland Sisters" was chosen, and Frances changed her name to "Judy" soon after, inspired by a popular Hoagy Carmichael song.[7]

Several stories persist regarding the origin of the name "Garland." One is that it was originated by Jessel after Carole Lombard's character Lily Garland in the film Twentieth Century which was then playing at the Oriental; another is that the trio chose the surname after drama critic Robert Garland.[8] Garland's daughter Lorna Luft stated that her mother selected the name when Jessel announced that the trio of singers "looked prettier than a garland of flowers."[9] Another variation surfaced when Jessel was a guest on Garland's television show in 1963. He claimed that he had sent actress Judith Anderson a telegram containing the word "garland" and it stuck in his mind.[10]

[edit] Signed at MGM

In 1935 Garland was signed to a contract with Metro-Goldwyn-Mayer, supposedly without a screen test, although she had made a test for the studio several months earlier. The studio did not know what to do with Garland, as at age thirteen she was older than the traditional child star but too young for adult roles. Garland's physical appearance created a dilemma for MGM. At only 4 feet 11.5 inches (151 cm), Garland's "cute" or "girl-next-door" looks did not exemplify the more glamorous persona required by leading ladies of the time. She was self-conscious and anxious about her appearance. "Judy went to school at Metro with Ava Gardner, Lana Turner, Elizabeth Taylor, real beauties," said Charles Walters, who directed Garland in a number of films. "Judy was the big money-maker at the time, a big success, but she was the ugly duckling...I think it had a very damaging effect on her emotionally for a long time. I think it lasted forever, really."[11] Her insecurity was exacerbated by the attitude of studio chief Louis B. Mayer, who referred to her as his "little hunchback."[12] During her early years at the studio, she was photographed and dressed in plain garments or frilly juvenile gowns and costumes to match the "girl-next-door" image that was created for her. She was made to wear portable caps on her teeth and rubberized disks to reshape her nose.[13] She performed at various studio functions and was eventually cast opposite Deanna Durbin in the musical short Every Sunday. The film served as an extended screen test for the pair as studio executives were wondering at the wisdom of having two girl singers on the roster.[14] Mayer finally decided to keep both girls, but by that time Durbin's option had lapsed and she was signed by Universal Studios.

On November 16, 1935, in the midst of preparing for a radio performance on the Shell Chateau Hour, Garland discovered that her father—who had been hospitalized with spinal meningitis—had taken a turn for the worse. Frank Gumm died the following morning, on November 17. Garland's song for the Shell Chateau Hour was her first professional rendition of "Zing! Went the Strings of My Heart", a song which would become a standard in many of her concerts.[15]

Garland with Mickey Rooney in Love Finds Andy Hardy (1938)
Garland with Mickey Rooney in Love Finds Andy Hardy (1938)

Garland next came to the attention of studio executives by singing a special arrangement of "You Made Me Love You" to Clark Gable at a birthday party held by the studio for the actor; her rendition was so well regarded that Garland performed the song in their all-star extravaganza Broadway Melody of 1938 (1937), in which she sang the song to a photograph of Gable.[16]

MGM hit on a winning formula when it paired Garland with Mickey Rooney in a string of "backyard musicals." The duo first appeared together in the 1937 B movie Thoroughbreds Don't Cry. They became a sensation, and teamed up again in Love Finds Andy Hardy. Garland would eventually star with Rooney in nine films.

To keep up with the frantic pace of making one film after another, Garland, Rooney, and other young performers were constantly given amphetamines, as well as barbiturates to take before bed.[17] For Garland, this regular dose of drugs led to addiction and a lifelong struggle, and contributed to her eventual demise. She later resented the hectic schedule and felt that her youth had been stolen from her by MGM. Despite successful film and recording careers, several awards, critical praise, and her ability to fill concert halls worldwide, Garland was plagued throughout her life with self-doubt and required constant reassurance that she was talented and attractive.[18] Oscar Levant later remarked that "at parties, Judy could sing all night, endlessly... but when it came time to appear on a movie set, she just wouldn't show up."[19]

