Ingrid Bergman

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Ingrid Bergman

For Whom the Bell Tolls - Ingrid Bergman's first color film.
Born August 29, 1915(1915-08-29)
Stockholm, Sweden
Died August 29, 1982 (aged 67)
London, United Kingdom
Years active 1935-1982
Spouse(s) Aron Petter Lindström (1937-1950)
Roberto Rossellini (1950-1957)
Lars Schmidt (1958-1975)

Ingrid Bergman  (pronounced [ˈbærjman] in Swedish, but usually IPA: /ˈbɝgmən/ in English) (August 29, 1915August 29, 1982) was a Swedish three-time Academy Award-winning and two-time Emmy Award-winning actress. She also won the Tony Award for Best Actress in the first Tony Award ceremony in 1947. She is ranked as the fourth greatest female star of all time by the American Film Institute.[1]

Contents

[edit] Biography

[edit] Early years: 1915-1938

Bergman, named after Princess Ingrid of Sweden, was born in Stockholm, Sweden on August 29, 1915 to a Swedish father, Justus Samuel Bergman, and a German mother, Friedel Adler Bergman.[2] When she was three years old, her mother died and her father passed away when she was thirteen. She was then sent to live with an aunt, who died of heart complications only six months later. Afterwards she was raised by another aunt and uncle, who had five children.

Ingrid Bergman at the age of 14.
Ingrid Bergman at the age of 14.

At the age of 17, Ingrid Bergman auditioned for and was accepted to the Royal Dramatic Theatre in Stockholm. During her first summer break, she was hired at a Swedish film studio, which consequently led to her leaving the Royal Dramatic Theater to work in films full time, after having attended for only one year. Her first film role after leaving the Royal Dramatic Theater was a small part in 1935's Munkbrogreven (She had previously been an extra in the 1932 film Landskamp).

On July 10, 1937, at the age of 21, she married a dentist, Petter Lindström (who would later become a neurosurgeon). On September 20, 1938, she gave birth to a daughter, Pia Lindström.

After a dozen films in Sweden (including En kvinnas ansikte which would later be remade as A Woman's Face with Joan Crawford) and one in Germany, Bergman was signed by Hollywood producer David O. Selznick to star in the 1939 English language remake of her 1936 Swedish language film, Intermezzo. According to Bergman's A&E Biography, Selznick suggested she change her name, have her teeth capped, and her eyebrows plucked, but Ingrid was having none of it. Taken aback by her reply, Selznick changed his mind, allowing Ingrid to keep all her real features and her real name. Intermezzo was an enormous success and Bergman became a star, described as "Sweden's illustrious gift to Hollywood". Some things that set her apart from other female stars in Hollywood at that time were that she did not change her name, her appearance was entirely natural with little to no makeup, and that she was one of the tallest leading ladies.

[edit] Hollywood period: 1938-1949

After completing one last film in Sweden and appearing in three moderately successful films in the United States, Bergman joined Humphrey Bogart in the 1942 classic film Casablanca, which remains her best known role. Bergman did not consider Casablanca to be one of her favorite performances. "I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart." About Bogart, she said "I never really knew him. I kissed him, but I didn't know him."[3]

Cary Grant and Ingrid Bergman in Notorious (1946)
Cary Grant and Ingrid Bergman in Notorious (1946)

That same year, she received her first Academy Award nomination for Best Actress for For Whom the Bell Tolls (1943), which was also her first color film. The following year, she won the Academy Award for Best Actress for Gaslight (1944). After losing to Ingrid Bergman for the 1944 Best Actress Academy Award, Barbara Stanwyck told the press she was a "member of The Ingrid Bergman Fan Club", "I don't feel at all bad about the Award because my favorite actress won it and has earned it by all her performances."[4] She received a third consecutive nomination for Best Actress with her performance as a nun in The Bells of St. Mary's (1945). Bergman had been considered for the role of Mother Maria-Veronica in 1944's The Keys of the Kingdom, but the part ultimately went to Rose Stradner, who was then the wife of the film's producer, Joseph Mankiewicz.

