In the Cage
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| In the Cage | |
 Cover of 1974 Penguin Modern Classics edition of In the Cage |
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| Author | Henry James |
|---|---|
| Country | United Kingdom, United States |
| Language | English |
| Genre(s) | Novella |
| Publisher | Duckworth and Co., London Herbert S. Stone & Company, Chicago |
| Publication date | Duckworth: 8-Aug-1898 Stone: 26-Sept-1898 |
| Media type | |
| Pages | Duckworth: 187 Stone: 229 |
"In the Cage" is also a song by progressive rock group Genesis off their 1974 album The Lamb Lies Down on Broadway.
In the Cage is a novella by Henry James, first published as a book in 1898. This long story centers on an unnamed London telegraphist. She deciphers clues to her clients' personal lives from the often cryptic telegrams they submit to her as she sits in the "cage" at the post office. Sensitive and intelligent, the telegraphist eventually finds out more than she may want to know.
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[edit] Plot summary
An unnamed telegraphist works in the branch post office at Cocker's, a grocer in a fashionable London neighborhood. Her fiancée, a decent if unpolished man named Mudge, wants her to move to a less expensive neighborhood to save money. She refuses because she likes the glimpses of society life she gets from the telegrams at her current location.
Through those telegrams, she gets "involved" with a pair of lovers, Captain Everard and Lady Bradeen. By remembering certain code numbers in the telegrams, she manages to reassure Everard at a particular crisis that their secrets are safe from detection. Later she learns that, after the death of Lady Bradeen's husband, Everard will marry her, though he no longer seems that interested in her. She finally decides to marry Mudge and reflects on the unusual events she was part of.
[edit] Key themes
James frequently sent telegrams (over a hundred are still extant) and he got the idea for this clever tale from his experiences at the telegraphist's office. The unnamed protagonist of In the Cage is actually a typical Jamesian artist, constructing a complex finished work from the slightest hints. Her knack of deducing the details of her customers' lives from their brief, cryptic telegrams is similar to James' ability to invent stories from the tiniest suggestions - an ability he often discussed in the New York Edition prefaces.
Though the telegraphist lives vicariously through her customers to some extent, she is not presented as voyeuristic or abnormal. She never exposes any of her customers' secrets, and her final decision to marry her unexciting but reliable fiancée shows maturity and common sense. She keeps her active imagination under reasonable control, as James himself did. The story does a fine job of filling in the details of the telegraphist's workaday world. She is an early example of that ubiquitous creature of the modern world, the knowledge worker. Her sometimes difficult family life is also described well.
[edit] Critical evaluation
Critics have generally been very kind to this relatively little-known story. The detailed and convincing portrait of the telegraphist has garnered much kudos. More politically inclined critics have appreciated James' ability to present a working-class woman with sympathy and accuracy.
Some have compared the story to The Turn of the Screw, published just before In the Cage. The unnamed protagonists of both stories do display active imaginations, but the telegraphist seems much better grounded in reality. At least she doesn't see ghosts flitting through the post office. A few critics have amused themselves by trying to guess exactly what the telegraphist deciphered from the telegrams between Captain Everard and Lady Bradeen. James himself said that he didn't know and he didn't want to know.
The young lady has read perhaps a few too many ha'penny novels, has a lively imagination and a nearly photographic memory. Her decision to marry her ordinary young man--as soon as possible--is a revolt against her discovery that the necessary "hero" and "heroine" she has created from their telegrams-aren't that at all. Although James sees the telegraphist as a member of her class, surely, the story is not one of class conflict. It is not that she believes all young, wealthy men snd womren are good, only that, well, her wealthy young man and women must surely be. Unfortunately, they prove to be more real than wonferful.
[edit] References
- Tales of Henry James: The Texts of the Tales, the Author on His Craft, Criticism edited by Christof Wegelin and Henry Wonham (New York: W.W. Norton & Company, 2003) ISBN 0-393-97710-2
- The Tales of Henry James by Edward Wagenknecht (New York: Frederick Ungar Publishing Co., 1984) ISBN 0-8044-2957-X
[edit] External links
