Jesse Hill Ford
From Wikipedia, the free encyclopedia
| Jesse Hill Ford | |
|---|---|
| Born | December 28, 1928 Troy, Alabama |
| Died | June 1, 1996 |
| Occupation | Writer |
| Nationality | American |
| Genres | Southern literature |
Jesse Hill Ford (December 28, 1928 - June 1, 1996) was an American writer of Southern literature.
Born in Troy, Alabama, Ford was raised in Nashville, Tennessee. He attended Montgomery Bell Academy and received his Bachelor of Arts degree from Vanderbilt University. His education was interrupted by the Korean War, during which he served in the United States Navy. Following his discharge, he enrolled in the University of Florida, where he received a Master of Arts in 1955. After graduation he worked as a public relations director, but in 1957 he decided to devote himself to writing on a full-time basis. Two years later, after ingratiating himself with editor Edward Weeks, he won an Atlantic Monthly prize for the short story The Surest Thing in Show Business. In 1961 he spent a year at the University of Oslo as a Fulbright Scholar and published his first novel, Mountains of Gilead, and in 1964 he wrote both the teleplay and theatrical scripts of The Conversion of Buster Drumwright.
One year later, Ford published The Liberation of Lord Byron Jones, which was selected by the Book of the Month Club. A critical and commercial success, it earned him a Guggenheim Fellowship for fiction writing, and was later adapted by Ford and Stirling Silliphant for a 1970 feature film directed by William Wyler. Other works by Ford include Fishes, Birds, and Sons of Men, a compilation of his early short stories; The Feast of Saint Barnabas, which focused on a Florida race riot; and The Raider, a historical novel set in Tennessee before and during the Civil War.
In 1971, Ford was acquitted in the shooting death of a black soldier he believed was a threat to his family when he found him trespassing on his property. Coincidentally, the man's female companion was a relative of the woman who had served as the basis for The Liberation of Lord Byron Jones. Legal debts lead the writer to Hollywood, where he worked on a number of screenplays without credit. He also contributed guest columns to USA Today in 1989 and 1990. Without Edward Weeks, whose contribution to his success was considerable, he was unable to successfully write literary fiction. He eventually returned to Nashville where, severely depressed following open-heart surgery, he committed suicide.
