Intermezzo (opera)

From Wikipedia, the free encyclopedia

Operas by Richard Strauss

Guntram (1894)
Feuersnot (1901)
Salome (1905)
Elektra (1909)
Der Rosenkavalier (1911)
Ariadne auf Naxos (1912)
Die Frau ohne Schatten (1918)
Intermezzo (1923)
Die ägyptische Helena (1927)
Arabella (1932)
Die schweigsame Frau (1934)
Friedenstag (1938)
Daphne (1938)
Die Liebe der Danae (1940)
Capriccio (1942)

v  d  e

Intermezzo is an opera in two acts by Richard Strauss to his own German libretto, described as a Bürgerliche Komödie mit sinfonischen Zwischenspielen (bourgeois comedy with symphonic interludes) . It premiered at the Dresden Semperoper on November 4, 1924, with sets that reproduced Strauss' home in Garmisch. The first Vienna performance was in January 1927.[1] The first professional staged US production was at Santa Fe Opera in 1984, translated into English.[2]

The story depicts fictionally the personalities of Strauss himself (as "Robert Storch") and his wife Pauline (as "Christine")[3] and was based on real incidents in their life. Pauline Strauss was not aware of the opera's subject before the first performance. After Lotte Lehmann had congratulated Pauline on this "marvelous present to you from your husband", Pauline's reply was reported as "I don't give a damn".[4] The most celebrated music from the opera is the orchestral interludes between scenes.

Contents

[edit] Roles

Premiere, November 4, 1924
(Fritz Busch)
Christine Storch soprano Lotte Lehmann
Robert Storch, her husband, a conductor baritone Joseph Correck
Anna, their maid soprano
Franzl, their eight-year-old son spoken
Baron Lummer tenor
The notary baritone
His wife soprano
Stroh, another conductor tenor
A commercial counselor baritone
A legal counsellor baritone
A singer bass
Fanny, the Storch's cook' spoken
Marie and Therese, maids spoken
Resi, a young girl soprano

[edit] Synopsis

Setting: Vienna and Grundlsee during a 1920’s winter

The conductor Robert Storch is about to conduct a concert one night. Christine, his wife, feels under-appreciated and dislikes the fact that his work keeps him away during the evenings. Christine goes to a winter resort and meets Baron Lummer, with whom she enjoys a flirtation. Baron Lummer is revealed as a destitute nobleman in search of a loan. At one point, Christine receives a letter apparently addressed to her husband, and opens it. It turns out to be a love letter to him from a young lady, Mitzi Meyer. Christine is furious and intends then to divorce Storch.

Robert and his friends, including the conductor Stroh, play cards one evening, and talk about Christine’s mercurial personality. Christine has mailed a letter to Robert to say that she is leaving him. She visits a notary to try to obtain a divorce. However, the notary suspects that her real motivation is her relationship with Baron Lummer. Stroh and Storch eventually figure out that Mitzi Meyer had confused their names, and actually intended the love letter for Stroh. Christine is apprised of this situation, and she and Storch reconcile.

[edit] Selected recordings

Year Cast:
Christine Storch,
Robert Storch,
Anna,
Baron Lummer
Conductor,
Opera House and Orchestra
Label
1963 Hanny Steffek,
Hermann Prey,
?,
?
Joseph Keilberth,
Bavarian State Opera Orchestra and Chorus
DVD Video: Legato Classics[5]
1980 Lucia Popp,
Dietrich Fischer-Dieskau,
Gabriele Fuchs,
Adolf Dallapozza
Wolfgang Sawallisch,
Bavarian Radio Symphony Orchestra
Audio CD: EMI Classics , 2002
1983 Felicity Lott,
John Pringle,
?,
?
Gustav Kuhn,
London Philharmonic Orchestra
DVD Video: Kultur

[edit] References

  1. ^ "Intermezzo". Time, 27 January 1927.
  2. ^ Bernard Holland, "Strauss' Intermezzo at Santa Fe Opera". New York Times, 6 August 1984.
  3. ^ Margaret Ross Griffel, Review of Richard Strauss. A Critical Commentary on His Life and Works. Volume II (Norman Del Mar). Notes (2nd ser.), 27(4), 726-726 (1971).
  4. ^ Norman Del Mar, Richard Strauss: A Critical Commentary on His Life and Work, Volume 2. Cornell University Press (Ithaca, New York; 1986), p. 262.
  5. ^ Beth Hart, Reviews of video releases of Intermezzo. The Opera Quarterly, 15(3), pp. 608-612 (1999).