John Brack

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John Brack
Birth name John Cecil Brack
Born May 10, 1920(1920-05-10)
Melbourne, Australia
Died February 11, 1999 (aged 78)
Melbourne, Australia
Nationality Flag of AustraliaAustralian
Field Painting, Drawing, Printmaking
Training National Gallery School, Melbourne
Movement Antipodeans Group
Works Collins St. 5p.m. (1955)
The Bar (1954)
Collins Street 5 pm (1955)
Collins Street 5 pm (1955)
The Bar (1954)
The Bar (1954)
John Brack working on the portrait of J.R. McLeod circa 1971
John Brack working on the portrait of J.R. McLeod circa 1971

John Brack (1920 - 11 February 1999 in Melbourne, Victoria) was a notable Australian painter. He was Art Master at Melbourne Grammar School (1952-62). He was appointed Head of National Gallery Art School (1962-68), where he was a significant influence on many prominent artists. His work first achieved prominence in the 1950s. He also joined the Antipodeans Group in the 1950s which protested against abstract expressionism.

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[edit] Style

Brack's early conventional style evolved into one of simplified, almost stark, shapes and areas of deliberately drab colour, often featuring large areas of brown. He made an initial mark in the 1950s with works on then contemporary Australian culture, such as the iconic Collins Street, Melbourne, 5 O'Clock (1955), a view of rush hour in post-war Melbourne. Set in a bleak palette of browns and greys, it was a comment on the conformism of everyday life, with all figures looking almost identical. A related painting The Bar (1954) was modelled on Manet's A Bar at the Folies-Bergère, and satirised the Six o'clock swill, an effective social ritual arising from the early closing of Australian bars. Most of these early paintings and drawings were unmistakably satirical comments against the Australian Dream, either being set in the newly expanding post-war suburbia or taking the life of those who lived there as their subject matter.

In the 1970s Brack produced a long series of highly stylised works featuring objects such as pencils in complex patterns. These were intended as allegories of contemporary life.

[edit] Works - Periods and Themes

John Brack's works cover a wide range of topics and themes. He often did a series of works on a particular theme over a number of years. His portraits, including self-portraits, and portraits of family, friends and commissions, and his paintings of nudes were produced throughout his career.

  • War time drawings (1943-45)
  • Scenes of urban life (Shops, street scenes etc.) (1952-
  • Racecourse (1953-1956)
  • School, the playground (1959-60)
  • Wedding (1960-61)
  • Shop Windows (1963-1977)
  • Ballroom Dancers (1969)
  • Gymnastics (1971-73)
  • Postcards and implements (1976-
  • Pencils and pens (1981-
  • Mannequins (1989-

The catalogue of his work [1], and a year 2000 exhibition catalogue [2] only cover the period to 1994.

[edit] Exhibitions and Auctions

A major retrospective exhibition of Brack's work opened at the National Portrait Gallery in Canberra on 24 August 2007[3], the last major exhibition for the gallery before its relocation. Brack's widow, Helen, attended the opening and commented that Brack was not concerned with the social standing of the sitter, but rather the artistic merit of their participation in the piece[4].

Brack's painting The Bar sold for $3.1 million in April 2006, [1] [2], while in May 2007 his painting The Old Time sold for $3.36 million at auction in Sydney, a record for a painting by an Australian artist [3].

(Full exhibition list at australianart)

[edit] External links

[edit] References

  • Ronald Millar, John Brack, (1971) Lansdowne Press Melbourne. ISBN 0701803703.
  1. ^ Sasha Grishin, The Art of John Brack, (1990) Oxford University Press. ISBN 019553199X, ISBN 9780195531992
  2. ^ Ted Gott, A Question Of Balance (2000), Hiede Museum of Modern Art
  3. ^ Portraits by John Brack, National Portrait Gallery, Old Parliament House, 24 August 2007 – 18 November 2007, accessed 24 August 2007
  4. ^ WIN TV news report, 24 August 2007
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