Jimmy Cauty

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Jimmy Cauty

Background information
Birth name James Cauty
Also known as Rockman Rock, Lord Rock, Space, Graybeard,
Scourge Of The Earth, Advanced Acoustic Armaments (AAA)
Born 1956
Origin Totnes, Devon, England[1]
Occupation(s) Musician, record producer, artist
Instrument(s) Guitar, Synthesiser
Years active 1981 – present
Label(s) KLF Communications, Blast First
Associated acts Angels 1-5, Brilliant, The Justified Ancients of Mu-Mu, The Timelords, The KLF, The Orb, K Foundation, 2K, Blacksmoke, Solid Gold Chartbusters, Transit Kings

James Cauty (commonly known as Jimmy or Jimi Cauty, also known as Rockman Rock) is a British artist and musician born in Totnes, Devon, England in 1956. Cauty is best known as one half of the hitmaking duo The KLF; as co-founder of The Orb and a leading innovator in the birth of the ambient house genre; and as the man who burnt one million pounds.

Cauty is married to Cressida (nee Bowyer), with whom he has twins, Harold and Daisy.[2]

Contents

[edit] Early career

As a 17-year old artist, Cauty painted a popular The Lord of the Rings poster (and later, a counterpart based on The Hobbit) for British retailer Athena.[3]

In 1981-2 Cauty was guitarist in a band called Angels 1-5, who recorded a Peel session on 1 July 1981.[4] Lead vocalist was Cressida Bowyer, whom Cauty later married.

In 1984, Cauty took on guitarist duties with pop/rock group Brilliant, in collaboration with singer June Montana and bassist Youth. The group split in 1986 after a less than warm reception to their debut album, Kiss the Lips of Life.[citation needed]

[edit] Artistic partnership with Bill Drummond, 1987-1995, 1997

Following Brilliant and a brief stint with Zodiac Mindwarp and The Love Reaction,[citation needed] Cauty joined with Bill Drummond to form The Justified Ancients of Mu Mu (The JAMs), a Situationist-inspired[citation needed] artistic collaboration that played out in various guises and media over much of the next decade.

As an A&R man, Drummond had signed Brilliant to WEA.[5] Concocting a scheme for a hip-hop record on New Year's Day 1987, Drummond needed a like-minded collaborator with expertise in current music technology. Jimmy Cauty instantly sprang to mind, so Drummond telephoned him. Cauty "knew exactly, to coin a phrase, 'where I was coming from'", said Drummond. A week later, The JAMs had recorded their debut single, "All You Need Is Love";[6] Cauty taking the pseudonym "Rockman Rock" and Drummond becoming "King Boy D".[citation needed] Several singles and three albums as The JAMs followed (their debut, 1987 (What the Fuck Is Going On?); the follow-up, Who Killed The JAMs?; and compilation Shag Times) before a change of direction saw the duo mutate into dance and ambient music pioneers, The KLF. Along the way, the duo scored their first British number one hit single as The Timelords with the Gary Glitter/Dr. Who novelty-pop mash-up "Doctorin' the Tardis".

The KLF released two ground breaking albums - Chill Out and The White Room - and a string of top 5 singles, becoming the biggest selling singles act in the world for 1991.[7] In 1992, suddenly and very publicly, however, The KLF "retired" from the music industry and deleted their entire back catalogue.[8][9][10]

Drummond and Cauty re-emerged in 1993 as the K Foundation, releasing one limited edition single ("K Cera Cera")[11] and awarding the £40,000 K Foundation art award for the "worst artist of the year".[12] In 1994, the duo courted infamy by setting fire to one million pounds in cash on the Scottish island of Jura.[13] In 1995, they undertook a screening tour of a film of the burning,[14][15] before signing a moratorium on K Foundation activities.[16]