[edit] The Wizard of Oz

Garland as Dorothy Gale in The Wizard of Oz (1939)
Garland as Dorothy Gale in The Wizard of Oz (1939)

Garland soon landed the lead role of Dorothy Gale in The Wizard of Oz (1939) at the age of sixteen, in which she introduced the song with which she would forever be identified, "Over the Rainbow". Although producers Arthur Freed and Mervyn LeRoy had wanted Garland from the start, studio chief Mayer tried first to borrow Shirley Temple from 20th Century Fox. Temple's services were denied and Garland was cast.[20] Garland was initially outfitted in a blonde wig for the part but Freed and LeRoy decided against it shortly into filming. Her breasts were bound with tape and she was made to wear a special corset to flatten out her curves and make her appear younger; her blue gingham dress (her only costume) was also chosen for its blurring effect on her figure.[21]

Shooting commenced on October 13, 1938[22] and was completed on March 16, 1939[23] with a final cost of over $2,000,000.[24] From the conclusion of filming, MGM kept Garland busy with promotional tours and the shooting of Babes in Arms. Garland and Mickey Rooney were sent on a cross-country promotional tour, culminating in the August 17 New York City premiere at the Capitol Theatre, which included a five-show-a-week appearance schedule for the two stars.[25]

The Wizard of Oz was a tremendous critical success, although its high budget and promotions costs of an estimated $4,000,000, coupled with the lower revenue generated by children's tickets, meant that the film did not make a profit until it was re-released in the 1940s.[26] At the 1940 Academy Awards ceremony, Garland received an Academy Juvenile Award for her performances in 1939, including The Wizard of Oz and Babes in Arms.[27] Following this recognition, Garland became one of MGM's most bankable stars.

[edit] Adult stardom

Garland performing "The Trolley Song" in Meet Me in St. Louis (1944)
Garland performing "The Trolley Song" in Meet Me in St. Louis (1944)

In 1940, she starred in three films: Andy Hardy Meets Debutante, Strike Up the Band, and Little Nellie Kelly. In the latter film, Garland played her first adult role, a dual role of both mother and daughter. Little Nellie Kelly was purchased from George M. Cohan as a vehicle for Garland to assess both her audience appeal and her physical appearance. The role was a challenge for her, requiring the use of an accent, her first adult kiss and the only death scene of her career.[28] The success of these three films, and a further three films in 1941, secured her position at MGM as a major property.

During this time Garland experienced her first serious adult romances. The first was with the band leader, Artie Shaw. Garland was deeply devoted to Shaw and was devastated in early 1940 when Shaw eloped with Lana Turner.[29] Garland began a relationship with musician David Rose, and on her eighteenth birthday, Rose gave her an engagement ring. The studio intervened because Rose was still married at the time to the actress and singer Martha Raye. The couple agreed to wait a year to allow for Rose's divorce from Raye to become final, and were wed on July 27, 1941.[30] She was noticeably thinner in her next film, For Me and My Gal, alongside Gene Kelly in his first screen appearance. Garland was top billed over the credits for the first time and effectively made the transition from teenage star to adult actress.

At the age of twenty-one, she was given the "glamour treatment" in Presenting Lily Mars, in which she was dressed in "grown-up" gowns. Her lightened hair was also pulled up in a stylish fashion. However, no matter how glamorous or beautiful she appeared on screen or in photographs, she was never confident in her appearance and never escaped the "girl next door" image that had been created for her.[31] Adding to her insecurity was the dissolution of her marriage to David Rose. Garland, who had aborted her pregnancy by Rose in 1942, agreed to a trial separation in January 1943 and they divorced in 1944.[32]

