John D. MacDonald

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John D. MacDonald

Born July 24, 1916 (1916-07-24)
Sharon, Pennsylvania, United States
Died December 28, 1986 (aged 70)
Occupation novelist, short story writer
Nationality American
Writing period 1945-1986
Genres Detective fiction
Influenced

John Dann MacDonald (July 24, 1916–December 28, 1986), writing as John D. MacDonald, was an American writer of crime and suspense novels, many of them set in his adopted home of Florida, including the popular and critically-acclaimed Travis McGee series. MacDonald was named a grand master of the Mystery Writers of America in 1972 and won the American Book Award in 1980. Stephen King praised him in his book "On Writing" (Hodder and Stoughton, 2000, ISBN 0340769963) as "the great entertainer of our age, and a mesmerizing storyteller."[citation needed]

Contents

[edit] Early life

Born in Sharon, Pennsylvania, MacDonald enrolled at the Wharton School of the University of Pennsylvania but dropped out during his sophomore year to work menial jobs in New York City. While attending the School of Management at Syracuse University, he met Dorothy Prentiss. They married in 1937, and he graduated from Syracuse the following year. In 1939, he received an MBA from Harvard University. MacDonald was later able to make good use of his education in business and economics by incorporating elaborate business swindles into the plots of a number of his novels.

[edit] Writing career

[edit] Early pulp stories

In 1940 MacDonald accepted a direct commission in the army Ordnance Corp, but later served in the OSS in the Far East during World War II. While still in the military, his literary career began accidentally when he wrote a short story in 1945 and mailed it home for the amusement of his wife. She submitted it to the magazine Story without his knowledge, and it was accepted. In the first four months after his discharge, he completely concentrated on writing short stories, generating some 800,000 words and losing 20 pounds while typing during 14-hour daily sessions seven days a week. It netted him only hundreds of rejection slips, but in the fifth month, a $40 sale to the pulp magazine Dime Detective set his career in motion, and he continued to sell to the detective, mystery, adventure, sports, western and science fiction pulps. As the boom in paperback novels expanded, he successfully made the jump to longer fiction with his first novel, The Brass Cupcake, published in 1950 by Fawcett Publications' Gold Medal Books. His science fiction included the story "Cosmetics" in Astounding (1948) and the novels Wine of the Dreamers (1951) and Ballroom of the Skies (1952).

[edit] Hardboiled Thrillers

Between 1953 and 1964, MacDonald specialized in crime thrillers, many of which are now considered masterpieces of the hardboiled genre. Most of these novels were published as paperback originals, although some were later republished in hardbound editions. Many, such as Dead Low Tide (1953), were set in his adopted home of Florida, and were effective in suggesting a sinister aura lurking beneath the glittery surface of that state. Novels such as The Executioners (1957) (which was twice filmed as Cape Fear, first in 1962 and again in 1991) and One Monday We Killed them All (1962) penetrated the minds of psychopathic killers. As Macdonald honed his craft, he developed his narrative "voice," one of the most distinctive in the suspense fiction field.

[edit] Travis McGee

MacDonald's protagonists were often intelligent and introspective men, sometimes with a hard cynical streak. Travis McGee, the "salvage consultant" and "knight in rusting armor," was all of that. He first appeared in the 1964 novel The Deep Blue Good-by and was last seen in The Lonely Silver Rain in 1985. All titles in the 21-volume series include a color, and the novels usually feature an ever-changing array of female companions, plus an appearance by a sidekick known only as "Meyer," [G. Ludwig Meyer, Ph.D.] a retired economist. As Sherlock Holmes had his well-known address on Baker Street, McGee had his trademark lodgings on his 52-foot houseboat Busted Flush, named for the poker hand that started the run of luck in which he won her. She's docked at Slip F-18, Bahia Mar marina, Fort Lauderdale, Florida.

[edit] Influence

Various writers have acknowledged the trail that MacDonald and McGee blazed, including Carl Hiaasen in an introduction to a 1990s edition of The Deep Blue Good-by: "Most readers loved MacDonald's work because he told a rip-roaring yarn. I loved it because he was the first modern writer to nail Florida dead-center, to capture all its languid sleaze, racy sense of promise, and breath-grabbing beauty."

Most of the current crop of Florida-based mystery writers acknowledge a debt to MacDonald, including Randy Wayne White, James Hall, Les Standiford, Jonathon King, Tim Dorsey to name just a few. And Lawrence Block's New York-based fictional hero, Matthew Scudder, is a character who makes his living doing just what McGee does -- favors for friends who have no other recourse, then taking his cut.

Homage to MacDonald was evident in the 1981-88 CBS-TV series Simon & Simon with scenes showing Rick Simon's boat docked at Slip F-18 in San Diego.