Cauty worked with Drummond again in 1997 with a campaign to "Fuck the Millennium", the highlight of which was a 23-minute live performance satirising the "pop comeback" - in which Cauty and Drummond appeared as grey-haired pensioners and wheeled around the stage in electric wheelchairs.[17]

Throughout The KLF's career, Drummond was most often the mouthpiece of the group and is often viewed as their chief protagonist. NME, for example, wrote: "One suspects that the real boiling genius of the duo is initiated by Drummond. The elements of the K Foundation affair are classic Drummond - honesty mixed with deranged publicity-seeking, pop terrorism ideas mixed with utter strangeness and mysticism..., and a sense that the things pop groups do should be visionary and above all should not be mundane."[18] Perhaps a little ironically, then, the initial idea for the K Foundation's one million incineration was actually Cauty's,[13] although he was beginning to express regret in 1995 at which time Drummond remained resolute.[19]

Contrasting with Drummond's image, Jimmy Cauty was perceived - or presented - as "Rockman Rock - cool dude";[20] the "quiet", enigmatic one, a "long-haired and quietly spoken chain-smoker: a leather-jacketed misfit [who] has carried his adolescent rock obsession into adulthood".[21] However, as the previously quoted NME piece cautioned, "We can't underestimate the importance of Jimmy Cauty". Cauty was the musical bedrock of The KLF, whether laying down the starting track for "Doctorin' the Tardis",[22] or playing electric guitar, bass, drums and keyboard on "America: What Time Is Love?"[23]. He and his wife, Cressida, were at the centre of KLF operations, living and working at Trancentral (actually the Cauty's squat in Stockwell, London) and driving the "JAMsmobile" (Cauty's 1968 Ford Galaxie American police car) as their regular, everyday vehicle. Cressida, too, helped out, taking on an organisational role for KLF Communications,[24] in addition to design and choreography work for The KLF, and her own work as an artist.[2]

[edit] Ambient house, 1988-1992

In the late 1980s, Cauty met Alex Paterson and the duo began DJ-ing and producing together as The Orb. Paterson and Cauty's first release was a 1988 acid house anthem track, "Tripping on Sunshine" released on the German record compilation Eternity Project One.[25] Eternity Project One also featured a collaborative track between Cauty and future Orb member Kris Weston. The following year, The Orb released the Kiss EP, a four-track EP based on samples from New York City's KISS FM.[25] It was released on Paterson and Glover's new record label WAU/Mr. Modo Records, which Paterson and Glover created out of a desire to maintain financial independence from larger record labels.[26] After spending a weekend of making what Paterson described as "really shit drum sounds", the duo decided to abandon beat-heavy music and instead work on music for after-hours listening by "taking the bloody drums away".[27] Paterson and Cauty began DJ-ing in London and landed a deal for The Orb to play the chill out room at London nightclub Heaven. Resident DJ Paul Oakenfold brought in the duo specifically as ambient DJs for his "The Land of Oz" event at Heaven.[28] Though initially The Orb's Monday night performances had only several "hard-core" followers, their "Chill Out Room" act grew popular over the course of their six month stay at Heaven to the point that the small room was often packed with around 100 people.[29] The Orb's performances became especially popular among weary DJs and clubbers who sought solace from the loud, rhythmic music of the dancefloor.[30] The Orb would build up melodies using multitrack recordings linked to multiple record decks and a mixer. They incorporated many CDs, cassettes, and BBC sound effects into their act, often accompanied with pieces of popular dance tracks such as "Sueño Latino".[29] Most often, they played dub reggae and other chill out music which they described as "Ambient house for the E generation."[25][31]

 