One of Garland's most successful films for MGM was Meet Me in St. Louis (1944), in which she introduced three standards: "The Trolley Song", "The Boy Next Door", and "Have Yourself a Merry Little Christmas." Vincente Minnelli was assigned to direct this movie, and he requested that make-up artist Dorothy Ponedel be assigned to Garland for the picture. Ponedel refined Garland's appearance in several ways, including extending and reshaping her eyebrows, changing her hairline, modifying her lip line and removing her nose discs. Garland appreciated the results so much that Ponedel was written into her contract for all her remaining pictures at MGM.[33] During the filming of Meet Me in St. Louis, after some initial conflict between them, Garland and Minnelli entered a relationship together. They were married June 15, 1945,[34] and on March 12, 1946, daughter Liza Minnelli was born.[35]

The Clock (1945) was her first straight dramatic film, opposite Robert Walker. Though the film was critically praised and earned a profit, most movie fans expected her to sing. It would be many years before she acted again in a non-singing dramatic role.

Garland's other famous films of the 1940s include The Harvey Girls (1946), in which she introduced the Academy Award-winning song "On the Atchison, Topeka and the Santa Fe", and The Pirate (1948).

[edit] Leaving MGM

Garland performing "Get Happy" in Summer Stock (1950)
Garland performing "Get Happy" in Summer Stock (1950)

During filming for The Pirate in April 1947, Garland suffered a nervous breakdown and was placed in a private sanitarium.[36] She was able to complete filming, but in July of that year she made her first suicide attempt, making minor cuts to her wrist with a broken glass.[37] Following her work on The Pirate, Garland completed three more films for MGM: Easter Parade, In the Good Old Summertime, and her final film with MGM, Summer Stock.

Garland was unable to complete a series of films. During the filming of The Barkleys of Broadway, Garland was taking prescription sleeping medication along with illicitly obtained pills containing morphine. These, in combination with migraine headaches, led Garland to miss several shooting days in a row. After being advised by Garland's doctor that she would only be able to work in four- to five-day increments with extended rest periods between, MGM executive Arthur Freed made the decision to suspend Garland on July 18, 1948. She was replaced by Ginger Rogers.[38] Garland was cast in the film adaptation of Annie Get Your Gun in the title role of Annie Oakley. She was nervous at the prospect of taking on a role strongly identified with Ethel Merman, anxious about appearing in an unglamourous role after breaking from juvenile parts for several years, and disturbed by her treatment at the hands of director Busby Berkeley. She began arriving late to the set and sometimes failed to appear. She was suspended from the picture on May 10, 1949, and was replaced by Betty Hutton.[39] Garland was next cast in the film Royal Wedding when June Allyson became pregnant in 1950. She again failed to report to the set on multiple occasions, and the studio suspended her contract on June 17, 1950, replacing her with Jane Powell.[40] Reputable biographies following Garland's death would state that after this latest dismissal, she slightly grazed her neck with a broken water glass, requiring only a Band-Aid, but at the time, the public was informed that a despondent Garland had slashed her throat.[41] "All I could see ahead was more confusion," Garland later said of this suicide attempt. "I wanted to black out the future as well as the past. I wanted to hurt myself and everyone who had hurt me."[42]

[edit] Renewed stardom on the stage

In 1951, Garland divorced Vincente Minnelli.[43] She engaged Sid Luft as her manager the same year.[44] Luft arranged a four-month concert tour of the United Kingdom, where she played to sold out audiences throughout England, Scotland, and Ireland.[45] The tour included Garland's first appearances at the renowned London Palladium for a four-week stand in April.[46] Although the British press chided her before her opening for being "too plump," she received rave reviews and the ovation was described by the Palladium manager as the loudest he had ever heard.[47]

In October 1951, Garland opened in a vaudeville-style, two-a-day engagement at Broadway's newly-refurbished Palace Theatre. Her 19-week engagement exceeded all previous records for the theater and was described as "one of the greatest personal triumphs in show business history."[48] Garland was honored for her contribution to the revival of vaudeville with a special Tony Award.[49]

Garland and Luft were married on June 8, 1952, in Hollister, California[50] and Garland gave birth to the couple's first child, Lorna, on November 21 that year.[51]

