I am Twenty
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| Mne dvadtsat let | |
|---|---|
| Directed by | Marlen Khutsiev |
| Written by | Marlen Khutsiev Gennady Shpalikov |
| Starring | Valentin Popov, Nikolai Gubenko Stanislav Lyubshin, Guylaine Schlumberger, Gérard Hoffman |
| Release date(s) | 1965 (censored version) 1989 (original version) |
| Running time | 189 min. |
| Language | Russian |
| IMDb profile | |
I am Twenty (Russian: Mne Dvadtsat Let, Мне двадцать лет) is a 1961 film directed by Marlen Khutsiev. It is Khutsiev's most famous film and considered a landmark of 1960s Soviet cinema.
The film was originally entitled Zastava Iliycha (known in English alternately as Ilyich's Gate or Lenin's Guard), but it was heavily censored upon completion, trimmed to half its original length, retitled and withheld from release until 1965. A restored 3-hour version was released in 1989, and is sometimes referred to by the original title.
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[edit] Synopsis
The film follows the recently demobilized Sergei, a young man who returns to his Moscow neighborhood after two years of military service. We see the aspirations and realities of his tightly-knit group of friends, as well as the everyday lives of other Soviet citizens.
[edit] Style
I am Twenty is notable for its often dramatic camera movements, handheld camerawork and heavy use of location shooting, often incorporating non-actors (including a group of foreign exchange students from Ghana and the poet Yevgeny Yevtushenko) and centering scenes around non-staged events (a May Day parade, a building demolition, a poetry reading). Filmmakers Andrei Tarkovsky and Andrei Konchalovsky both play small roles in the film. The dialogue often overlaps and there are stylized flourishes that echo the early French New Wave, especially Francois Truffaut's black and white films. The screenplay, co-written by Gennadi Shpalikov, originally called for a film running only 90 minutes, but the full version of the film runs for three hours.
[edit] Production and censorship
I am Twenty began production in 1959[1], during the De-Stalinization period of the Khrushchev thaw, when Soviet society experienced several years of unprecedented freedom of speech.
By the time the film was finished, the thaw was waning and the film's openly critical view of Stalinism was deemed unacceptable, as was the its portrayal of the lives of everyday Soviet youth worrying about money and jobs and listening to Western music. At a speech in March 1963, Khrushchev personally attacked the film and denounced Khutsiev and his collaborators for "[thinking] that young people ought to decide for themselves how to live, without asking their elders for counsel and help."[2]
[edit] References
[edit] External Links
| Preceded by The Gospel According to St. Matthew tied with Hamlet |
Special Jury Prize, Venice 1965 tied with Simon of the Desert and Modiga Mindre Män |
Succeeded by Yesterday Girl tied with Chappaqua |
