Judee Sill
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| Judee Sill | |
|---|---|
| Born | October 7, 1944 in California |
| Died | November 23, 1979 |
| Genre(s) | Folk, baroque pop |
| Instrument(s) | guitar, piano |
| Label(s) | Asylum |
Judee Sill (October 7, 1944 - November 23, 1979) was an American singer and songwriter. The first artist signed to David Geffen's Asylum label, she released two albums before disappearing into obscurity and eventually dying of drug abuse in 1979.[1]
Her eponymous debut album was released to major acclaim in 1971 and was followed two years later by Heart Food. She recorded demos for a third album in 1974 and they were released in 2005 under the title Dreams Come True.
Sill was heavily influenced by Bach's metric forms and suites, while lyrically her work drew substantially on Christian themes of rapture and redemption.
Judee's father and brother both died in separate incidents when Judee was quite young. Her mother's subsequent marriage to Tom and Jerry animator Kenneth Muse was marked by heavy drinking, and this, combined with her rebellious nature, drove Judee away from home and into a life of crime and drug use in her teens.
Having learned her signature gospel-inflected keyboard style during her incarceration for writing bad checks, Sill kicked her heroin addiction and decided to pursue songwriting. Now a talented pianist, organist and guitarist, Sill returned to the West Coast where she encountered Graham Nash and David Crosby (touring with them for a time as their opening act) and David Geffen who offered her a contract with his nascent label. Her first success was the sale of her song "Lady-O" to The Turtles.
Graham Nash produced the first single for her first album, "Jesus Was A Cross Maker". Judee Sill was released in 1971 to immediate acclaim. Lushly orchestrated, the album featured Sill's voice in multiple overdubs, often in a four-part chorale or fugue. The album fit in well with the light rock/folk-rock underpinnings of what came to be known as the "Laurel Canyon sound" associated with other female singer/songwriters such as Carole King and Joni Mitchell (Mitchell, also signed to Asylum, was at work on Ladies of the Canyon at the time). A tour as the opening act for Nash and David Crosby exposed her to a larger audience, but her record failed to make much of an impact, despite the somewhat heavy airplay of "Jesus Was a Cross Maker." A self-professed perfectionist, one song could often take her a year to write, and it wasn't until late 1972 that Sill returned to record and release her second and last album, Heart Food. It too received enthusiastic reviews but did poorly commercially. Sill took over the chores of both orchestrating and arranging Heart Food, with the production relying more heavily on multilayered strings and lush expanse.
Unable to draw a sizable crowd yet unwilling to play as a support act, Sill saw her name and moderate fame both recede, and she eventually disappeared from view entirely. Rumors abound as to what happened next, although it is definitely known that she returned to her heroin addiction as well as becoming heavily involved with cocaine. Graham Nash has said that he been told as early as 1974 that Sill had died of an overdose. Though that report proved to be incorrect, but considering how closely the two had worked only a few years earlier it does illustrate just how completely Sill had dropped out of sight by that time.
Following a car accident and its resultant physical pain, Judee Sill struggled with drug addiction and dropped out of the music scene, finally dying of a cocaine overdose in November 1979.
Long after her death, she has been lauded by many musicians, including Jim O'Rourke who mixed the posthumous collection of unreleased material, Dreams Come True. Her two original albums have been reissued as a double CD with a number of live recordings and demos as bonus tracks.
American singer-songwriter Warren Zevon recorded "Jesus Was A Cross Maker" for his 1995 album, Mutineer.
Ironically, "Jesus Was A Cross Maker" would be recorded in 1973, by Graham Nash's former band The Hollies (although Nash had no part in their recording). It's their version that appears in the opening sequence of Cameron Crowe's film Elizabethtown, although Crowe has stated that he loves Sill's original just as much.
Scottish Celtic-Soul singer Jackie Leven's 2006 album Oh What A Blow That Phantom Dealt Me! contains a song entitled "The Silver In Her Crucifix (Homage To Judee Sill)", which includes the lines: "and Judee Sill just stood there/with a gold key in her heart/and the silver in her crucifix/kept warring worlds apart/that's why I love Judee Sill.../and I know I always will."
Another persistent question regards Tulips From Amsterdam, which is listed as a third album for Judee Sill in many databases and books. There is no primary evidence that such an album ever existed. Those who knew and worked with her say that they had never heard of a third album by any name, but that if such an album did exist, they would have known about it. This bit of misinformation was widely spread by the All-Music Guide, but it predates their existence appearing in a book called New Rock Record by Terry Hounsome, published in 1981, and is still listed in a database he continues to compile and sell.
[edit] Discography
- Judee Sill (LP, Asylum, 1971)
- Heart Food (LP, Asylum, 1973)
- Dreams Come True (2CD, Water, 2005). Includes eight studio demos for a prospective third album, various home demos and a video clip of five songs live at USC in 1973.
- Judee Sill (CD, Rhino Handmade, 2005). Contains the original album plus original versions of two songs, seven live versions and a home demo. Edition of 5000 copies.
- Heart Food (CD, Rhino Handmade, 2005). Contains the original album plus an outtake and eight demo versions. Edition of 5000 copies.
- Abracadabra: The Asylum Years (2CD, Rhino, 2006). Combines Judee Sill and Heart Food with bonus tracks.
- Live in London: The BBC Recordings 1972-1973 (CD, Troubadour, 2007). Contains solo live songs performed for the BBC, and an interview with Bob Harris.