Garland's personal and professional achievements during this time were marred by the actions of her mother, Ethel. In May 1952, at the height of Garland's comeback, Ethel was featured in a Los Angeles Mirror story in which she revealed that while Garland was making a small fortune at the Palace, Ethel was working a desk job at Douglas Aircraft Company for $61 a week.[52] Garland and Ethel had been estranged for years, with Garland characterizing her mother as "no good for anything except to create chaos and fear" and accusing her of mismanaging and misappropriating Garland's salary from the earliest days of her career.[53] Garland's sister Virginia denied this, stating "Mama never took a dime from Judy."[54] On January 5, 1953, Ethel was found dead in the Douglas Aircraft parking lot.[55]

[edit] A Star Is Born

In 1954, Garland filmed a musical remake of A Star Is Born for Warner Bros. Luft and Garland, through their production company Transcona, produced the film while Warner Bros. supplied the funds, production facilities and crew.[56] Directed by George Cukor and co-starring James Mason, it was a large undertaking to which Garland initially fully dedicated herself. As shooting progressed, however, she began making the same pleas of illness which she had so often made during her final films at MGM. Production delays led to cost overruns and angry confrontations with Warner Bros. head Jack Warner. Principal photography wrapped on March 17, 1954. At Luft's suggestion, the "Born in a Trunk" medley was filmed as a showcase for Garland and inserted over director Cukor's objections, who feared the additional length would lead to cuts in other areas. The "Born in a Trunk" sequence was completed on July 29.[57]

Upon its September 29 world premiere, the film was met with tremendous critical and popular acclaim. Before release it was edited at the instruction of Jack Warner; theater operators, concerned that they were losing money by being able to run the film for three or four shows per day instead of five or six, pressured the studio to make additional reductions. About 30 minutes of footage was cut, sparking outrage amongst critics and filmgoers. A Star is Born ended up losing money and the secure financial position Garland had expected from the profits did not materialize.[58] Transcona made no more films with Warner.[59]

Garland in I Could Go On Singing (1963)
Garland in I Could Go On Singing (1963)

Garland was nominated for the Academy Award for Best Actress and, in the run-up to the 27th Academy Awards, was believed to be the likely winner by both the public and critics. She could not attend the ceremony because she had just given birth to her son, Joseph Luft, so a television crew was in Garland's hospital room with cameras and wires to televise Garland's acceptance speech. The Oscar was won by Grace Kelly for The Country Girl (1954). The camera crew was packing up before Kelly could even reach the stage. Groucho Marx sent Garland a telegram after the awards declaring her loss "the biggest robbery since Brinks."[60] Garland won the Golden Globe Award for Best Actress in a Musical for the role.[61]

Garland's films after A Star Is Born included Judgment at Nuremberg (1961) (for which she was Oscar- and Golden Globe-nominated for Best Supporting Actress), the animated feature Gay Purr-ee (1962), and A Child Is Waiting (1963) with Burt Lancaster. Her final film, I Could Go On Singing (1963), co-starring Dirk Bogarde, mirrored her own life with its story of a world famous singing star. Garland’s last screen performance of a song was the prophetic I Could Go on Singing at the end of the film.

[edit] Television, concerts and Carnegie Hall

Beginning in 1955, Garland appeared in a number of television specials. The first, the 1955 debut episode of Ford Star Jubilee, was the first full-scale color broadcast ever on CBS and was a ratings triumph, scoring a 34.8 Nielsen rating. Garland signed a three-year, $300,000 contract with the network. Only one additional special, a live concert edition of General Electric Theater, was broadcast in 1956 before the relationship between the Lufts and CBS broke down in a dispute over the planned format of upcoming specials.[62] In 1956, Garland performed four weeks at the New Frontier Hotel on the Las Vegas Strip for a salary of $55,000 per week, making her the highest-paid entertainer to work in Las Vegas to date. Despite a brief bout of laryngitis, her performances there were so successful that her run was extended an extra week.[63] Later that year she returned to the Palace Theatre, site of her two-a-day triumph. She opened in September, once again to rave reviews and popular acclaim.[64]

