John Montague (poet)

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John Montague

Born 28 February 1929 (1929-02-28) (age 79)
Brooklyn, New York, United States
Occupation Poet
Literary movement Modernism
Influences
Influenced

John Montague (born February 28, 1929) is an Irish poet. He was born in New York and brought up in Tyrone. He has published a number of volumes of poetry, two collections of short stories and a two volumes of memoir. He is one of the best known Irish contemporary poets. In 1998 he became the first occupant of the Ireland Chair of Poetry.

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[edit] Early life

John Montague was born in Brooklyn, New York, on February 28, 1929. His father, James Montague, an Ulster Catholic, from County Tyrone, had gone to America in 1925 to join his brother John. Both were sons of John Montague, who had been made a Justice of the Peace by Queen Victoria, combining his legal duties with being a schoolmaster, farmer, postmaster and director of several firms. John continued as postmaster but James became involved in the turbulent Irish Republican scene in the years after 1916, particularly complicated in areas like Fermanagh and Tyrone, on the borders of North and Southern Ireland. Mary (Carney) Montague joined her husband James in America in 1928, with their two elder sons. John was born on Bushwisk Avenue, St. Catherine’s Hospital, and spent his earliest years playing with his brothers in the streets of Brooklyn, putting nickels on the trolley lines, playing on a tenement roof, seeing early Mickey Mouse movies.

[edit] Return to Garvaghey

Although Uncle John ran a speakeasy, where he employed his brother, James Montague did not find life in New York easy during the Depression years. So the three boys were shipped back to Ireland in 1933, the two eldest to their maternal grandmother’s house in Fintona, Co. Tyrone, where they were born, but John to his father’s and grandfather’s home at Garvaghey, then maintained by two spinster aunts, Brigid and Freda, who welcomed the boy of four.

From New York to a farm on the edge of the Clogher Valley in County Tyrone was a significant step backwards in time. John did all the usual farming chores. He became a normal Ulster farm child, though haunted by the disparity between what the house in Garvaghey had been, in the days of his grandfather and namesake, and the reduced present.

John went first to Garvaghey School and then to Glencull, three miles away, where he was coached by a young and ardent master. Scholarships brought him to St. Patrick's College, Armagh, the junior Diocesan Seminary and the place where his Jesuit uncle, Thomas Montague, had gone. While he knows the present cardinal and most of the priests of the diocese of Armagh, John did not discover a religious vocation in himself.

[edit] Education

The teacher he remembers most from Armagh was Sean O Boyle, one of the leading experts on Ulster folksong and Irish poetry. From him John imbibed, almost against his will, a strong sense of the long tradition of Irish poetry. John studied at University College Dublin in 1946. He found an extraordinary contrast between the Ulster of the War Years and post-war Dublin, where the atmosphere was introverted and melancholy. Stirred by the example of other student poets (including Thomas Kinsella) he began to publish his first poems in The Dublin Magazine, Envoy, and The Bell, edited by Peadar O’Donnell. But the atmosphere in Dublin was still constrained and Montague left for Yale on a Fullbright Fellowship in 1953.

John had already met Saul Bellow at the Sazburg Seminar in American Studies and now he worked with Robert Penn Warren as well as auditing the classes of several Yale critics, like Rene Wellek and W. K. Wimsatt. He extended his sense of contemporary American literature, attending Indiana Summer School of Letters where he heard Richard Wilbur, Leslie Fiedler, and John Crowe Ransom, who like the Irish poet Austin Clarke, encouraged Montague, finding him a job at the Iowa Writers Workshop in 1954-55.

[edit] Life during the 50s and 60s

From Iowa to Berkeley, a year of graduate school convinced Montague that he should return to Ireland. He sailed back to France that summer, to marry his first wife, whom he had met in Iowa, where she was also on a Fullbright; they settled in Herbert Street, Dublin, a few doors down from Brendan Behan. Working by day at the Irish Tourist Office, Montague at last gathered his first book of poems, Poisoned Lands (1961).

