Jaroslav Ježek

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Jaroslav Ježek (IPA: [ˈjaroslaf ˈjɛʒɛk]) (September 25, 1906 - January 1, 1942) was a Czech composer, pianist and conductor, author of jazz, classical, incidental and film music.

Contents

[edit] Life

He was born in Prague, Žižkov to the family of tailor. He was almost blind from the young age. He studied composition at Prague Conservatory as pupil of Karel Jirák in 1924 - 1927, at master school of composition with Josef Suk (in 1927 - 1930), and shortly also with Alois Hába (1927 - 1928). When Ježek met playwrights/comedians Jan Werich and Jiří Voskovec (aka George Voskovec), leaders of the Osvobozené divadlo (Prague Free Theatre) in Prague, he took up the post as main composer and conductor. During the next decade (since 1928 to 1939), he composed incidental music, songs, dances, ballets for the grotesque political satirical plays of Voskovec and Werich. In 1934 he became member of Czech Group of Surrealists. Forced to leave Czechoslovakia following the Nazi occupation, Ježek, Voskovec and Werich went into exile in New York City. He worked as piano teacher and choirmaster there, and still cooperated with Voskovec and Werich. In 1942, the always ill-healthed Ježek died of chronic kidney disease in New York.

He cooperated with many avant-garde artists of the pre-war Czechoslovakia, with Vítězslav Nezval, E. F. Burian e.g.

[edit] Music

His musical output is commonly divided into two parts[1]. The first part of his work consists of chamber, piano and concertant compositions, created first under the influence of Stravinsky, of parisien Les Six and of Arnold Schönberg. Later he found his own, specific and modern expression. On the other side, he was popular jazz composer in the pre-war Czechoslovakia. He created songs and dances to the revue plays of Prague Free theatre (The Ass and the Shadow, Caesar, The Headsman and the Fool e.g.) and also to the films of Voskovec and Werich (The Powder and the Gasoline, The World Belongs to Us, Stand and Deliver! e.g.). His innovative melodies are well-known in Czech Republic till now. Ježek was also evidently fascinated by American jazz. Between 1929 and 1936, possibly earlier, he organized and conducted an orchestra featuring his original jazz compositions and arrangements. Billed variously as "Ježek's Jazz" and "Ježkův swingband" they recorded for the Czech Ultraphon label, making some of the most original hot music in Europe. A few of these sides deserve special mention: "Teď ještě ne" (Not Yet) (c. 1930; Ultraphon A10217) is rousing hot dance music in the Jean Goldkette or Coon-Sanders' Nighthawks style. "Rubbish Heap Blues" (c. 1932; Ultraphon A11421) shows that Ježek not only listened to Duke Ellington's records, but was keeping up with Duke's very latest work. "Rubbish Heap" features a Johnny Hodges-like alto sax and a Cootie Williams-like growl trumpet, plus a three-trombone section to complement the three trumpets. Ježek's composition titled simply "Polonaisa" (c. 1931; Ultraphon A10366) is a traditional Polonaise clothed in modern instrumentation, harmony and textures. It is as if Chopin and Gershwin had collaborated, the Polish dance rhythms mingling easily with hot syncopation. Ježek also turned the boys loose in records of his arrangements of well-known hot jazz standards, such as "Tiger Rag," "Dinah" and "Chinatown, My Chinatown." These recordings, very few of which could have survived the Nazi occupation and World War II, are almost completely unknown, at least in the U.S.A.

A seven-volume CD retrospective of Ježek and his Liberated Theater Orchestra (1929 - 1938), containing the items mentioned above and dozens of others, was issued on Czech Supraphon in 1994.

[edit] Selected works

Orchestral

  • Concert for Piano and Orchestra (1927)
  • Fantasy for Piano and Orchestra (1930)
  • Concert for Violin and Orchestra (1930)
  • Symphonic Poem (1936)

Chamber

  • Serenade for Wind Quartet (1929)
  • Wind Quintet (1931)
  • String Quartet No. 1. (1932)
  • Sonata for Violin and Piano (1933)
  • Duo for 2 Violins (1934)
  • String Quartet No. 2. (1941)

Piano

  • Suite for Quarter-tone Piano (1927)
  • Sonatina (1928)
  • Petite Suite (1928)
  • Capriccio (1932)
  • Etuda (1933)
  • Bagatelles (1933)
  • Rhapsodie (1938)
  • Toccata (1939)
  • Grande valse brillante (1939)
  • Sonata (1941)

[edit] Notes

  1. ^ Vysloužil p. 234.

[edit] External links

[edit] References

  • Vysloužil, Jiří: Hudební slovník pro každého II. Vizovice: Lípa, 1998. ISBN 80-86093-23-9
  • Holzknecht, Václav: Jaroslav Ježek a Osvobozené divadlo. Prague: Arsci, 2007. ISBN 978-80-86078-67-0


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