In November 1959 Garland was hospitalized, diagnosed with acute hepatitis.[65] Over the next few weeks several quarts of fluid were drained from her body until, still weak, she was released from the hospital in January 1960. She was told by doctors that she likely had five years or less to live and that even if she did survive she would be a semi-invalid and would never sing again.[66] She initially felt "greatly relieved" at the diagnosis. "The pressure was off me for the first time in my life."[41] However, Garland successfully recovered over the next several months and, in August of that year, returned to the stage of the Palladium. She felt so warmly embraced by the British that she announced her intentions to move permanently to England.[67]

Her concert appearance at Carnegie Hall on April 23, 1961, was a considerable highlight, called by many "the greatest night in show business history."[68] The 2-record Judy at Carnegie Hall was certified gold, charting for 95 weeks on Billboard, including thirteen weeks at number one. The album won five Grammy Awards including Album of the Year and Best Female Vocal of the Year.[69] The album has never been out of print.

In 1961, Garland and CBS settled their contract disputes with the help of her new agent, Freddie Fields, and negotiated a new round of specials. The first, entitled The Judy Garland Show, aired in 1962 and featured guests Frank Sinatra and Dean Martin.[70] Following this success, CBS made a $24 million offer to Garland for a weekly television series of her own, also to be called The Judy Garland Show, which was deemed at the time in the press to be "the biggest talent deal in TV history." Although Garland had said as early as 1955 that she would never do a weekly television series,[71] in the early 1960s she was in a financially precarious situation. Garland was several hundred thousand dollars in debt to the Internal Revenue Service, having failed to pay taxes in 1951 and 1952, and the financial failure of A Star is Born meant that she received nothing from that investment.[72] A successful run on television was intended to secure Garland's financial future.

Following a third special, Judy Garland and Her Guests Phil Silvers and Robert Goulet, Garland's weekly series debuted September 29, 1963.[73] The Judy Garland Show was critically praised,[74][75] but for a variety of reasons (including being placed in the time slot opposite Bonanza on NBC) the show lasted only one season and was cancelled in 1964 after 26 episodes. Despite its short run, the series was nominated for four Emmy Awards.[76] The demise of the series was personally and financially devastating for Garland who never fully recovered from its failure.

[edit] Final years

With the demise of her television series, Garland returned to the stage. Most notably, she performed at the London Palladium with her then 18-year-old daughter Liza Minnelli in November 1964. The concert, which was also filmed for British television network ITV, was one of Garland's final appearances at the venue. She made guest appearances on the The Ed Sullivan Show, The Tonight Show, The Hollywood Palace and The Merv Griffin Show, an episode of which she guest-hosted.[77]

Garland sued Sid Luft for divorce in 1963, claiming "cruelty" as the grounds. She also asserted that Luft had repeatedly struck her while he was drinking and that he had attempted to take their children from her by force.[78] She had filed for divorce more than once previously, including as early as 1956.[79]

A 1964 tour of Australia was largely disastrous. Garland's first concert in Sydney, held in Sydney Stadium because no concert hall could accommodate the crowds who wanted to see her, went well and received positive reviews. Her second performance, in Melbourne, started an hour late. The crowd of 70,000, angered by her tardiness — and believing her to be drunk — booed and heckled Garland. The performer fled the stage after just 45 minutes.[80] She later characterized the Melbourne crowd as "brutish".[53] A second concert in Sydney was uneventful but the Melbourne appearance garnered her significant bad press.[81] Some of that bad press was deflected by the announcement of a near fatal episode of pleurisy, followed by Garland's fourth marriage to tour promoter Mark Herron. They announced that their marriage had taken place aboard a freighter off the coast of Hong Kong, however, Garland was not legally divorced from Luft at the time the ceremony was performed.[82] Her divorce from Luft became final on May 19, 1965,[78] but Herron and Garland did not legally marry until November 14.[83]