Later, she would receive another Best Actress nomination for Joan of Arc (1948), an independent film produced by Walter Wanger and initially released through RKO. Bergman had championed the role since her arrival in Hollywood, which is one of the reasons she had played it on the Broadway stage in Maxwell Anderson's Joan of Lorraine. Partly because of the scandal with Rossellini, the film, based on the Anderson play, was not a big hit, and received disastrous reviews. It was subsequently shorn of 45 minutes, and it was not until its restoration to full length in 1998 and its 2004 appearance on DVD that later audiences could see it as it was intended to be shown.

Bergman starred in the Alfred Hitchcock films Spellbound (1945), Notorious (1946), and Under Capricorn (1949). Unlike her earlier Hitchcock films, Under Capricorn was a slow-paced costume drama, slow to such a degree that Bergman's reputation and the film's release suffered from this,[citation needed] in addition to the gathering adverse publicity over Bergman's affair with Rossellini. Ingrid Bergman was a student of the acting coach Michael Chekhov during the 1940s. Coincidentally, it was his role in Spellbound, of which she was a star, that he received his only nomination for an Academy Award.[5]

Between motion pictures, Bergman appeared in the stage plays Liliom, Anna Christie, and Joan of Lorraine. Furthermore, during a press conference in Washington, D.C. for the promotion of Joan of Lorraine, she protested against segregation after seeing it first hand at the theater she was acting in. This led to a lot of publicity and some hate mail.

Ingrid Bergman went to Alaska during World War II in order to entertain troops. Soon after the war ended, she also went to Europe for the same purpose, where she was able to see the devastation caused by the war. It was during this time that she began a relationship with the famous photographer Robert Capa. She became a smoker after needing to smoke for her role in Arch of Triumph.

[edit] Italian period: 1949-1957

Ingrid Bergman, in her first Roberto Rossellini film, Stromboli (1950).
Ingrid Bergman, in her first Roberto Rossellini film, Stromboli (1950).

In 1949, Bergman met Italian director Roberto Rossellini in order to make the film Stromboli (1950), after having been a fan of two of his previous films that she had seen while in the United States. During the making of this movie, she fell in love with him and became pregnant with a son, Roberto Ingmar Rossellini (born February 7, 1950).

The pregnancy caused a huge scandal in the United States. It even led to her being denounced on the floor of the U.S. Senate by Edwin C. Johnson, a Democratic senator from Colorado, who referred to her as "a horrible example of womanhood and a powerful influence for evil." In addition, there was a floor vote, which resulted in her being made persona non grata. The scandal forced Ingrid Bergman to exile herself to Italy, leaving her husband and daughter in the United States. Her husband, Dr. Petter Lindström, eventually sued for desertion and waged a custody battle for their daughter.

Ingrid Bergman married Roberto Rossellini on May 24, 1950. On June 18, 1952, she gave birth to twin daughters, Isabella Rossellini, who is a famous actress and model, and Isotta Ingrid Rossellini, a professor of Italian Literature. Over the next few years, she appeared in several Italian films for Rossellini, including Giovanna d'Arco al rogo (Jeanne d'Arc au bûcher, Joan of Arc at the Stake, 1954), a 1935 dramatic oratorio by Arthur Honegger about Joan of Arc. Their marriage ended in divorce on November 7, 1957.

After separating from Rossellini, she starred in Jean Renoir's Elena and Her Men (Elena et les Hommes, 1956), a romantic comedy where she played a Polish princess caught in political intrigue. Although the film wasn't a success, it has since come to be regarded as one of her best performances.

During her time in Italy, anger over her private life had continued unabated in the United States, with Ed Sullivan at one point infamously polling his TV show audience as to whether she should be permitted to appear on his show. Although the audience was mostly in favor, Ed declined to book her. Steve Allen then booked her on his show opposite Sullivan, and answered critics with a letter stating "If it became a principle to keep off TV those performers who have been guilty of adultery, then I am very much afraid that a great many of your favorite programs would disappear." [6]

[edit] Later years: 1957-1982

Ingrid Bergman with Yul Brynner in Anastasia (1956), her second Academy Award-winning role.
Ingrid Bergman with Yul Brynner in Anastasia (1956), her second Academy Award-winning role.