Throughout 1989, Paterson, Cauty, and Martin Glover developed the musical genre of ambient house through the use of a diverse array of samples and recordings. The culmination of their musical work came towards the end of the year when The Orb recorded a session for John Peel on BBC Radio 1. The track, then known as "Loving You", was largely improvisational and featured a wealth of sound effects and samples from science fiction radio plays, nature sounds, and Minnie Riperton's "Lovin' You".[32] For its release as a single on record label Big Life, The Orb changed the title to "A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld". In 1990, Paterson and Cauty held several recording sessions at Cauty's studio, Trancentral. Out of these sessions came The KLF album Chill Out, on which Paterson appeared in an uncredited role.[33] The Grove Dictionary suggests Chill Out to be the first ambient house album.[34] When offered an album deal by Big Life, The Orb found themselves at a crossroads. Cauty preferred that albums by The Orb were released on his KLF Communications label, whereas Paterson wanted to ensure The Orb did not become an offshoot of The KLF.[35] Due to these issues, Cauty and Paterson split in April 1990, with Paterson keeping the name The Orb.[30] Cauty removed Paterson's contributions from the recordings in progress and released the album as Space on KLF Communications.[36]

[edit] Post-KLF

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As "Advanced Acoustic Armaments" (aka Triple-A, Advanced Acoustic Armourments) his Squawk-EP was already listed by Blast First Records but like a lot of his projects this album was never released.[citation needed]

In 1999 Cauty produced several remixes under the alias The Scourge Of The Earth for artists such as Placebo, Marilyn Manson, Hawkwind, Ian Brown, The Orb etc. In December 1999 he joined with Guy Pratt to record and release a cellphone-themed novelty-pop record "I Wanna 1-2-1 With You" under the name Solid Gold Chartbusters.[citation needed] Although it was intended to be Christmas number 1[citation needed] it didn't even go top ten; BBC Radio 1 refused to play the song.[citation needed]

In 2000 Cauty worked on several new tracks for his new record company Crapola Records.[citation needed]

In 2001, Cauty joined with former collaborators Alex Paterson and Guy Pratt in a London recording studio, together with Dom Beken, an associate of Pratt.[37] Recording later continued in Cauty's Brighton studio. In 2003, the group released their first single, "Boom Bang Bombay", under the name Custerd.[38] Subsequently, they settled on the name "Transit Kings". Cauty left the band in 2004 to work on other projects. In 2006, the Transit Kings released their debut album, Living in a Giant Candle Winking at God; Cauty is listed as a composer on 7 of the album's 12 tracks.[39]

Until mid-2005, together with James Fogarty and Keir Jens-Smith, he was part of art/music collective Blacksmoke.

[edit] Art

Cauty exhibits art work at the Aquarium Gallery, London. He has worked in conjunction with the gallery on the Cautese Nationál Postal Disservice: he designs stamps and the gallery sells them as stamps, first day covers and limited edition prints.

In 2004, Cauty installed a gift shop, Blackoff, at the Aquarium Gallery, based on the government's Preparing for Emergencies leaflet. The installation included "terror aware" items, such as "terror tea towels", "attack hankies" and "bunker-buster jigsaw puzzles" (missing one piece). He commented, "The gift shop becomes the place we can explore our branding ideas, Cash for trash — it represents the futility and the glory of it all."[40]