In February 1967, Garland was cast as "Helen Lawson" in Valley of the Dolls for 20th Century Fox. The character of "Neely O'Hara" in the book by Jacqueline Susann was rumored to have been based on Garland. The role in the film was played by Patty Duke. During the filming, Garland missed rehearsals and was fired in April. She was replaced by Susan Hayward.[84]

Returning to the stage, Garland made her last appearances at New York's Palace Theatre in July, a 16-show tour, performing with her children Lorna and Joey Luft. Garland wore a sequined pantsuit on stage for this tour, which was part of the original wardrobe for her character in Valley of the Dolls.[85]

Judy Garland's crypt at The Ferncliff Mausoleum
Judy Garland's crypt at The Ferncliff Mausoleum

By early 1969, Garland's health had deteriorated. She performed in London at the Talk of the Town nightclub for a five-week run[86] and made her last concert appearance in Copenhagen during March 1969.[87] She married her final husband, Mickey Deans, in London on March 17, 1969,[88] her divorce from Herron having been finalized on February 11 of that year.[89]

On June 22, 1969, Garland was found dead by Deans in the bathroom of their rented Chelsea, London house. The coroner, Gavin Thursdon, stated at the inquest that the cause of death was "an incautious self-overdosage" of barbiturates; her blood contained the equivalent of ten 1.5-grain (97 mg) Seconal capsules.[90] Thursdon stressed that the overdose had been unintentional and that there was no evidence to suggest she had committed suicide. Garland's autopsy showed that there was no inflammation of her stomach lining and no drug residue in her stomach, which indicated that the drug had been ingested over a long period of time, rather than in one dose. Her death certificate stated that her death had been "accidental".[91] Garland had turned forty-seven just twelve days prior to her death. Her Wizard of Oz co-star Ray Bolger commented at Garland's funeral, "She just plain wore out." An estimated 20,000 people lined up for hours at the Frank E. Campbell Funeral Home to view her body.[92] Garland was interred in Ferncliff Cemetery, in Hartsdale, New York.

[edit] Legacy

Judy Garland's legacy as a performer and a personality has endured long after her death. The American Film Institute named Garland eighth among the Greatest Female Stars of All Time.[93] She has been the subject of some two dozen biographies since her death, including the well-received Me and My Shadows: A Family Memoir by her daughter, Lorna Luft. Luft's memoir was later adapted into the multiple award-winning television mini-series, Life with Judy Garland: Me and My Shadows, which won Emmy awards for two actresses portraying Garland (Tammy Blanchard and Judy Davis). Garland was posthumously awarded the Grammy Lifetime Achievement Award in 1997.[94] Several of her recordings have been inducted into the Grammy Hall of Fame.[95] These include "Over the Rainbow," which was ranked as the number 1 movie song of all time in the American Film Institute's "100 Years...100 Songs" list. Four more Garland songs are featured on the list: "Have Yourself A Merry Little Christmas" (#76), "Get Happy" (#61), "The Trolley Song" (#26), and "The Man That Got Away" (#11).[96] Garland has twice been honored on U.S. postage stamps, in 1989 (as Dorothy)[97] and again in 2006 (as Vicki Lester from A Star Is Born).[98]

[edit] Gay icon

Main article: Judy Garland as gay icon

Of particular note is Garland's status as a gay icon.[99] She always had a large base of fans in the gay community. During a press conference in the 1960s, a reporter asked Garland if she was aware of her loyal gay following. "I couldn't care less," she said. "I sing to people." [100] The reasons most frequently given for her standing, especially amongst gay men, are admiration of her ability as a performer; the way her personal struggles supposedly mirrored those of gay men in America during the height of her fame and her value as a camp figure.[101] A connection is frequently drawn between the timing of Garland's death and funeral, in June 1969, and the Stonewall Riots, the flash point of the modern Gay Liberation movement.[102] Coincidental or not, the proximity of Garland's death to Stonewall has become a part of LGBT history and lore.[103]

