I Ain't Marching Anymore
From Wikipedia, the free encyclopedia
I Ain't Marching Anymore | |||||
---|---|---|---|---|---|
Studio album by Phil Ochs | |||||
Released | 1965 | ||||
Recorded | 1965 | ||||
Genre | Folk | ||||
Length | 50:54 | ||||
Label | Elektra | ||||
Producer | Jac Holzman and Paul A. Rothchild | ||||
Professional reviews | |||||
Phil Ochs chronology | |||||
|
I Ain't Marching Anymore was Phil Ochs' second LP, released on Elektra Records in 1965. Dispensing with second guitarist Danny Kalb, Ochs performs alone on twelve original songs, an interpretation of Alfred Noyes' "The Highwayman" set to music (much as Poe's "The Bells" had been set to music on the previous album) and a cover of Ewan MacColl's "The Ballad of the Carpenter".
Of the twelve originals, probably the most noted was the title track, with its distinctive trilling guitar part, that spoke of a soldier sick of fighting. Also of note was the album closer, "Here's to the State of Mississippi", a biting criticism of that state's lack of civil rights and general bigoted attitude. Other important songs include "Draft Dodger Rag" (assailing those "red blooded Americans" who were in favor of US participation in the Vietnam War but did not fight because they were just summertime soldiers and sunshine patriots), "That Was The President" (a tribute to John Kennedy written soon after his assassination), "Talking Birmingham Jam" (which used the melody to "John Hardy" to assail the racist leaders of Birmingham) and "Links on the Chain" (attacking labor unions for not being all-inclusive).
Ochs showed great thematic versatility on the album, including not just blatantly anti-war or protest songs but also poetry (Alfred Noyes, John Rooney, and Ewan MacColl) and some songs his followers probably didn't want to hear. He noted, for instance, in the liner notes that his Marxist friends couldn't understand why he wrote "That Was the President," dryly adding that that was one of the reasons he wasn't a Marxist. He showed more socialist sympathies with the songs "The Men Behind the Guns" and "Ballad of the Carpenter," with its memorable lyric "Jesus was a working man." (Ochs wrote in the liner notes that "songs like this" were one of the reasons the State Department blocked Ewan MacColl from entering the U.S., adding that this was unwise given "the quality of culture in America.") However, ardent socialists were probably unhappy with the song "That's What I Want to Hear," in which Ochs tells an out of work man to stop begging and do something about it. Among more traditional protest songs, the most pointed might be "Iron Lady," about the death penalty, with the memorable line "And a rich man never died upon the chair." (The "iron lady" in the title referred to the electric chair.) Ochs wrote that "in the future, intelligent men will read in amazement about the murder of Caryl Chessman," a rather unequivocal condemnation of the execution of a convicted rapist. But hard hitting songs like that and the title song were softened with sentimental and even romantic songs like "That Was the President" and Noyes' "The Highway Man." And while critical, songs like "Draft Dodger Rag" and "Talking Birmingham Jam" used humor rather than harsh rhetoric to make their points.
On the 2001 CD reissue, an alternative electric version of "I Ain't Marching Anymore" follows "Here's to the State of Mississippi". Released as the A-side of a British 45, it had first appeared in the States on the now out-of-print 1997 box set Farewells & Fantasies.
[edit] Track listing
- "I Ain't Marching Anymore" (P. Ochs, 2:37)
- "In the Heat of the Summer" (P. Ochs, 3:08)
- "Draft Dodger Rag" (P. Ochs, 2:13)
- "That's What I Want to Hear" (P. Ochs, 3:10)
- "That Was the President" (P. Ochs, 3:26)
- "The Iron Lady" (P. Ochs, 3:37)
- "The Highwayman" (A. Noyes, with musical interpretation by P. Ochs, 5:42)
- "Links on the Chain" (P. Ochs, 4:20)
- "The Hills of West Virginia" (P. Ochs, 3:21)
- "The Men Behind the Guns" (J. Rooney, with musical interpretation by P. Ochs, 3:03)
- "Talking Birmingham Jam" (P. Ochs, 3:13)
- "The Ballad of the Carpenter" (E. MacColl, 3:54)
- "Days of Decision" (P. Ochs, 3:14)
- "Here's to the State of Mississippi" (P. Ochs, 6:02)
- "I Ain't Marching Anymore" (electric version) (P. Ochs, 2:50) +
- + = bonus track on 2002 CD reissue
[edit] Participants
- Phil Ochs - vocals, guitar
- Jac Holzman - production supervisor
- Paul A. Rothchild - recording director
- with the Blues Project:
- Roy Blumenfeld - drums on "I Ain't Marching Anymore" (electric version)
- Danny Kalb - guitar on "I Ain't Marching Anymore" (electric version)
- Steve Katz - guitar on "I Ain't Marching Anymore" (electric version)
- Andy Kulberg - bass on "I Ain't Marching Anymore" (electric version)
- Al Kooper - piano on "I Ain't Marching Anymore" (electric version)
[edit] Media
Phil Ochs |
Discography |
---|
Studio albums: All the News That's Fit to Sing • I Ain't Marching Anymore • Pleasures of the Harbor • Tape from California • Rehearsals for Retirement • Greatest Hits |
Live albums: Phil Ochs in Concert • Gunfight at Carnegie Hall • There and Now: Live in Vancouver 1968 • Live at Newport |
Other albums: The Campers: Camp Favorites • Interviews with Phil Ochs |
Posthumous releases: Songs for Broadside • The Broadside Tapes 1 • A Toast to Those Who Are Gone • The Early Years |
Posthumous compilations: Chords of Fame • The War Is Over: The Best of Phil Ochs • There But for Fortune • Farewells & Fantasies • American Troubadour • 20th Century Masters: The Millennium Collection: The Best of Phil Ochs • Cross My Heart: An Introduction to Phil Ochs |
Related articles |
Topical song • Protest song • Civil Rights Movement • Opposition to the Vietnam War |