Jack Spicer

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Jack Spicer (January 30, 1925 - August 17, 1965) was an American poet often identified with the San Francisco Renaissance.

Contents

[edit] Life & Work

[edit] Early life and work

Spicer was born in Los Angeles and spent most of his writing life in San Francisco. He spent the years 1945 to 1955 at the University of California, Berkeley, where he began writing, doing work as a research linguist, and publishing some poetry (though he disdained publishing). During this time he searched out fellow poets, but it was through his alliance with Robert Duncan and Robin Blaser that Spicer forged a new kind of poetry, and together they referred to their common work as the Berkeley Renaissance. The three, who were all rumored to be gay, also educated younger poets in their circle about their "queer genealogy", Rimbaud, Lorca, and other gay writers.[1] Spicer's poetry of this period is collected in One Night Stand and Other Poems (1980). His Imaginary Elegies, later collected in Donald Allen's The New American Poetry 1945-1960 anthology, were written around this time.

In 1954, he co-founded the famous Six Gallery, the scene of the famous October 1955 Six Gallery reading that launched the West Coast Beat movement. In 1955, Spicer moved to New York and then to Boston, where he worked for a time in the Rare Book Room of Boston Public Library. Blaser was also in Boston at this time, and the pair made contact with a number of local poets, including John Wieners.

[edit] Later life and work

He returned to San Francisco in 1956 and started working on After Lorca. This book represented a major change in direction for two reasons. Firstly, he came to the conclusion that stand-alone poems (which Spicer referred to as his one night stands) were unsatisfactory and that henceforth he would compose serial poems. In fact he wrote to Blaser that 'all my stuff from the past (except the Elegies and Troilus) looks foul to me.' Secondly, in writing After Lorca, he began to practice what he called "poetry as dictation". His interest in the work of Federico García Lorca, especially the canto jondo, also brought him near the poetics of the deep image group. The Troilus referred to was Spicer's then unpublished play of that name. The play finally appeared in print in 2004 in issue 3 of No - A Journal of the Arts.

In 1957, Spicer ran a workshop called Poetry as Magic at San Francisco State College, which was attended by Duncan, Helen Adam, Joe Dunn, Jack Gilbert, and George Stanley. He also participated in, and sometimes hosted, Blabbermouth Night at a literary bar called The Place. This was a kind of contest of improvised poetry and encouraged Spicer's view of poetry as being dictated to the poet.

Spicer's view of the role of language in the process of writing poetry was probably the result of his knowledge of modern pre-Chomskian linguistics and his experience as a research linguist at Berkeley. In the legendary Vancouver lectures he elucidated his ideas on "transmissions" (dictations) from the outside, using the comparison of the poet as crystal set or radio receiving transmissions from outer space, or Martian transmissions. Although seemingly far-fetched, his view of language as "furniture", through which the transmissions negotiate their way, is grounded in the structuralist linguistics of Zellig Harris and Charles Hockett. (In fact, the poems of his final book, Language, refer to linguistic concepts such as morphemes and graphemes). As such, Spicer is acknowledged as a precursor and early inspiration for the Language poets. However, many working poets today list Spicer in their succession of precedent figures.

Spicer died as a result of his alcoholism and his reputed last words to Robin Blaser were "My vocabulary did this to me. Your love will let you go on." Since the posthumous publication of The Collected Books of Jack Spicer (first published in 1975), his popularity and influence has steadily risen, affecting poetry throughout the United States, Canada, and Europe. In 1994, The Tower of Babel: Jack Spicer's Detective Novel was published. Adding to the Jack Spicer revival was the publication in 1998 of two volumes: The House That Jack Built: The Collected Lectures of Jack Spicer, edited by Peter Gizzi; and a biography: Jack Spicer and the San Francisco Renaissance by Lewis Ellingham and Kevin Killian (Hanover, NH: Wesleyan University Press, 1998). As of 2004, a collected works is being prepared under the auspices of the Wesleyan University Press.

[edit] Further reading

  • The Collected Books of Jack Spicer. Edited and with commentary by Robin Blaser. Santa Rosa, Calif.: Black Sparrow Press, 1975
  • Lew Ellingham and Kevin Killian, Poet, Be Like God: Jack Spicer and the San Francisco Renaissance. Middletown, Conn.: Wesleyan University Press, 1998
  • A Book Of Correspondences For Jack Spicer. Edited By David Levi Strauss and Benjamin Hollander. San Francisco: A Journal of Acts (#6),1987; (Note: this is a collection of essays, poetry, and documents celebrating Spicer)
  • N. A. Diaman, Following My Heart: A Memoir, San Francisco : Persona Press, May 2007
  • N. A. Diaman, Sitting With Jack At The Poets Table, Los Angeles: The Advocate, 1984
  • N. A. Diaman, Second Crossing: A Novel, San Francisco : Persona Press, 1982
  • N. A. Diaman, The City: A Novel, San Francisco : Persona Press, August 2007

[edit] References

  1. ^ Fredman, Stephen (2005), A Concise Companion To Twentieth-century American Poetry, Blackwell Publishing, p. 110, ISBN 1405120037 

[edit] External links

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