[edit] Filmography and performances

Main article: List of Judy Garland performances

[edit] Discography

Main article: Judy Garland discography

[edit] Awards

Main article: List of Judy Garland awards and honors
Awards
Preceded by
Deanna Durbin, Mickey Rooney		 Academy Juvenile Award
1939		 Succeeded by
Margaret O'Brien
Preceded by
Ruth Green		 Special Tony Award
1952		 Succeeded by
Beatrice Lillie, Danny Kaye
Preceded by
Ethel Merman
for Call Me Madam		 Golden Globe Award for Best Actress - Motion Picture Musical or Comedy
1954
for A Star Is Born		 Succeeded by
Jean Simmons
for Guys and Dolls
Preceded by
Fred Astaire		 Cecil B. DeMille Award
1962		 Succeeded by
Bob Hope
Preceded by
Bob Newhart
for The Button-Down Mind of Bob Newhart		 Grammy Award for Album of the Year
1962
for Judy at Carnegie Hall		 Succeeded by
Vaughn Meader
for The First Family
Preceded by
Ella Fitzgerald
for Ella in Berlin: Mack the Knife		 Grammy Award for Best Vocal Performance, Female
1962
for Judy at Carnegie Hall		 Succeeded by
Ella Fitzgerald
for Ella Swings Brightly with Nelson
Preceded by
Dave Brubeck, Marvin Gaye, Georg Solti, Stevie Wonder		 Grammy Lifetime Achievement Award
1997		 Succeeded by
Bo Diddley, The Mills Brothers, Roy Orbison, Paul Robeson

[edit] See also

[edit] Notes and references

  1. ^ [http://www.afi.com/tvevents/100years/stars.aspx AFI's 100 YEARS...100 STARS
  2. ^ McClure, Rhonda (2002-06-13). Ancestry of Liza Minnelli. Genealogy.com. Retrieved on 2007-12-22.
  3. ^ Shipman p. 12
  4. ^ Clarke p. 23
  5. ^ Clarke . 29–30
  6. ^ Finch p. 43–7, 76
  7. ^ Edwards p. 27
  8. ^ "Judy: Beyond the Rainbow". Biography. 1999-01-01.
  9. ^ Luft p. 26
  10. ^ "Episode 12". The Judy Garland Show. 1963-11-01. No. 12, season 1.
  11. ^ "Judy: Impressions of Garland". Omnibus. 1972.
  12. ^ Wayne, Jane Ellen (2003). The Golden Girls of MGM. New York: Carroll and Graf, 204. ISBN 0786713038. 
  13. ^ Frank p. 73
  14. ^ Clarke p. 73
  15. ^ Clarke p. 58
  16. ^ Edwards p. 47
  17. ^ "Judy Garland: By Myself". American Masters. 2004-02-25.
  18. ^ Clarke p. 135–6
  19. ^ Levant, Oscar (1969). The Unimportance of Being Oscar. New York: Pocket Books, 35. ISBN 0-671-77104-3. 
  20. ^ Juneau p. 37
  21. ^ Finch p. 134–5
  22. ^ Clarke p. 95
  23. ^ Clarke p. 100
  24. ^ Edwards p. 61
  25. ^ Clarke p. 102–3
  26. ^ Clarke p. 104
  27. ^ Clarke p. 105
  28. ^ Juneau p. 55–6
  29. ^ Frank p. 148–9
  30. ^ Clarke p. 155
  31. ^ Frank p 175
  32. ^ Clarke p. 211
  33. ^ Minnelli, Vincente; Hector Arce (1974). I Remember it Well. Doubleday. ISBN 057-3606-072. 
  34. ^ Hopper, Hedda. "No More Tears for Judy", Women's Home Companion, September 1954. 
  35. ^ Clarke p. 223
  36. ^ Edwards p. 108
  37. ^ Frank p. 231
  38. ^ Shipman p. 225
  39. ^ Clarke p. 255
  40. ^ Frank p. 271
  41. ^ a b Alexander, Shana. "Judy's New Rainbow", Life magazine, 1961-06-02. 
  42. ^ Hyams, Joe. "Crack-Up", Photoplay, January 1957. 
  43. ^ "Judy Garland Files Suit for Divorce", U.P., 1952-02-22. 
  44. ^ Juneau p. 108
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  46. ^ MacPherson, Virginia. "Judy Garland in Comeback with Palladium Contract", U.P., 1951-04-10. 
  47. ^ "British Give Judy Garland Big Ovation", Associated Press, 1951-04-10. 
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  49. ^ Judy Garland. American Theatre Wing. Retrieved on 2007-12-24.
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  51. ^ Edwards p. 166
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  53. ^ a b Garland, Judy. "The Plot Against Judy Garland", Ladies' Home Journal, August 1967. 
  54. ^ Shearer, Lloyd. "Judy Garland's Sister: The Happy One in the Family", Parade magazine, 1964-10-04. 
  55. ^ Clarke p. 309
  56. ^ Clarke p. 308
  57. ^ Clarke p. 319
  58. ^ Clarke p. 325
  59. ^ Juneau p. 126
  60. ^ Clarke p. 326
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  62. ^ Sanders p. 24
  63. ^ Frank p. 420–1
  64. ^ "Judy Reigns in Palace as Queen of New York", U.P., 1952-10-31. 
  65. ^ "Judy Garland Said To Have Hepatitis", U.P.I., 1959-11-26. 
  66. ^ Clarke p. 347
  67. ^ Clarke p. 349
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  69. ^ Grammy Awards for Judy at Carnegie Hall. The Recording Academy. Retrieved on 2007-12-27.
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  71. ^ Parsons, Louella. "TV Spectacular Gives New Rainbow to Judy", The Daily Review, 1955-09-23. 
  72. ^ Edwards p. 175
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  77. ^ DiOrio p. 202
  78. ^ a b "Judy Wins Divorce From Sid Luft", Wisconsin State Journal, 1965-05-20. 
  79. ^ Irwin, Elson. "Judy Garland: Femme Fatale", Stars and Stripes, 1968-11-17. 
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  103. ^ Bianco, David, Stonewall Riots, 1995-2006, PlanetOut