With her starring role in 1956's Anastasia, Bergman made a triumphant return to the American screen and won the Academy Award for Best Actress for a second time. The award was accepted for her by her friend Cary Grant.[7] Bergman would not make her first post-scandal public appearance in Hollywood until the 1958 Academy Awards, when she was the presenter of the Academy Award for Best Picture.[8] Furthermore, after being introduced by Cary Grant and walking out on stage to present, she was given a standing ovation.

Bergman would continue to alternate between performances in American and European films for the rest of her career and also made occasional appearances in television dramas such as a 1959 production of The Turn of the Screw for Startime for which she won an Emmy Award for Outstanding Single Performance by an Actress.

During this time, she also performed in several stage plays. In addition, she married the producer Lars Schmidt, a fellow Swede, on December 21, 1958. This marriage ultimately led to divorce in 1975.

In 1972, Senator Charles H. Percy entered an apology into the Congressional Record for the attack made on her 22 years earlier by Edwin C. Johnson. She was the President of the Jury at the 1973 Cannes Film Festival.[9]

Bergman received her third Academy Award (and first for Best Supporting Actress) for her performance in Murder on the Orient Express (1974), but she publicly declared at the Academy Awards telecast that year that the award rightfully belonged to Italian actress Valentina Cortese for Day for Night by concluding her acceptance speech with "Please forgive me, Valentina. I didn't mean to."[10] Bergman could speak Swedish (her native language), German (her second language), English (learned when brought over to United States), Italian (learned while exiled in Italy),[citation needed]) and French (learned formally from language teachers) fluently. In addition, she acted in each of these languages at various times. Fellow actor John Gielgud, who had acted with her in Murder on the Orient Express and who had directed her in the play The Constant Wife, playfully mocked this ability when he remarked, "She speaks five languages and can't act in any of them."[11]

Although known chiefly as a film star, Bergman strongly admired the great English stage actors and their craft. She had the opportunity to appear in London's West End, working with such stage stars as Sir Michael Redgrave in A Month in the Country (1965), Sir John Gielgud in The Constant Wife (1973) and Dame Wendy Hiller in Waters of the Moon (1977-78).

Ingrid Bergman holding the Academy Award for Best Actress for her role in Gaslight. Also shown is Bing Crosby.The image above is proposed for deletion. See images and media for deletion to help reach a consensus on what to do.
Ingrid Bergman holding the Academy Award for Best Actress for her role in Gaslight. Also shown is Bing Crosby.

The image above is proposed for deletion. See images and media for deletion to help reach a consensus on what to do.

In 1978, she played in Ingmar Bergman's Höstsonaten (Autumn Sonata) for which she received her seventh Academy Award nomination and made her final performance on the big screen. In the film, Bergman plays a celebrity pianist who returns to Sweden to visit her neglected daughter, played by Liv Ullmann. The film was shot in Norway. It is considered by many to be among her best performances.[citation needed]She hosted the AFI's Life Achievement Award Ceremony for Alfred Hitchcock in 1979.[12]

She was honored posthumously with her second Emmy Award for Best Actress in 1982 for the television mini-series A Woman Called Golda, about the late Israeli prime minister Golda Meir. It was her final acting role.

[edit] Death

Ingrid Bergman died in 1982 on her 67th birthday in London, England, following a long battle with breast cancer. Her body was cremated in Sweden. Most of her ashes were scattered in the sea with the remainder being interred in the Norra begravningsplatsen in Stockholm next to her parents. A single violin played the song "As Time Goes By", the theme from Casablanca, recalling her most famous role, that of Ilsa Lund.

