Jeremy Michael Ward

From Wikipedia, the free encyclopedia

Jeremy Michael Ward
Born May 5, 1976(1976-05-05)
Origin Fort Worth, Texas, United States
Died May 25, 2003 (aged 27)
Genre(s) Post-hardcore, Progressive rock, Experimental rock, Psychedelic rock, Dub, Reggae
Occupation(s) Sound technician
Vocal operator
Guitarist
Instrument(s) Various Effects Equipment,
Guitar
Years active 1993–2003
Associated acts The Mars Volta
De Facto
Omar Rodriguez-Lopez

Jeremy Michael Ward (May 5, 1976May 25, 2003) was the sound technician and vocal operator for The Mars Volta and for the dub outfit De Facto. He created many of the soundscapes heard on The Mars Volta's album De-Loused in the Comatorium. Jeremy, aside from his role in The Mars Volta and Defacto, was a talented guitar player, as well as an artist (working mostly in pen and ink).

He was found dead in his Los Angeles home by his roommate on the evening of Sunday, May 25, 2003 of an apparent heroin overdose. He was 27 years old at the time, and his death came less than a month before the release of De-Loused in the Comatorium. A journal Jeremy found while working in the repossession business in Los Angeles served as a source of inspiration for The Mars Volta's album Frances the Mute. Ward also coined the term "amputechture," which served as the title of The Mars Volta's third LP. He was the cousin of At the Drive-In and Sparta member Jim Ward, and brother of El Paso punk rock bassist Jered Ward.

Ward's death was the impetus for Mars Volta members Cedric Bixler-Zavala and Omar Rodriguez-Lopez to quit using opioids.[1]

Contents

[edit] Discography

[edit] With De Facto

[edit] With The Mars Volta

[edit] With Omar Rodriguez-Lopez

[edit] Equipment

[edit] With De Facto

  • Electro-Harmonix Frequency Analyzer
  • Digitech Multi chorus
  • Guyatone MD-3 Digital delay
  • Ibanez DE-7 delay/Echo
  • Boss DD-6 delay
  • Boss HR-2 Harmonist
  • Maxon Rotary phaser
  • Korg KP2 Kaoss pad
  • Voodoo Lab Pedal Power

[edit] References

Languages