That year he also moved to Paris, to a small studio a block away from Samuel Beckett, with whom he slowly became on good drinking terms. There, he also met another neighbour, the French poet Claude Esteban, with whom he became friends — Montague recently translated into English and published some of his poems. A regular rhythm of publication saw his first book of stories, Death of a Chieftain (1964) after which the musical group The Chieftains were named, his second book of poems, A Chosen Light (1967), Tides (1970), the latter both also published by Swallow in the U.S.

All during the sixties, Montague continued to work on his long poem, The Rough Field, a task that coincided with the outbreak of the Civil Rights Movement in Northern Ireland. A Patriotic Suite appeared in 1966, Hymn to the New Omagh Road and The Bread God in 1968, and A New Siege, dedicated to Bernadette Devlin which he read outside Armagh Jail in 1970. In 1972, the long poem was finally published by Dolmen/Oxford and Montague returned to Ireland, to live and teach in University College Cork, at the request of his friend, the composer Seán Ó Riada, where he inspired an impressive field of young writers including Sean Dunne, Thomas McCarthy, William Wall, Maurice Riordan, Gerry Murphy, Greg Delanty and Theo Dorgan. The Rough Field (1972) was slowly recognized as a major achievement.

[edit] Since 1974

Settled in Cork with his second wife, Evelyn Robson, Montague published an anthology, The Faber Book of Irish Verse (1974) with a book of lyrics, A Slow Dance (1975). Recognition was now beginning to come, with the Award of the Irish American Cultural Institute in 1976, the first Marten Toonder Award in 1977, and in 1978, the Alice Hunt Bartlett Award for The Great Cloak, “the best book of poetry in two years” according to the Poetry Society of Great Britain. A Guggenheim in 1979-80 enabled Montague to complete his Selected Poems (1982) and his second long poem, The Dead Kingdom (1984) both co-published by Dolmen (Ireland), Oxford (England), Wake Forest University Press (U.S.) and Exile Editions (Canada). Montague stands at the summit of his career, with both local and an international reputation. In 1987, Montague was awarded an honorary doctor of letters by the State University of New York at Buffalo. Governor Mario M. Cuomo presented Montague a citation in 1987 “for his outstanding literary achievements and his contributions to the people of New York.” Montague serves as Distinguished Writer-in-Residence for the New York State Writers Institute during each spring semester, teaching workshops in fiction and poetry and a class in the English Department, University at Albany.

[edit] Style

Montague's poems chart boyhood, schooldays, love and relationships. Family and personal history and Ireland's history are also prominent themes in his poetry.

Montague is noted for his vowel harmonies, his use of assonance and echo, and his handling of the line and line break. Montague believes that a poem appears with its own rhythm and that rhythm and line lengths should be based on living speech.

[edit] Bibliography Since 1986

  • The Pear Is Ripe (Memoir) Liberties Press, 2007 ISBN-13: 978-1905483259
  • The Lost Notebook (a novella). Mercier Press, Cork, 1987.
  • Mount Eagle (poems). Wake Forest University Press, Winston Salem, 1989.
  • Bitter Harvest (an anthology of recent Irish poetry). Scribners, New York, 1989.
  • The Figure in the Cave (essays). Syracuse University Press, Syracuse, 1989.
  • Born in Brooklyn (selected American writings). White Pine Press, Buffalo, 1991.
  • An Occasion of Sin (short stories ). Exile Editions, Toronto; White Pine Press, Buffalo, 1992.
  • The Love Poems. Exile Editions, Toronto, 1992; Sheep Meadow Press, New York, 1993.
  • Time in Armagh (a sequence of poems). Gallery Press, Dublin, 1993.
  • The Collected Poems Wake Forest University Press, Winston Salem, 1995.

[edit] Collections

[edit] External links