[edit] Autobiography

In 1980, Bergman's autobiography was published under the title Ingrid Bergman: My Story. It was written with the help of Alan Burgess, who had written the book The Small Woman, on which the film The Inn of the Sixth Happiness was based. In the book, she discusses her childhood, her early career, her life during her time in Hollywood, the Rossellini scandal and subsequent events. The book was written after her children warned her that she would only be known through rumors and interviews if she did not tell her own story. It was through this autobiography that her affair with Robert Capa became known.

[edit] Legacy

Ingrid Bergman in Casablanca.
Ingrid Bergman in Casablanca.
Ingrid Bergman in Dr. Jekyll and Mr. Hyde
Ingrid Bergman in Dr. Jekyll and Mr. Hyde

For her contributions to the motion picture industry, Ingrid Bergman has a star on the Hollywood Walk of Fame at 6759 Hollywood Blvd. She continues to be a cultural icon — not only for her role in Casablanca, but for her career as a whole and for her innocent, natural beauty. In addition, she is considered by many to be one of the foremost actresses of the 20th century.

There is a hybrid tea rose named after her.[13]

She was the topic of a Woody Guthrie song entitled "Ingrid Bergman", which was composed in the year 1950. At the request of Woody's daughter Nora Guthrie, English folk-rocker Billy Bragg and the alternative country group Wilco set these lyrics to music and placed the song on the 1998 hit album "Mermaid Avenue."[14]

[edit] Awards

Year Group Award Won? Film/Play
1944 Academy Award Best Actress[15] No For Whom the Bell Tolls
1945 Academy Award Best Actress Yes Gaslight
Golden Globe Best Actress - Motion Picture
1946 Academy Award Best Actress No The Bells of St. Mary's
Golden Globe Best Actress - Motion Picture Yes
NYFCC Award Best Actress Yes
Spellbound
1947 Tony Award Best Performance by a Leading Actress in a Play Yes Joan of Lorraine
1949 Academy Award Best Actress No Joan of Arc
1956 NYFCC Award Best Actress Yes Anastasia
1957 Academy Award
Golden Globe Best Motion Picture Actress - Drama
1958 NBR Award Best Actress Yes The Inn of the Sixth Happiness
1959 BAFTA Best Foreign Actress No
Golden Globe Best Motion Picture Actress - Drama No
Best Motion Picture Actress - Comedy/Musical Indiscreet
1960 Emmy Award Outstanding Lead Actress in a Miniseries or Movie Yes Turn of the Screw
1961 Emmy Award Outstanding Lead Actress in a Miniseries or Movie No 24 Hours in a Woman's Life
1970 Golden Globe Best Motion Picture Actress - Musical/Comedy No Cactus Flower
1975 Academy Award Best Supporting Actress Yes Murder on the Orient Express
BAFTA
1976 César Award Honorary Award Yes
1978 NBR Award Best Actress Yes Höstsonaten
NYFCC Award
1979 Academy Award Best Actress No
Golden Globe Best Motion Picture Actress - Drama
NSFC Award Best Actress Yes
1982 Emmy Award Outstanding Lead Actress in a Miniseries or Movie Yes A Woman Called Golda
1983 Golden Globe Best Actress in a Mini-series or Motion Picture Made for Television

