Jean-Francois Chevrier

From Wikipedia, the free encyclopedia

Please help improve this article or section by expanding it. Further information might be found on the talk page or at requests for expansion. (April 2008)

This article does not cite any references or sources. (April 2008) Please help improve this article by adding citations to reliable sources. Unverifiable material may be challenged and removed.

Jean-François Chevrier is an art historian, art critic and exhibition curator. He lives and works in Paris. He is lecturer in the History of Contemporary Art at the École nationale supérieure des Beaux-Arts in Paris and a contributor to Galeries Magazine.

In his essays Chevrier has examined the place of photography – and by extension modern and contemporary art – among the arts and the media.

Exhibitions and catalogues he has curated and co-edited include Matter of Facts (Nantes et al., 1988), Une autre objectivité / Another Objectivity (London, 1988), Photo Kunst (Stuttgart, 1989), Craigie Horsfield (London, 1989), Lieux communs, figures singulières (Paris, 1991), Walker Evans and Dan Graham (Rotterdam, 1992) and Craigie Horsfield. La ciutat de la gent (Barcelona, 1996). He has written essays on Jean-Marc Bustamante, John Coplans, Ken Lum, Michelangelo Pistoletto, Gerhard Richter and Brassaï.