[edit] Bibliography

  • Clarke, Gerald. Get Happy: The Life of Judy Garland. Random House. New York, 2001. ISBN 0375503781
  • DiOrio, Jr., Al. Little Girl Lost: The Life and Hard Times of Judy Garland. Manor Books. New York, 1973
  • Edwards, Anne. Judy Garland. Simon and Schuster. New York, 1975. ISBN 671802283 (paperback edition)
  • Finch, Christopher. Rainbow: The Stormy Life of Judy Garland. Ballantine Books. 1975. ISBN 0345251733 (paperback edition)
  • Frank, Gerold. Judy. Harper & Row. New York, 1975. ISBN 0060113375
  • Juneau, James. Judy Garland: A Pyramid Illustrated History of the Movies. Pyramid Publications. 1974, New York. ISBN 0515034827
  • Luft, Lorna. My and My Shadows: A Family Memoir. Simon and Schuster. New York, 1999. ISBN 0283063203
  • Sanders, Coyne Steven. Rainbow's End: The Judy Garland Show. Zebra Books. 1990 ISBN 0821737082 (paperback edition)
  • Seaman, Barbara. Lovely Me: The Life of Jacqueline Susann. Seven Stories Press. 1996, New York. ISBN 096587706 (1996 edition)
  • Shipman, David. Judy Garland: The Secret Life of an American Legend. Hyperion. New York, 1992. ISBN 0786880260 (paperback edition)

[edit] External links

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Persondata
NAME Garland, Judy
ALTERNATIVE NAMES Gumm, Frances Ethel
SHORT DESCRIPTION American actress
DATE OF BIRTH June 10, 1922
PLACE OF BIRTH Grand Rapids, Minnesota, United States
DATE OF DEATH June 22, 1969
PLACE OF DEATH Chelsea, London, England