[edit] Notes and references

  1. ^ Frame, P. "Rockin' Around Britain"; Omnibus 1999, p29
  2. ^ a b Sharkey, A., "Trash Art & Kreation", The Guardian Weekend, 21 May 1994 (link).
  3. ^ "The KLF", Western Mail (Cardiff), 4 March 2005, p29.
  4. ^ "Keeping it Peel", BBC Peel Sessions catalogue, BBC Online (link)
  5. ^ LeRoy, D., Brilliant biography, All Music Guide (link)
  6. ^ BBC Radio 1 "Story Of Pop" documentary interview with Bill Drummond. First BBC broadcast believed to have been in late 1994, and was transmitted by Australian national broadcaster ABC on January 1, 2005. Transcript taken from the KLF FAQ.
  7. ^ Bush, J., KLF biography, All Music Guide (link)
  8. ^ KLF Communications advertisement in New Musical Express, 16 May 1992.
  9. ^ "Who Killed The KLF?", Select, July 1992 (link).
  10. ^ "Timelords gentlemen, please!", New Musical Express, 16 May 1992 (link)
  11. ^ "Yasser, they can boogie!", New Musical Express, 13 November 1993 (link).
  12. ^ Dawson Scott, Robert, "K Foundation tries to turn the art world on its head", Scotland on Sunday, 28 November 1993 (link)
  13. ^ a b Reid, J., "Money to burn", The Observer, 25 September 1994 (link)
  14. ^ Banks-Smith, Nancy, "From cash to ash", The Guardian (Manchester), 30 August 1995, page T.009
  15. ^ Harris, John, "Who wants to be a millionaire?", Q Magazine, November 1995 (link)
  16. ^ K Foundation advertisement ("Cape Wrath"), The Guardian (G2), 8 December 1995 (link).
  17. ^ "Justified and (Very) Ancient?", Melody Maker, 20 August 1997 (link)
  18. ^ "Tate tat and arty", New Musical Express, 20 November 1993 (link)
  19. ^ "Torch Songs", The List, 3 November 1995 (link)
  20. ^ Sounds, 6 February 1988
  21. ^ "Special K", GQ magazine (April 1995) (link)
  22. ^ Bill Drummond interviewed by Richard Skinner on Saturday Sequence, BBC Radio 1, December 1990 (MP3)
  23. ^ As credited on the sleevenotes.
  24. ^ Cauty, C., "KLF Info Sheet 6", KLF Communications, August 1989 (link).
  25. ^ a b c Shapiro, Peter (1999). The Rough Guide to Drum 'n' Bass. Rough Guides, pp. 327-329. ISBN 1-85828-433-3. 
  26. ^ Prendergast, Mark (2003). The Ambient Century: From Mahler to Moby-The Evolution of Sound in the Electronic Age. Bloomsbury Publishing PLC, pp. 407-412. ISBN 1-58234-323-3. 
  27. ^ Doerschuck, Robert. "Inside the Ambient Techno Ultraworld", Keyboard Magazine. 
  28. ^ Boyd, Brian. "Unidentified Flying Orb", The Irish Times, 1998-10-23, p. 12. 
  29. ^ a b Toop, David (2001). Ocean of Sound. Serpent's Tail, pp. 59-62. ISBN 1-85242-743-4. 
  30. ^ a b Bush, John. The Orb Biography. All Music Guide. Retrieved on 2006-10-09.
  31. ^ Crispy, Don. Alex Paterson. Metropolis. Retrieved on 2007-01-14.
  32. ^ Thompson, Dave. Peel Sessions Review. All Music Guide. Retrieved on 2006-11-06.
  33. ^ Reynolds, Simon (1999). Generation Ecstasy: Into the World of Techno and Rave Culture. Routledge, p. 191. ISBN 0-415-92373-5. 
  34. ^ Fulford-Jones, Will. "Ambient house", Grove Music Online, ed. L. Macy (accessed 4 October 2006), grovemusic.com (subscription access).
  35. ^ Toop, David. "Don't make negative waves", The Times, 1994-06-03. 
  36. ^ KLF Communications (1990). "KLF Communications Info Sheet Nine". Press release. Retrieved on 2006-10-09.
  37. ^ Transit Kings' official biography, passim (link)
  38. ^ Custerd entry at discogs.com (link)
  39. ^ Living in a Giant Candle Winking at God entry at discogs.com (link)
  40. ^ Arendt, Paul."The art that stole Christmas", The Guardian, 18 November 2004. Retrieved 1 September 2007.

[edit] External links

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Bill Drummond • Jimmy Cauty
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The Orb
Alex Paterson • Thomas Fehlmann
Jimmy Cauty • Kris Weston • Simon Phillips • Andy Hughes • John Roome
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Youth • The KLF • Space • FFWD • Badorb.com • Transit Kings
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