Joel Schumacher

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Joel Schumacher
the Director at Taormina Film Fest in 2003 (Italian premiere of Phone Booth
Born	Joel T. Schumacher August 29, 1939 (1939-08-29) (age 68) New York, New York, U.S.
Occupation	Director, screenwriter, and producer
Years active	1972 -

Joel Schumacher (born August 29, 1939 in New York City, is an American film director, writer, and producer. He is best known for directing St. Elmo's Fire, The Lost Boys, Falling Down, Flatliners, The Client, Batman Forever, A Time to Kill, The Phantom of the Opera, The Number 23 and Batman & Robin.

[edit] Career

[edit] Early life and career

Schumacher was born in New York City. His mother Marian, is a Swedish Jew, and his father Frank is a Baptist from Knoxville, Tennessee, who died when Joel was four years old. He studied at Parsons The New School for Design and The Fashion Institute of Technology in New York ^[1]. After first working in the fashion industry, he realized his true love was in filmmaking. He moved out to Los Angeles, where he began his media work as a costume designer in films such as Sleeper and developed his skills with television work while earning an MFA from UCLA. He wrote the screenplay for the 1976 low-budget hit movie Car Wash and a number of other minor successes. He also wrote 1978's The Wiz, an adaptation of the stage play of the same name. His film directorial debut was The Incredible Shrinking Woman in 1981, which starred Lily Tomlin, and he quickly made more successful films, including two "brat pack" works.

[edit] The Brat Pack

St. Elmo's Fire and The Lost Boys, considered to be archetypal movies of the 1980s, were two of Schumacher's biggest hits. Their style impressed audiences and their financial success allowed studios to trust him with ever larger projects.

[edit] John Grisham

Schumacher has also directed two adaptations of the books of John Grisham, The Client (1994) and A Time to Kill (1996), the latter as the personal choice of Grisham.

[edit] Batman

Schumacher would later replace Tim Burton as the director of the Batman film franchise. After Burton's second Batman film, Batman Returns (1992) proved to be too controversial for Warner Bros. to market (due to critics and parental groups complaining that the film was too dark and violent for children) the studio wanted the next film to be more family-friendly. Schumacher soon became a studio favorite to take over the directing helms. He had grown a reputation for making hit films with a relatively small budget (although, it only remained to be seen whether Schumacher was ready to handle a big-budget franchise film like a Batman film). Also, his work on The Lost Boys (1987) and Flatliners (1990) showed Warner Bros. that he was capable of creating his own visual style, much like Tim Burton had established as an important element of a Batman film. In addition, his controversial hit Falling Down (1993) showed that he could handle dark material such as the Batman mythos.

He directed Batman Forever in 1995 (starring Val Kilmer, who was succeeding Michael Keaton as the Dark Knight), which was a major summer success despite receiving mixed reviews. He later directed Batman & Robin (1997) (starring George Clooney instead of Val Kilmer as Batman), which was a critical disaster, and did poorly at the box office. The film prompted Warner Bros. to place the series of movies on hiatus, canceling the next Batman movie Batman Triumphant (after seven years, the much darker Batman Begins was released, in a comprehensive reboot of the franchise).

Batman & Robin had a detrimental effect on Schumacher's reputation, forcing him to take on less ambitious projects. On the DVD commentary, Schumacher has admitted that his movie disappointed fans of darker Batman adaptations, saying that the film was made intentionally marketable (or "toyetic") and kid-friendly. He claims to have been under heavy pressure from the studio to do so; however, he admits full responsibility and, at one point, flat out apologizes to any fans who were disappointed, saying that his intention was to entertain them. Schumacher, however, is a devoted Batman fan himself and actually would have personally preferred an adaptation of the comic, Batman: Year One.^[2]

Many fans have complained about the "artistic license" Schumacher took with the Batman franchise. The tone of the films became far campier (akin to the 1960s live-action TV series starring Adam West) under Schumacher's direction and overt sexual elements began to rear their head. One of the more persistent complaints was Schumacher's stylistic approach in putting nipples on the Batsuit. Schumacher would later claim that he was inspired by statues of the Greek gods in relation to the nipples being placed on the Batsuit. Others included shots focusing on Batman and Robin's rear ends while suiting up and a Gotham City filled with giant stone statues of nude men (one memorable fight with Mr. Freeze takes place across one). He dismissed these issues in the 2005 special edition DVD of Batman Forever, saying that these people should "get out more."

He served as the director for the music videos, "Kiss from a Rose", by Seal, and "The End Is the Beginning Is the End", by The Smashing Pumpkins (co-directed with Jonathan Dayton and Valerie Faris). These songs appeared in Batman Forever and Batman & Robin, respectively.

