Ichikawa Danjūrō IX

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Ichikawa Danjūrō IX 九代目市川団十郎

Born	1838 Sakai-cho district, Edo, Japan
Died	13 September 1903 Tokyo, Japan
Other name(s)	Kawarazaki Sanshō, Kawarazaki Gonnosuke VII, Kawarazaki Gonjūrō I, Kawarazaki Chōjūrō III, Ichikawa Jukai II

Ichikawa Danjūrō IX (九代目市川團十郎, Kudaime Ichikawa Danjūrō, 1838 - 13 September 1903) was one of the most successful and famous Kabuki actors of the Meiji period (1868-1912).

Ninth in the line of actors to hold the name Ichikawa Danjūrō, he is depicted in countless ukiyo-e actor prints (yakusha-e), and is widely credited with ensuring Kabuki stayed vibrant and strong as Japan struggled with modernization and Westernization.

According to one scholar,

Ichikawa Danjūrō, the ninth, was the torch-bearer of Kabuki during the long reign of the Emperor Mutsuhito, known as the Meiji era, which endured for forty-five years (1868-1912). Danjūrō, the ninth, was the bridge that spanned the sudden gulf which yawned between the traditional past and the uncertain and changing modern world. He may be regarded as the saviour of Kabuki during a period when it might have suffered shipwreck, had there not been a man of genius at the helm to guide the craft through the troubled waters.^[1]

1 Names
2 Lineage
3 Life & Career
4 References
5 External links

[edit] Names

Like most Kabuki actors, Danjūrō IX was called by a number of different stage names at different points in his career. "Ichikawa Danjūrō" is traditionally a name earned at the climax of one's career, and kept until retirement. Prior to being granted that name, he was known as Kawarazaki Sanshō, Kawarazaki Gonnosuke VII, Kawarazaki Gonjūrō I, Kawarazaki Chōjūrō III, and Ichikawa Jukai II.

[edit] Lineage

Fifth son of Ichikawa Danjūrō VII, Danjūrō was a direct descendant of the first to hold the name Ichikawa Danjūrō. He had six brothers in Kabuki: Danjūrō VIII, Ebizō VII, Ebizō VIII, Ichikawa Komazō VI, Ichikawa Saruzō I, and Ichikawa Kōzō.

He was adopted by Kawarazaki Gonnosuke VI, and was the father-in-law of Ichikawa Danjūrō X.

Danjuro had two daughters, Ichikawa Suisen II and Ichikawa Kyokubai II, and a granddaughter, Ichikawa Suisen II. Though women were banned from performing in kabuki, they took part in the theater, playing very minor roles and as stagehands.

[edit] Life & Career

Born in 1838, in Edo's Sakai district, the fifth son of Ichikawa Danjūrō VII, his parents were not legally married. He was adopted by Kawarazaki Gonnosuke VI, the head of the Kawarazaki-za theater, where he would begin his acting career. His debut was in January 1845, at the age of seven, and he was given the name Kawarazaki Chōjūrō III.

Just over ten years later, in October 1855, the Kawarazaki-za and much of the city of Edo was destroyed in the Ansei Earthquake. Now known as Kawarazaki Gonjūrō I, the actor began performing at the Ichimura-za. There, he would play Benkei for the first time in July 1859, a few months after the death of his biological father.

Gonjūrō continued performing at the Ichimura-za for many years. In September 1868, his adoptive father was killed by a thief; Gonjūrō would become head (zagashira) of the theater the following year, taking his murdered father's name, and becoming Kawarazaki Gonnosuke VII.

Later that year, Gonnosuke would play the leading role of Katō Kiyomasa in "Momoyama Monogatari". This play was an early predecessor of an experimental form which would come to be called katsureki (活歴). Gonnosuke would later seek to develop and popularize katsureki plays, which sought to reproduce historical events as accurately as possible.

In 1874, Gonnosuke, now known as Kawarazaki Sanshō, began managing and performing once more at the now-rebuilt and reopened Kawarazaki-za. At the reopening ceremony, or perhaps shortly afterwards, he took the honored name Ichikawa Danjūrō IX, which had not been held for twenty years. Danjūrō would give up managing the following year, however, and tour for six years in the provinces of Kozuke and Shimotsuke.

Statue of Ichikawa Danjuro IX

Having returned to Edo (now Tokyo) in 1881, Danjūrō performed for Emperor Meiji at the house of the Minister for Foreign Affairs, along with the celebrated actors Onoe Kikugorō V and Ichikawa Sadanji I, in April 1887. Two years later, in November 1889, he became zagashira (head) of the newly opened Kabuki-za, which is today the principal Kabuki theater in Japan. Unquestionably one of the top actors of the time, Danjūrō performed in the premieres of many plays at the Kabuki-za, and took part in a number of other events of import. By this point, he also had his daughters performing on stage, as kuroko (stagehands) and in very minor roles. In 1893, he performed at the grand opening ceremonies for the Meiji-za theater.

Along with Onoe Kikugorō V, he was very likely the first kabuki actor to appear in a film; Momijigari (Maple Leaf Viewing) was filmed in 1897.

Danjūrō would play Benkei for the last time in April 1899, and made his final appearance on stage in May 1903. He died, in Tokyo, in September of that year.

Danjūrō had many disciples, including Ichikawa Monnosuke VI, Ichikawa Chūsha VII, Ichikawa Shinzō V, Ichikawa Gangyoku II, Ichikawa Raizō V, Ichikawa Gonjūrō, Ichikawa Sumizō V, Ichikawa Dan'emon I, Ichikawa Dan'emon II, Ichikawa Shōzō III, Ichikawa Shinjūrō II, Ichikawa Shinjūrô III, and Ichikawa Danshirō II.