Talk:Jack Vettriano

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It was reported in yesterday's Independent, the many of Jack Vettriano's most famous images were actually copied directly from an artistic reference book. [1] (unfortunately the online edition doesn't have the illustrations to compare). This story has now been reported in several other places. [2], but they only show the copied dancers. Jooler 06:51, 5 October 2005 (UTC)

You could just hear the collective gleeful chuckle from the art establishment as they read their papers over a cup of Earl Grey yesterday ;-)
The BBC news is one of the few websites to show the comparison. However I guess it is not at all uncommon to use reference sources to construct compositions and the argument that it doesn't particularly detract from the popularity of the painting is quite valid. It will be open season on finding the sources for most of his other paintings now... -- Solipsist 09:27, 5 October 2005 (UTC)

This revelation did little to tarnish Vettriano's reputation, however. -- I find this sentence a little puzzling and think perhaps it should be deleted. Does it really mean it didn't lower the monetary value of his paintings? His reputation among critics was never high in the first place, and how exactly do we know what the print-buyer in the street thinks about it? Flapdragon 16:23, 15 December 2005 (UTC)

"He uses himself and a model for all his paintings." - given the revelation that he uses/used reference books, this statement is obviously incorrect. duncan 10:38, 9 April 2006 (UTC)

FyiFoff 00:04, 20 November 2006 (UTC) I never heard of him until I just found his 2007 calendar. Is there a "master list" of drawings he did that are "copies" from photographes(which in a way is a drawing but done with a camera)? In school I was told if you altered an image 10% you could say this is your drawing rather then my verison of so and so. Did he alter the images or copy layout 100%? FyiFoff FyiFoff 00:04, 20 November 2006 (UTC)

In some respects, this shouldn't be overplayed. If you check some of the externally linked stories on this issue (if those links are still active), you can see that Vettriano largely uses the photographs in old dancing guides as a starting point for the poses of figures in his paintings. Other folks use those wooden manequins. In The Singing Butler, the pose of the central two figures is taken from a dancing book, but for the most part what makes the painting is its style and atmosphere. -- Solipsist 21:46, 21 November 2006 (UTC)

00:35, 22 November 2006 (UTC)thanks, I didn't think it was that bad, people only don't like art copying art, art copying a photo has never been that bad of a "art crime". Is there any information who "broke the news"? FyiFoff00:35, 22 November 2006 (UTC)

[edit] The Singing Butler

Yes, there is a direct link to a picture in the text, but doesn't this famous painting deserved to be thumbnailed on the side of the article? -- User:81.99.181.231 17:02, 16 October 2005 (UTC)

Its an idea. The picture would of course be still under copyright (I guess we could now claim it is a derivative work of the dancing manual ;-) but as that was published in 1987 its photos would most likely still be copyright in any case). However, if you could find an example of the painting on Vettriano's own web site, or perhaps a gallery representing him, then it might be possible to use it under Fair use provisions as long as it was small enough that it couldn't be used by anyone in place of say buying the postcard of it. -- Solipsist 19:26, 16 October 2005 (UTC)

The link doesn't seem to work any more so I have deleted it. It seems to be common Wikipedia practice in such cases to use a small image of a famous picture under fair use. Flapdragon 16:26, 15 December 2005 (UTC)

-- does anybody have the original, actual size of this painting? It seems to be unknown an unstated.

Nice-biscuit 20:46, 14 March 2007 (UTC)I read that the book used was an artists reference book and not a dance manual. All the images used were specifically for artists to use as Jack Vittriano did. Being copyright free images there should be no issues with copyright. He only used these type of reference books for his early work. Attending a Private View of 'Chimes at Midnight' in 1994 at the Portland Gallery ,I noticed many of the female figures in the paintings were based on a girl attending the show. Therefore he was using his own reference/models from at least 1993.

I am thinking of writing my essay for my final year of FINE ART BA(hons)around Vettriano and the vilification of him by the fine art police. I dont understand their attitude to him at all. Is it just envy that he makes so much money from his art whilst they, having suffered degree studies, signally fail to? Is it because he is popular? So he uses images from books........who doesnt? He also uses himself for so many of his sexually charged paintings too. Although now that he is older he has started using a younger man to model for him. He doesnt want to look a letch with a young woman !! I have never seen his paintings in the flesh, are they any good close up? SBR1 —Preceding unsigned comment added by 82.31.210.224 (talk) 19:51, 3 September 2007 (UTC)

[edit] Pastiche

Pastiche is an acceptable practice in postmodernist art as justified by deconstruction art theorists. A number of artists in the 80s and 90s made a point of it, with obvious references to classical paintings, techniques and layered images. In deconstruction, it's also argued there's no such thing as an "original". The great masters also copied and copied, firstly their forerunners and then each other. This approach is not very different, only it's from the mass mediated image. It's not always the artist who justifies their method and approach, but it can help. Usually a thoughtful critic can contextualise the work and give it cred. Mostly, though the most compelling argument for it is the marketplace. The way the artist personally puts it all together makes it signfiicant. Covers, compilation and sampling could be said to be the musical equivalent.Julia Rossi 23:16, 9 September 2007 (UTC) PS Another mark of this way of art making is to use copying and projections as a way of refusing the "skills" that were formerly so exalted, and using that to visually comment on the effect of reproducible media to talk about the "original". It is a discourse and not the be-all to end-all since personally, there's nothing like a high-level inherent skill to take your breath away.Julia Rossi 23:25, 9 September 2007 (UTC)

[edit] Backgrounds

While Vettriano is accused of pinching figures from a manual, when you compare the painting and the figures from the manual, the painting is much more informed and informing; as well, the backgrounds are not in the manual – see this site: http://www.aref-adib.com/archives000303.html They look pretty cool – any idea where he learned to do these?Julia Rossi 10:27, 12 September 2007 (UTC)