[edit] Filmography

[edit] See also

[edit] Notes

  1. ^ AFI's 100 Years...100 Stars. American Film Institute. Retrieved on 2006-10-23.
  2. ^ Chandler, Charlotte (2007). Ingrid: Ingrid Bergman, A Personal Biography. New York: Simon & Schuster, p. 21. ISBN 0-7432-9421-1. 
  3. ^ The Official Ingrid Bergman Website.
  4. ^ Gary Moody. All the Oscars: 1944. the OscarSite.com - A celebration of all things Oscar. Retrieved on 2006-12-10.
  5. ^ Adam J. Ledger. Michael Chekhov. Literary Encyclopedia. The Literary Dictionary Company Limited. Retrieved on 2007-03-06.
  6. ^ "Steve Allen". The Mike Wallace Interview. ABC, New York City. 1957-07-07. Transcript.
  7. ^ 1957 Academy Awards. Internet Movie Database. Retrieved on 2006-10-23.
  8. ^ Gary Moody. All the Oscars: 1958. the OscarSite.com - A celebration of all things Oscar. Retrieved on 2006-12-10.
  9. ^ Ingrid Bergman Profile. Cannes Film Festival. Retrieved on 2006-10-23.
  10. ^ Gary Moody. All the Oscars: 1974. the OscarSite.com - A celebration of all things Oscar. Retrieved on 2006-12-10.
  11. ^ "The Punch Line", Las Vegas Review-Journal, 2002-8-26. Retrieved on 2006-10-22. 
  12. ^ The American Film Institute Salute to Alfred Hitchcock. Internet Movie Database. Retrieved on 2006-10-23.
  13. ^ Ingrid Bergman Rose Awards Page. World Federation of Rose Societies. Retrieved on 2006-10-23.
  14. ^ Ingrid Bergman Lyrics. Official Woodie Guthrie Website. Retrieved on 2006-10-23.
  15. ^ In 1944, Bergman's best friend Jennifer Jones won the Academy Award for Best Actress for her work in The Song of Bernadette. Jones apologized to Bergman, who replied, "No, Jennifer, your Bernadette was better than my Maria." Jones presented the Best Actress Oscar the following year to Bergman for Gaslight. Source:Gary Moody. All the Oscars: 1943. the OscarSite.com - A celebration of all things Oscar. Retrieved on 2006-12-10.

[edit] References

  • Bergman, Ingrid and Burgess, Alan (1980). Ingrid Bergman: My Story. New York: Delacorte Press. ISBN 0-440032-99-7. 
  • Chandler, Charlotte (2007). Ingrid: Ingrid Bergman, A Personal Biography. New York: Simon & Schuster. ISBN 0-7432-9421-1. 
  • Leamer, Laurence (1986). As Time Goes By: The Life of Ingrid Bergman. New York: Harper & Row. ISBN 0-060154-85-3. 

[edit] External links

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[edit] Biographical profiles

[edit] Official sites

[edit] Interviews

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[edit] Rich media — audio

[edit] Others

Awards
Preceded by
Valentina Cortese
for La Nuit américaine
BAFTA Award for Best Actress in a Supporting Role
1974
for Murder on the Orient Express
Succeeded by
Diane Ladd
for Alice Doesn't Live Here Anymore
Preceded by
Jennifer Jones
for The Song of Bernadette
Golden Globe Award for Best Actress in a Motion Picture
1945
for Gaslight
Succeeded by
Ingrid Bergman
for The Bells of St. Mary's
Preceded by
Ingrid Bergman
for Gaslight
Golden Globe Award for Best Actress in a Motion Picture
1946
for The Bells of St. Mary's
Succeeded by
Rosalind Russell
for Sister Kenny
Preceded by
Anna Magnani
for The Rose Tattoo
Golden Globe Award for Best Actress in a Motion Picture Drama
1957
for Anastasia
Succeeded by
Joanne Woodward
for The Three Faces of Eve
Preceded by
Jane Seymour
for East of Eden
Golden Globe Award for Best Actress in a Mini-series or Motion Picture Made for Television
1983
for A Woman Called Golda
Succeeded by
Ann-Margret
for Who Will Love My Children
Preceded by
Tallulah Bankhead
for Lifeboat
NYFCC Award for Best Actress
1945
for The Bells of St. Mary's
Succeeded by
Celia Johnson
for Brief Encounter
Preceded by
Anna Magnani
for The Rose Tattoo
NYFCC Award for Best Actress
1956
for Anastasia
Succeeded by
Deborah Kerr
for Heaven Knows, Mr. Allison
Preceded by
Diane Keaton
for Annie Hall
NYFCC Award for Best Actress
1978
for Autumn Sonata
Succeeded by
Sally Field
for Norma Rae
Persondata
NAME Bergman, Ingrid
ALTERNATIVE NAMES
SHORT DESCRIPTION Actress
DATE OF BIRTH August 29, 1915
PLACE OF BIRTH Stockholm, Sweden
DATE OF DEATH August 29, 1982
PLACE OF DEATH London, England, United Kingdom