Jean-Joseph Taillasson

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Virgil reading the Aeneid to Augustus and Octavia, by Jean-Joseph Taillasson, 1787, an early neoclassical painting (National Gallery, London
Virgil reading the Aeneid to Augustus and Octavia,[1] by Jean-Joseph Taillasson, 1787, an early neoclassical painting (National Gallery, London

Jean-Joseph Taillasson (Blaye, near Bordeaux,[2] 6 July 1745Paris, 11 November 1809[3]) was a French history painter and portraitist, draftsman and art critic,[4] who matured his talent in the Paris ateliers of Joseph-Marie Vien (from 1764)[5] and Nicolas Bernard Lépicié and, having won third place in the Prix de Rome competition, 1769, spent four years, 1773-77, in Italy. At his return to Paris he set an early example of neoclassicism.

His Observations sur quelques grands peintres,[6] (Paris, Duminil-Lesueur) 1807, offered anti-academic advice somewhat at variance with his own manner; some of the collected observations had previously appeared in the Journal des Arts[7]

[edit] Selected works

  • Self Portrait, Musée du Louvre
  • Jeune Homme, vêtu d'une robe, levant les bras, Musée du Louvre
  • La Nymphe surprise, Musée des Augustins, Toulouse
  • Timoléon à qui les Syracusiens amènent des étrangers, Musée Ingres, Montauban; another version is at the Musée des Beaux-Arts, Tours.
  • Un Vieillard, assis, lisant, Musée du Louvre
  • Vieillard drapé, debout, vu de dos, Musée du Louvre.
  • Claude-Louis, comte de Saint-Germain (1707-1778), 1777 Musée national de Versailles
  • La Naissance de Louis XIII, 1782 Musée des Beaux-Arts, Pau
  • La Madeleine au désert, 1784 Montreal Museum of Fine Arts
  • Ulysse et Néoptolème enlevant à Philoctète les flèches d'Hercule, 1784 Musée des Beaux-Arts, Bordeaux; this was his morceau de reception at the Académie royale de peinture et de sculpture.
  • Sabinus et Eponina découverts par les soldats de Vespasien 1787[8]
  • Virgil reading the 'Aeneid' to Augustus and Octavia, 1787 (National Gallery, London)
  • Léandre et Héro, 1789 Musée des Beaux-Arts, Bordeaux
  • "Seigneur! Voyez ces yeux" (Cleopatra of Syria is discovered by Rodogune to have poisoned the nuptial cup, a scene from Pierre Corneille's Rodogune (1644), 1791 Boston Museum of Fine Arts; Tønnes Christian Bruun-Neergaard considered that it had established the painter's reputation, and remarked that it had belonged to Citoyen Godefroy, a well-known amateur, who auction dsaletranspired in 1794.[9]
  • Pauline, femme de Sénèque, rappelée à la vie, 1791 Musée du Louvre
  • Olympias, 1799[10]
  • Andromache, 1800[11]
  • Rhadamate et Zénobie, 1806[12]
  • Spring (or Flora) leading Cupid back to Nature (Bowes Museum, County Durham, UK)

[edit] Notes

  1. ^ The anecdote, in which the poet read the passage in Book VI in praise of Octavia's late son Marcellus, and Octavia fainted with grief, was recorded in the late fourth-century vita of Virgil by Aelius Donatus.
  2. ^ John Denison Champlin, Charles Callahan Perkins, Cyclopedia of Painters and Paintings (1887) s.v. "Taillasson, Jean Joseph".
  3. ^ Cyclopedia.
  4. ^ His poem "Le Danger des règles dans les Arts" was noted with approval by the Danish visitor to Paris, Tønnes Christian Bruun-Neergaard, and an elegy "Sur la Nuit", he thought, seemed fit to soften the least sensitive heart. (Bruun-Neergaard, ''Sur la situation des beaux arts en France: ou lettres d'un Danois a son ami (pp. 140-41, under the date 12 germinal an 9 [3 April 1802]).
  5. ^ "Taillasson , très-bon compositeur" remarked Bruun-Neergaard.
  6. ^ Full title, Observations sur quelques grands peintres, dans lesquelles on cherche à fixer les caractères distinctifs de leur talent, avec un précis de leur Vie
  7. ^ Remarked on by Bruun-Neergaard; see also Debra Schrishuhn, "The Observations Of Jean-Joseph Taillasson: Anti-Academic Admonitions From A Seasoned Academician" Proceedings Of The Consortium On Revolutionary Europe(1997:651-58).
  8. ^ Cyclopedia
  9. ^ Bruun-Neergaard 1802:141.
  10. ^ Cyclopedia
  11. ^ Cyclopedia
  12. ^ Cyclopedia
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