The science fiction writer Spider Robinson has made it clear that he is also among MacDonald's admirers. The bartender in Callahan's Crosstime Saloon, Mike Callahan, is married to Lady Sally McGee, whose last name is almost certainly a tribute to Travis. In a recent sequel to the Callahan's series, Callahan's Key, a group of regulars from the former saloon decide they've had enough of Long Island, so they move to Key West, Florida, in a colorful caravan of modified school buses. On their way to Key West, they stop at a marina near Fort Lauderdale specifically to visit Slip F-18 (where Busted Flush was usually moored) and meet a local who was the prototype for McGee's sidekick Meyer. The slip is empty, with a small plaque mentioning Busted Flush.

[edit] Media adaptations

MacDonald's novel Soft Touch was the basis for the film Man-Trap (1961). His 1957 novel The Executioners was filmed in 1962 as Cape Fear, a dark thriller of strong suspense and menace starring Gregory Peck and Robert Mitchum. Martin Scorsese directed the 1991 remake of Cape Fear. Among other film or television adaptations of MacDonald's work, the 1984 A Flash of Green with Ed Harris was probably the most successful artistically. When Travis McGee arrived on the big screen in 1970 with Darker Than Amber, the film received favorable reviews from Roger Ebert and other critics. The Girl, the Gold Watch & Everything was adapted for a 1980 TV movie that failed to capture the spirit of the original novel. The novella "Linda" was filmed twice for television, in 1973 (with Stella Stevens in the title role) and 1993 (with Virginia Madsen). The 1980 TV movie Condominium, based on MacDonald's novel, starred Dan Haggerty and Barbara Eden.

[edit] Bibliography

[edit] Travis McGee novels

In chronological order:

  • (1964) The Deep Blue Good-by
  • (1964) Nightmare in Pink
  • (1964) A Purple Place for Dying
  • (1964) The Quick Red Fox
  • (1965) A Deadly Shade of Gold
  • (1965) Bright Orange for the Shroud
  • (1966) Darker than Amber
  • (1966) One Fearful Yellow Eye
  • (1968) Pale Gray for Guilt
  • (1968) The Girl in the Plain Brown Wrapper
  • (1969) Dress Her in Indigo
  • (1970) The Long Lavender Look
  • (1972) A Tan and Sandy Silence
  • (1973) The Scarlet Ruse
  • (1973) The Turquoise Lament
  • (1975) The Dreadful Lemon Sky
  • (1978) The Empty Copper Sea
  • (1979) The Green Ripper
  • (1981) Free Fall in Crimson
  • (1982) Cinnamon Skin
  • (1985) The Lonely Silver Rain

[edit] Non-series novels

  • (1950) The Brass Cupcake
  • (1951) Murder for the Bride
  • (1951) Judge Me Not
  • (1951) Weep for Me
  • (1952) The Damned
  • (1953) Dead Low Tide
  • (1953) The Neon Jungle
  • (1953) Cancel All Our Vows
  • (1954) All These Condemned
  • (1954) Area of Suspicion
  • (1954) Contrary Pleasure
  • (1955) A Bullet for Cinderella (reprinted as On the Make)
  • (1956) Cry Hard, Cry Fast
  • (1956) April Evil
  • (1956) Border Town Girl (reprinted as Five Star Fugitive)
  • (1956) Murder in the Wind (reprinted as Hurricane)
  • (1956) You Live Once (reprinted as You Kill Me)
  • (1957) Death Trap
  • (1957) The Price of Murder
  • (1957) The Empty Trap
  • (1957) A Man of Affairs
  • (1958) The Deceivers
  • (1958) Clemmie
  • (1958) The Executioners (reprinted as Cape Fear)
  • (1958) Soft Touch
  • (1959) Deadly Welcome
  • (1959) The Beach Girls
  • (1959) Please Write for Details
  • (1959) The Crossroads
  • (1960) Slam the Big Door
  • (1960) The Only Girl in the Game
  • (1960) The End of the Night
  • (1961) Where is Janice Gantry?
  • (1961) One Monday We Killed Them All
  • (1962) A Key to the Suite
  • (1962) A Flash of Green
  • (1963) I Could Go On Singing (screenplay novelization)
  • (1963) On the Run
  • (1963) The Drowner
  • (1966) The Last One Left
  • (1977) Condominium
  • (1984) One More Sunday
  • (1986) Barrier Island

[edit] Anthologies

  • (1959) The Lethal Sex
  • (1978) Other Times, Other Worlds

[edit] Short story collections

  • (1966) End of the Tiger and Other Stories
  • (1971) S*E*V*E*N
  • (1982) The Good Old Stuff
  • (1983) Two
  • (1984) More Good Old Stuff

[edit] Science fiction

[edit] Non-fiction

  • (1965) The House Guests
  • (1968) No Deadly Drug
  • (1981) Nothing Can Go Wrong (with Captain John H. Kilpack) [This is an account of the last voyage of one of the last American liners (the S.S. Mariposa, if memory serves) before it was sold to a foreign flag. MacDonald apparently wrote the whole book, collaborating with its captain for factual information.]
  • (1986) A Friendship: The Letters of Dan Rowan and John D. MacDonald 1967-1974
  • (1987) Reading for Survival LibraryThing

[edit] References

[edit] External links

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