Since 1998, Schumacher has said he is interested in re-editing Forever to make it closer to as it was originally conceived.^{[citation needed]}

[edit] Post-Batman career

Following Batman & Robin, Schumacher went on to direct lower budget films (stepping down from $100 million budget films) like 8MM with Nicolas Cage, and Flawless with Robert De Niro. Neither were big hits, and reviews were mostly negative. In 1999, Schumacher also directed the music video for "Letting the Cables Sleep" by English rock band, Bush. In 2000, Schumacher changed gears radically and garnered the best reviews of his career^{[citation needed]} with the Vietnam-era boot camp drama Tigerland, which introduced Hollywood to a young Colin Farrell. Kirk Honeycutt of The Hollywood Reporter praised the film as such: "Tigerland lands squarely in the top tier of best movies about America's Vietnam experience."

He lowered the budget and scale once again with the controversial Phone Booth, which reteamed Schumacher with Colin Farrell. The film, already shelved for almost two years, was delayed months further due to the Beltway sniper attacks. Upon release, the film performed well due to the recent popularity of Colin Farrell (who at the time of filming in 2000 was still relatively unknown). Schumacher returned to big-budget Hollywood in 2002 with Bad Company starring Anthony Hopkins and Chris Rock. Phone Booth, although produced before Bad Company, was released afterwards.

Andrew Lloyd Webber's The Phantom of the Opera was seen as Joel's comeback in 2004. While the film earned mixed reviews, gaining harsh criticism from fans of the stage musical for casting and directorial choices, it turned out to be a success and was nominated for three Academy Awards and three Golden Globes including Best Motion Picture-Musical or Comedy. However, the film did not win any of them.

The director has since filmed The Number 23, which received poor box office success and worse reviews from critics, although fan reviews were more positive.

His next project is vampire thriller Town Creek, which began shooting in March 2007.

[edit] Sexuality

Schumacher has been openly gay through most of his career.^[3] In Liz Smith's memoir, Natural Blonde, she states that "He called himself 'A Sexual Outlaw'" and discusses their love affair and subsequent friendship.

He is subtly criticized by Vito Russo in his book The Celluloid Closet for contributing to the negative Hollywood image of gay people.

[edit] Parodies

• In "Legends of the Dark Knight", an episode of The New Batman Adventures, three teenagers discuss their ideas about what Batman is really like. They briefly meet an effeminate youth called Joel (in front of a shoemaker's shop, no less) whose idea of Batman consists mainly of a fascination with the tight rubber suits and a Batmobile that can drive up walls (as seen in Batman Forever). The other three kids treat Joel's ideas with utter disdain. The piece received mixed reviews from Bat-fans^{[citation needed]}; some love what was done, while others consider it a "low blow" from the producers of the animated series. The animated series' creator Bruce Timm stated in the DVD commentary for the episode that Batman Forever is one of his favorite Batman films, however this is said as a joke, as he has stated elsewhere that he dislikes the film.^{[citation needed]}

• In the South Park episode, "Cartman Joins NAMBLA", one of the chatrooms Cartman passes up when he looks for older friends on the Internet is called "Joel Schumacher Must Die".

• In an episode of Robot Chicken, a riot breaks out at a comic/sci fi convention, where Joel Schumacher is trying to flee the scene, only to get lynched by a rampaging mob of Batman fans and one in particular dressed as Robin who says, "Joel Schumacher is history's greatest monster!"

• In another episode of Robot Chicken, Joel Schumacher pitches his idea for a Batman Begins parody, Heimlich Begins (based on the Heimlich maneuver) in which Heimlich battles a villain called "The Choker" (a parody of Batman villain Joker), who attacks with animated sausage links. At the end, the entire sketch is revealed to have been described by Joel Schumacher. The skit ends with a reference to Schumacher's sexuality: "It's always sausage with you, isn't it?"

• In Episode 4 of Clerks: The Animated Series, Randal demands his money back from Joel Schumacher after seeing Batman and Robin, saying, "Man, Batman and Robin was so gay!", with Schumacher wearing the nipple batsuit.

• In Hitman & Lobo, Tommy calls Section 8 while Lobo is tearing apart a group of gangsters. When Sixpack asks about the screaming in the background, Tommy replies that he is in a cinema and the audience is watching a Joel Schumacher retrospective.

[edit] Filmography

[edit] References

[edit] External links

• Joel Schumacher at the Internet Movie Database
• Joel Schumacher interview